Well, considering how many of the Little People, Big Dreams series books I have in fact actively despised both narrationally and considerably more often illustratively, Maria Isabel Sánchez Vegara's introduction to French-American Jazz Age dance legend and superstar Josephine Baker happily and fortunately does present a generally informative and engaging enough for the intended age group successful combination of the author's featured narrative and illustrator Agathe Sorlet's accompanying pictures (with more than sufficient biographical details to give an informationally adequate general portrait of Josephine Baker, including and indeed most importantly, her heroic WWII career as a spy working for the French Resistance in Nazi occupied France, but of course also not yet mentioning that Josephine Baker was bisexual and that her first of four for the most part unhappy marriages had actually occurred when she was only thirteen years of age).
However, personally, I do kind of also wish that Maria Isabel Sánchez Vegara had not portrayed France as some kind of a racially tolerant and liberal Eden-like paradise compared to the United States. As while there certainly was considerably less segregation and overt racism in early to mid 20th century France than in the Jim Crow United States of that time, considering that during WWII, that during the Vichy Regime, aside from members of the French Resistance fighting both actively and clandestinely against Nazi occupation, there were also rather many so-called collaborators who readily and often seemingly happily would denounce and betray Jews and other ethnic minorities to the National Socialists, France obviously was in my humble opinion not quite as avant-garde and as laissez-faire tolerant as Maria Isabel Sánchez Vegara would have us believe in Josephine Baker.
Accompanied and graced by Agathe Sorlet's joyfully exuberant illustrations, which although a trifle too cartoon-like for my tastes and sometimes a wee bit vague with regard to human facial features, totally and utterly do glowingly present especially Josephine Baker's inherent talent for dancing and her joy of movement whenever she performed, I have actually and surprisingly rather enjoyed Josephine Baker, and consider it one of the all too few instalments of the Little People, Big Dreams series which yes, I consider worthy of three stars or more and would even recommend.