I’m hoping I’m not alone in saying this: I really miss the Star Wars Expanded Universe, and I’m really conflicted about the “new canon” of Star Wars started in “Episode VII: The Force Awakens”. While I’ve enjoyed the new offerings from J.J. Abrams and Rian Johnson (in “Episode VIII: The Last Jedi”), I haven’t quite enjoyed them enough.
Don’t get me wrong: I really liked both movies, and I’ve found many things to love about this new canon, but it hasn’t captured me in quite the same way that the SWEU captured me, starting with Timothy Zahn’s wonderful Thrawn trilogy. Starting with the first book in that series, “Heir to the Empire”, (published way back in 1991), the adventures of Luke Skywalker, Princess Leia, Han Solo, Lando Calrissian, Chewbacca, C3-PO, and R2-D2 carried on in a series of stories, post-”Episode VI: Return of the Jedi”.
Dozens of writers added to the exploding SWEU, producing hundreds of novels, comic books, and video games that fans still cherish, almost 30 years later.
I’m actually getting kind of tired of talking about it, as I’m sure many new young fans are tired of hearing us old SWEU fans kvetch about it, but it’s difficult to just disregard 30 years worth of stories and forget they never existed, which is essentially what Abrams et al want us to do with this new canon.
I have definitely been disappointed in the novels of the new canon, but I hold out hope based on two things: 1) the TV shows being produced with the help of Disney, most notably “The Mandalorian”, which is one of my favorite new shows I’m watching (actually, the only one currently), and the proposed new shows coming to Disney Plus in the next several years; and 2) the numerous graphic novels I have read, put out by Marvel. They are some of the best-written and gorgeously-drawn graphic novels currently on the market, in my opinion.
Rebecca Roanhorse’s new novel in the growing new canon, “Resistance Reborn”, is a lead-in to the latest movie, “Episode IX: The Rise of Skywalker”. (I have not seen the movie yet, so don’t worry: I have no spoilers to reveal, accidentally or intentionally.)
On its own merits, the novel is decent. Roanhorse is a talented writer, and her novel carried my interest. Unfortunately, that’s all it did.
As a “filler” novel, Roanhorse had her hands tied. I’m sure that there was plenty of stuff that she wished she could have included in the novel but probably wasn’t allowed. As a result, the novel feels like its missing something.
The plot is a simple one: the Resistance, which was beyond decimated in the Battle of Crait (see “The Last Jedi”), has come upon the existence of a list of political prisoners belonging to the First Order. Poe Dameron is in charge of a rescue mission to Corellia. If the prisoners---outspoken senators, scientists, professors, journalists, or anyone who had the audacity to criticize the First Order---are safely rescued, it would be the first really good news since the destruction of Starkiller Base. The hope is that the news would spread to all the planets who are on the fence about joining the Resistance, giving them some incentive to actively defy the First Order.
There’s potential in this novel but not a lot of pay-off. Or action. The one thing Roanhorse actually did pretty well was incorporate a lot of loose-end storylines from previous new canon novels, most notably Chuck Wendig’s “Aftermath” trilogy, Claudia Gray’s “Bloodline”, and Christie Golden’s “Battlefront II: Inferno Squad”. She even throws in a mention or two of characters from the TV show “Star Wars Rebels”.
While this was fun, it didn’t hide the fact that there was a pretty skeletal storyline that she was working with.
I’m hoping that after “The Rise of Skywalker”, the writers of the new canon will have a bit more creative freedom to write storylines that aren’t constrained by corporate pressures, much like the writers of the old canon seemed to have when George Lucas was their overlord. He may have had the final word on what was published and what wasn’t, but the SWEU never felt constrained the way the new canon does. It never really felt like propaganda meant to sell a franchise. Undoubtedly, it was, but it never felt like it.