I think Benjamin Percy might be my favorite contemporary author. His mixture of literary fiction and genre fiction, usually horror, is always gripping, and his prose style, with its use of specialized verbs and swallowing, goring feeling like you're being chewed up and left breathless, is amazing. All the stories in Suicide Woods have a similar thematic strain of things that are seemingly inhuman making attempts at being human; the people or supernatural things that exist at the fringes of society, that feel a kind of alienation from everyone and everything. What follows is a scoring by story
The Cold Boy - 4/5 - This one had a spooky, ethereal quality, about a boy who escapes a frozen pond and seemingly becomes someone who thrives in the cold.
Suspect Zero - 3/5 - Maybe I'm too stupid to get this one. I was left a little confused and disoriented by it, but it has some great imagery in it.
The Dummy - 4/5 - I like the mysterious quality of the nature of the Dummy, and I got a sense of the characters being fleshed out, but they were still missing something. A couple more pages dedicated to character might've helped.
Heart of a Bear - 5/5 - I had a big ol' shit-eating grin reading this, a story about a bear attempting to live like a human, but then it got real dark real fast and left me a little hurt, which I suppose is its greatest quality as a story: to move from an almost light-hearted comicness to a sense of dark urgency in the snap of a finger.
Dial Tone - 4/5 - One of the stories in here closer to reality, about a telemarketer's darkest thoughts as he works his dayjob. Does a pretty good job of showing the detachment from humanity the characterizes this collection.
The Mud Man - 5/5 - Another favorite, because it got so bizarre and it seemingly ends on a non-note when you think it's going to end like a monster movie. A teasing yet brilliantly written story about making space for things in your life.
Writs of Possession - 5/5 - Probably the closest story in here to straight-up literary fiction, a collection of interwoven short pieces about homes or possessions being repossessed, and the humans at the heart of those - people who failed to pay their bills, or sell their homes, or homeless children looking for a place to stay. Heartbreaking.
The Balloon - 4/5 - Apparently this later emerged as his novel The Dead Lands, in which a virus is going around killing people except for the main characters, and it explores the sense of alienation and hate they experience by those around them for being resistant to the sickness. Really poignant and relevant to our times.
Suicide Woods - 5/5 - harrowing. Hopeful at times, but ends on a surreally dark note of juxtaposed images and feelings.
The Uncharted - 5/5 - the novella-length piece that ends the book, about a real-life place in Alaska called the Bermuda Triangle where people have gone missing. A straight-up horror story, and one with characters that both feel real and archetypical at the same time, and very hard to put down. This one made me feel like I was out of breath the whole time.
A pretty great collection overall, and I think something that can and should cause the reader to reflect on the more detached, inhuman feelings and moments in their lives, the things that make them feel monstrous and they know are wrong, but can't help but feel anyways.