Considering that when I was in high school, most talk of and about Dolly Parton usually tended to centre not so much on her musical talents and her career but more on her cleavage and her many cosmetic surgery procedures (especially with regard to her breast size), I am indeed rather majorly happy that Maria Isabel Sánchez Vegara has chosen in Dolly Parton (one of the more recent instalments in the Little People, Big Dreams series) to generally ignore this and to for the most part concentrate on Dolly Parton's music career and her important charity work (except to very briefly mention that Dolly Parton loves to wear elaborate wigs and quite a bit of make-up). And indeed, text-wise, I would definitely consider Dolly Parton with probably a standard four star ranking (with the only minor shortcoming for me being that I honestly do think that Maria Isabel Sánchez Vegara should be mentioning that Dolly Parton and her husband Carl Dean have been married for more than fifty years now, and this especially considering how often marriages end in divorce particularly in the entertainment industry).
However, as much as I have both appreciated and enjoyed Dolly Parton from a narrational and textual point of view, I cannot really claim that I have in ANY MANNER found Daria Solak's accompanying illustrations aesthetically pleasant and even all that realistic (according to Dolly Parton's life story). For one (and very much importantly in my opinion), Dolly Parton is known to have come from very humble and actually as she herself usually points out "dirt-poor" stock. And therefore, it really feels visually awkward to say the least for Dolly Parton as a young girl to be depicted by Daria Solak as owning/riding a horse and living in a simple but rather large and well maintained ranch style type of home (for even if young Dolly Parton does not look like she is oozing wealth, it still appears as though her family and her are pretty well off materially which simply is not the truth, which simply was not the truth during Dolly Parton's childhood). And for two, I am sorry, but those red cheek patches that EVERYONE depicted in Dolly Parton seems to have, they appear fake, they look artificial, they look as though someone simply just painted a bunch of annoying red clown nose type marks on everyone's faces, making the accompanying pictures to and for my eyes look rather trashy and also making Dolly Parton (and actually every single human being depicted and drawn by Daria Solak n Dolly Parton) seem and visually represent themselves as rather cheap and artificial. Therefore, four stars for Maria Isabel Sánchez Vegara's narrative, for her simple but delightful, effective verbal portrait of Dolly Parton's life and music career but only one star for Daria Solak's rather annoying accompanying pictures for an average of a low three star ranking for Dolly Parton (and once again yet another promising storyline in the Little People, Big Dreams series that has been totally shafted and thwarted by problematic, strange and unnatural, unsuitable looking artwork).