This is a beautifully drawn, well-written 2019 graphic novel format biography of ¨The Twilight Zone¨ great Rod Serling - discussing his meteoric rise in television script writing/production and subsequent crash, due to ill-health -- driving himself to an early death probably from overwork, smoking, and alcohol. The black and white color scheme of the book pays homage to the original ¨Twilight Zone¨ series, which was narrated by Serling and taped in B&W.
Throughout his life, Serling challenged the establishment - but in the end, the establishment defeated him as he over-extended himself, writing around the clock, barely meeting deadlines - the stress that smoking and working so hard must have placed on his heart probably led to his death at age 50 from a heart attack.
Serling initially struggled to have his scripts that critiqued social justice topics presented on television - but they were always censored, changed by the networks in accordance to the wishes of the sponsors, who did not want to rock the boat by ¨upsetting¨ the viewers. In ¨The Twilight Man,¨ the character of Serling says: ¨No dramatic art form should be dictated and controlled by men whose training and instincts are to sell consumer goods.¨ He abandoned that struggle once it was clear it was impossible to win against the network censors - and turned from dealing directly with social problems of the day to dealing with them indirectly through sci-fi or horror scripts and ¨The Twilight Zone¨ series. Since ¨The Twilight Zone¨ shows usually concluded with the narrator (Serling) pointing out the moral message of the story - Serling was still able to convey his ideas on some aspect of morality or social justice through the sci fi or horror stories of The Twilight Zone TV series.
Serling wrote the television drama ¨Requiem for a Heavyweight¨ - dealing with the decline of a boxer´s life, when he is no longer in demand as a boxer, can no longer win, and has become a laughing-stock. The boxer protagonist says in the play when he is urged to leave boxing in accordance with medical advice, since his mental capacity has been adversely affected by his career in the ring: ¨But...I dunno anythin' but fightin´!¨ Although the play was a major hit on TV, was even remade around the world in a number of languages, and was also was made into a film - Serling was sick of fighting the network censors. Years later, when Serling taught writing, the book has him telling his students about the subject of the play: ¨There´s something inherently tragic in the sport of boxing. Harlan ¨Mountain¨ McClintock [the protagonist of ¨Requiem for a Heavyweight¨] is not a victim of his own choices, but a victim of the system.¨ Like the protagonist of ¨Requiem for a Heavyweight,¨ despite railing against the inhuman establishment, he too was eventually used up, physically destroyed, by the system.
The epilogue to the book is an essay called ¨Beyond the Zone¨ written by Koren Shadmi, the author and artist of the ¨The Twilight Man.¨ In it, he discusses his own fascination with ¨The Twilight Zone¨ series, how he saw re-runs of the original series on TV growing up in Israel, and eventually began wondering about the show´s creator, Rod Serling. Discussing the era and context of the series, and why it was such a hit, Shadmi writes: ¨Serling was, after all, a product of World War II --a war that was perhaps the greatest traumatic event in the history of humanity.¨ The show in presenting scary stories in the aftermath of a frightening era which was followed by another frightening era -- the Cold War, held up a symbolic mirror, reflecting people´s anxieties, and as with the horror genre in general, provided an emotional escape - as well as catharsis. With respect to the relevance of Serling´s sources of inspiration to present-day events, especially the sense of the world spiraling out of control with the election of Trump, the rise of nationalism, identity politics, political binaries and polarization, Shadmi goes on to say: ¨After all, Serling had grown up in a world that had gone completely nuts. He had lived through war and seen senseless death and killing firsthand [when he saw action including getting wounded at Leyte in the Philippines in WWII]. He had returned to an all-powerful America, a country on the rise, yet in a state of deep terror of the atomic bomb. Anxiety and uncertainty were in the air, and Serling was able to channel them, perhaps better than anyone, in the then modest and still formless medium of television.¨
This graphic novel format biography of Rod Serling can be enjoyed at one sitting - is well worth it, and to me at least, is one of the best recent graphic novel books. I highly recommend it to anyone interested in media, television, and above all, Serling and ¨The Twilight Zone.¨