The first one might still be my favorite, but unlike the second book, I think I appreciate the risks taken here. While I feel like the storyline centered around Emanon and her brother wasn't bad, I do think it distracted a bit from what makes Emanon work.
This time, we find out that Emanon has lost her memory. It doesn't seem like each volume ends and begins where the last left off, which still throws me off a bit. I think it makes it easier to make each volume stand on its own, but it also has to balance the line of feeling like past storylines have either been forgotten or retconned.
Story-wise, this is probably the best of the bunch. But after reading three volumes back to back, I think the simplicity of the first volume is what I like the best. I think this story toned down the complexity of the last book, but what I did really enjoy was the lack of dialogue. The story didn't rely on that; instead, the art elevated everything.
I truly believe the art has gotten better with each book, but what I wish Dark Horse would do better with is consistency. The last book was filled with color illustrations, but this one has a fraction of that, which is disheartening because the color really does make everything pop in a natural way.
Lastly, the afterword confirms that there are more stories to come, but unfortunately the rights to publish those have yet to be secured. There was an estimate that book four would release in 2020, but as of September of 2022, that is still nowhere in sight. I really hope we get the next book sooner rather than later. Because Emanon, as a character, has me hooked.