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368 pages, Paperback
Published June 6, 2019
Wow I really should have just quit reading this series when I was ahead. I was a bit wary going in as having a whole book covering what in my opinion should have just been an epilogue of Jack and his sister reuniting at the end of book 8 was a bit of a red flag but I was tempted in by the prospect of closure.
After my less than stellar experience of reading 'Hostage' from Bradford's bodyguard series last year I probably should have realised my patience had run out for his 'method writing' style. The young samurai series has never been a favourite of mine but when I was a teenager I really enjoyed it and I wonder if this book had come out back in 2012 if I would have liked it then. The first and most glaring issue with this book is that the Young Samurai series was distinctive for its setting and switching out Edo period Japan for Jacobite England is a huge change which I feel is not handled particularly well. After all being attacked by ninjas, , is only plausible in one of these settings and Bradford's explanation as to why this happens was really really stupid. The main characters also continually compare England and Japan with the consistent conclusion that Japan is much better and oh-so-civilised and insert another paragraph of blathering about Japan's complete superiority in everything. I personally found the comparison extremely vexing as it is ultimately a comparison of upper class Japan and working class England and of course it isn't going to match up if you look at the best of one country and the worst of another! Admittedly Jack starts off on the opposite tune and loudly declares how great England is for the first few chapters at every opportunity while completely oblivious to his friends' discomfort.
I wanted to smack Jack for most of the book as he was absolutely insufferable and often selfish while still somehow being blander than a rice cracker. This desire was apparently shared by almost every side character as a good 90% of the people he meets decide on the spot to try and kill him, frame him for crimes that will probably get him killed or just generally torment him and will apparently go to any lengths to do so. I don't know about anyone else but if I personally come across someone I don't even know being a bit annoying I don't make it my new life's goal to end them? It makes absolutely no sense and brings me to my next complaint: historical accuracy.
I will say here that I do not expect much in the way of historical accuracy - if the book was written in period accurate English I would not be able to read it! - but I expect characters to refer to each other in a way that doesn't break all immersion. Encountering a knight, insulting said knight and then wondering why the authorities take the knight's side being a prime example. This book is set in a time where ancestry and connections were everything and Jack thinks he can just saunter up to whoever he likes and talk down to them?? It reads like Jack has never even been to England before, or was isekai'ed into Edo period Japan from present day England and doesn't want to tell anyone he's from the future. This is particularly egregious due to the author's boasts about method writing - which only seem to have extended to the martial arts and little else.
And speaking of the martial arts, it wasn't even that good? Jack has spent the entire series training and getting stronger and then spends the entirety of this book getting his arse handed to him. What happened? This effect seems to be purely localised to Jack and his friends keep on having to save him.
I will say there was a section in the middle of the book that I almost enjoyed but apart from that this book actively undermines the previous ending in book 8, which while unsatisfying works much better.