'Clinging to a painful past will only poison the present. But the future is still there to be made'.
***MINOR SPOILERS AHEAD***
It's November. What better time to snuggle by the space heater with a middle-grade book about snow and adventures and magic?
Actually, to tell you the truth, I had to read Frostheart for work, and probably wouldn't have thought to pick it up otherwise, but all the same. November is a good time for cosy book reading.
This book, with its colours and its artwork, is probably the most beautiful I've bought all year, and I love a good middle-grade fantasy as much as the next person, so I was quite looking forward to reading Frostheart. Unfortunately, it didn't quite live up to its gorgeous cover.
My main issue is that it wasn't middle-grade. It was a children's book. The main character seemed to be about 11 or 12, but it read like a book for younger children. I didn't massively enjoy Frostheart, and I don't know whether it's because it wasn't a good book, or if I was just too far from the target audience, but if you're feeling generous, you can go with the latter.
THE GOOD:
- The concept was so original - if Frozen didn't already exist, I'd say it could be the plot of a Disney or Pixar film or something.
Genuinely, I loved the idea of our world being covered in snow, of new civilisations (or 'Strongholds') springing up amidst the mountains and forests, of sleighs traversing the snowy plains, in search of adventure.
I also loved the idea of Song-Weaving, a complex, magical art, which involves communication through auras.
What world-building there was was also very well done, in terms of learning about the different Strongholds, and the people who lived there, each with their own beliefs, traditions, spirits, and festivals.
- The character diversity was brilliant - because the Frostheart crew had been gathered from all different Strongholds, we had characters of different ages, races, genders, and even species. So I think anyone reading Frostheart would feel represented, even if they're a walrus, or miniature fox.
- I couldn't post this review without mentioning the STUNNING artwork. Not only is there the glorious, shiny, colourful cover, but even the page edges were sprayed dark navy, with nordic looking silvery patterns.
And all that before you even open the book!
The pages are filled with drawings of the characters, the creatures, and the landscapes. And they're all done by the author himself. It's evident that Jamie Littler has poured his heart and soul into bringing the story to life.
- I quite liked Ash, our protagonist. Even though he could be naive, and occasionally bratty, I liked that he was flawed, because it made him more believable.
I especially loved his relationship with Tobu - his grumpy yeti guardian. They had an interesting dynamic, and I liked how they ending up becoming a (dysfunctional) family unit, after both losing the families they had.
- It was funny sometimes, which was a nice surprise. Not like laugh-out-loud funny, but there were a couple of lines that made me smile.
THE BAD:
- Like I say, Frostheart was written for children, so I suppose it's not all that surprising that it was predictable. But
man,
was it predictable.
I think even eight year old me would've had no trouble figuring out how things were going to play out.
The ending, for example, took me by surprise just by how incredibly
obvious
it was. I'd actually written it off as a possible conclusion, because I thought surely, even in a children's book, the author isn't going to make the incredibly evil-seeming, dark, mysterious outcast, whom no one but Ash trusts, the villain is he? And it's not going to be written like some big reveal, even though everybody and their dog saw it coming from about a mile off, is it?
But, alas, that is exactly what happened. I would've liked more twists and turns.
- I also had some issues with the pacing. The book is 439 pages long, so a decent length, but most of it was very slow, with lots of development, and not much actual plot. I found the first 3/4 of Frostheart kind of boring.
The end of the book really picked up, and it was quite gripping in the last few chapters, but it was all so sudden. The climax of the book came way too quickly and abruptly, and just as soon as it came, it was very swiftly (and conveniently) over.
THE UGLY:
- Although there was a bit of world-building, and what was there was quite good, I felt that one of Frostheart's biggest problems was that a lot of things were unexplained.
The Song-Weaving stuff, for example. I know that it was supposed to be all mysterious, a lost art, but it felt like the concept of humans and monsters communicating through song was flung in our faces, with no context.
So, we first learn about auras, and how there are good auras and bad auras, and the auras can come together - either in battle or harmony - during the Song-Weaving. Towards the end of the book, we are shown that the auras can have full-on conversations, and so what the power of Song-Weaving actually means ends up getting lost and tangled up somewhere along the way.
Also, some of the Pathfinder enemies are never given any background - the Leviathans being the main ones.
So, they're monsters that hide in the snow, there are different kinds (Lurkers, Hurtlers, Gargants, etc.) and everyone is terrified of them, but what are they? Where did they come from? Can they think for themselves, or are they mindless killing machines? We never know.
Same with the Wraiths - these horrifying pirate gangs, who make a brief appearance somewhere around page 292.
What's their backstory? Who are they? What do they want?
Again, it might've been quite interesting to know.
I also would have loved to have heard a bit more about the World Before, and how it became the icy wasteland we see in the book.
- This last point is difficult to define. I just felt that Frostheart was lacking...
something.
It's a children's book about a group of adventurers in a sleigh, and it should've been absolutely delightful. But I just felt like it was missing some spark of joy, or charm, and it was a bit of a shame.
OVERALL:
I'm sure I would've enjoyed Frostheart a whole lot more if I'd been seven or eight. Although it wasn't as cute and memorable as I was hoping, it wasn't without its good points, and I guess some people would find it magical, so if you're a child, or have a child, then I would 100% recommend this.