4.5⭐
‘The Way of Kings – Part 1 and 2’
A gripping and immersive introduction to the vast world of Roshar and a stunning masterclass on the Art of Worldbuilding. A typically spellbinding final sequence as well as the prospect of what this world could become has had me dancing around the house like Van Damme from that bar scene in ‘Kickboxer’ for the best part of an hour (If you haven’t seen it, do yourself a favour).
Browsing through Goodreads, it has come to my attention that there aren’t nearly enough reviews of this underrated book for people to make an informed decision on whether to read it or not. So here it is, lucky review number 20,428… Seriously though, I’ll keep this as brief as possible.
“Oh, and Elhokar? Your mother and I are now courting. You’ll want to start growing accustomed to that.”
- Dalinar, The Ruthless
The worldbuilding here is as immense as you could expect in the first book of a 10-part series. If Sanderson were a sculptor, I feel like ‘Way of Kings’ would be him just performing the initial “roughing-out”, just creating a general shape of what this series will become. Though we are only exposed to a “small” amount of the magic, lore, races, animals, plant-life, cities and environments in this world, we are given a glimpse behind the curtain at what to expect in coming novels and honestly, it’s game-changing. The world is alive!
The different races all have unique quirks whether with regards to their physical appearance, their speech or their culture and philosophies. The animals and plant-life have evolved to suit the harsh, rocky, desolate landscape of Roshar which is regularly consumed by devastating highstorms. Most animals have rough carapace exteriors which they can envelope themselves within while plants and bushes can retreat back into the ground or retract their leaves and branches when in danger.
There is a shamed religion, Vorinism, that we learn once tried to exact power on the Alethi people and is paying for it to this day. We learn of Heralds (Warriors and Servants of the Almighty) who rose from damnation once a millenia to fight in the ‘Desolation’ only to return to another Millenia of torture as well as the 10 Orders of the Knights Radiant who once fought an evil known as the Voidbringers but are believed, in this age, to have betrayed mankind on the ‘Day of Recreance’. We know little of this so far but if Epic Fantasy is your thing, I don’t think it gets more epic than this.
There is both civil and interracial conflict on multiple levels, including the inevitable discrimination that comes with multicultural societies. In Alethi society, Bright eyes vie for power against other bright eyes, using the lesser dark-eyed Alethi along with individuals of other races such as the Parshmen as slave power to achieve their goal. Achieving power and glory within their own society sees them warring with the Parshendi, a race they know little about but who seem to be a distant relative of their docile slave Parshmen and at least partially seem to operate within some type of hive-mind. There is evidence to suggest that the Parshendi are highly intelligent beings but upon their land are highly coveted assets known as gemhearts and so the Alethi portray them as barbaric monsters in order to discredit their claim on land or possessions. Much like our own precious Europeans did to… Um, pretty much all indigenous people worldwide. I include all these details in order to show just a minute amount of the dynamic, vibrant and living world that Sanderson has created and hopefully give a sense of the general flavour of the novel.
The magic system, SO FAR, doesn’t hold a candle to that of the ‘Mistborn’ Trilogy. It seems ridiculous to mention that, being the first book in such a large series this is bound to improve exponentially. In fact, Mistborn’s magic system is still expanding and evolving even in Era 2. The other factor is that this book already had so much to introduce, so much ground to cover that it would probably have been impossible to delve too deep into what I’m sure will be a very complex system. What we have seen so far has been pretty cool. Magical equipment such as shardblades/shardplates and purpose built fabrials as well as wind-running, lashings and soulcasting have so much potential. I really don’t even feel worthy of commenting on Sanderson’s magic systems to be honest (We’re not worthy, we’re not worthy) … *Ahem*, moving on.
This tale is told from an abundance of perspectives but we are, more often than not, seeing things from the perspective of Kaladin Stormblessed, Dalinar Kholin or Shallan Davar. I said I’d keep this brief so I won’t go into their individual arcs but they are all fantastic. I didn’t really have a favourite but by the same token didn’t have a least favourite.
If anything, I was probably drawn to Dalinar for his unyielding moral integrity in the face of so much resistance.
But then, Kaladin’s sense of responsibility/duty to protect those around him and his battle and consequent rise from depression and self-doubt were admirable too.
And Shallan’s perspective has Jasnah, whom I’d give my left nut to stand in the same room as, so you know, tough choices. I found the inclusion of a scholar’s perspective to be a really smart move by Sanderson as he could potentially flood us with info-dumps here if he wanted and be like, “Well, they are scholars!”. Thankfully, it never feels that way.
I do have a couple of negatives to include, believe it or not.
The first is a run of abysmally shit humour from Sanderson. Mainly from both Shallan and Wit during the first third of the book but also some real boooo inducing moments from Kal as well. I understand Sando’s not a comedian but wow, there were some real tumbleweed moments!
“Each man has his place. Mine is to make insults. Yours is to be in-sluts.”
- Wit (What??)
Unfortunately, I felt like the large majority of the big revelatory moments in the final chapters were too obvious. Sanderson gives a lot of hints throughout the book and I just found that I was guessing most of what was going to happen with only a couple of exceptions. He still executes those moments well so it’s not a major issue.
The character Kabsal. He said some real weirdo type shit when he was creepily trying to get in Shallan’s pants and I thought, “Hmm, that’s not like Sando, he’s probably being a creep for a reason, but it’s weird that Shallan is digging it”, but no, I genuinely think Sanderson thought the lines that he gave Kabsal were smooth pick up material… Well, fucking no my man! It was slimy and gross and I got the impression that Kabsal probably had some sort of wank altar decorated with pictures of Shallan so please… Work on that!
There is a scene near the end of Part 1 where Lopen calls Dabbid a “Moolie”. I 100% expect that Sanderson is unaware of it being an old derogatory Sicilian word used to describe black people and he doesn’t use it in that way (Lopen says it’s because Dabbid doesn’t talk much) but how in the world does that get past all of the beta-reads and editing without being picked up.
Finally, if anyone is discouraged by the length of this book, there is absolutely no need! I read this 1000+ page monster in about the same time I’d read a 500-600 page book and was really never bored. Strangely, the last 10 pages or so was hard to read as I was having some intense flashbacks of all the characters arcs going through my head, putting everything together which was making it hard to concentrate. But I think that’s just a symptom of the revelatory final sequence. It finishes with so many unanswered questions that I would’ve hated to have been one of the many people who had to wait for the next book. Luckily, I don’t have to! Happy reading.