If this title makes you think of “Shadow and Bone” (hey, hey, now available in its Netflix form), then that’s the correct association. It is a similar kind of world, though I think the heroine of Shadow and Bone was a little more interesting.
I have chosen this book from my monthly Prime Reading offering. I never expect too much from these books, but they do serve well as ‘beach/airplane’ reads (assuming, we will get to do those things again).
This was mostly a painless read with a plot that moved forward at an acceptable speed most of the time and kept me interested (not to the point of foregoing sleep, mind you). It’s your very classic story of a special girl, who doesn’t know how special and magical she is. A handsome boy falls in love with her, and bad guys are after her. At least it wasn’t insta-love.
This is not a criticism. I do go into books like these, expecting exactly that. But, of course, I wouldn’t be myself if I haven’t listed all my quibbles about it.
First of all, the two things the plot hinges on seem rather illogical to me. The magical ability that our heroine Sandis possesses is that she is an excellent vessel for some mythical otherworldly monsters, which can take control of her body and change her into the said monster (in Sandis’s case it’s a fiery horse of sorts). The monster is controlled by the main bad guy, who uses the monsters to threaten and extort people and other such things. The monster can burn or otherwise damage the poor individual. Now, the bad guy has a whole army of thugs at his disposal that would be able to perform these kinds of activities with ease, so I’m not sure why the bad guy resorts to such complicated and costly rituals. He imprisons a whole group of teenage kids, keeps them well fed and healthy, so that he can use them to threaten or even kill some people. Seems like an absurd business model.
Our heroine seems resigned to her fate, her spirit is broken and her entire family is dead. And there would be no story, if she hadn’t noticed in some bank ledger a listing of a person with her last name. As the last name is quite rare, she is convinced it’s some cousin or uncle of hers. For some bizarre reason she is convinced that if she can find this man, man she had never heard of before, man her parents never mentioned, then the dude will save and protect her from the main villain in town. So she decides to run away from her captivity which proves easy enough and starts her adventure. She meets a handsome boy and to him she also promises her mythical uncle’s help. I understand magical thinking in dire straits, the notion of hanging on to some illusion that would solve all your problems, but come on now.
Generally, the whole plot is running away from the bad guy who is always one step behind, and searching for the uncle all over the city. Sandis’s only motivation is her hope that her actions will lead to someone else saving her. Save yourself, girl! You’ve discovered you can summon and talk to your monster, for the love of god. Everyone will be afraid of you.
Other than that the author seems to have some gaps in her general knowledge, because that’s the only reason I can think as to why she named the city the action takes place Dresberg, and the country Dresberg is in – Kolingrad. For half the book, I couldn’t quite understand which city the action takes place in – Dresberg or Kolingrad, and had theories that maybe it’s two cities that have now merged into one etc. It just hadn’t occurred to me that Kolingrad could be a name of the whole country. The same way you wouldn’t think Kolinville or Kolintown is a country; -grad ending in Slavic languages denotes a town (you know, Belgrade, Kaliningrad, Stalingrad). Even if you don’t know any Slavic language, I would think it’s something people intuitively know. Apparently not. If you’re going to use other people’s cultures in your fantasy, just a minimum Wikipedia research, please. Also, the author called her oppressive Kolingrad’s government “Triumvirate” and I don’t think she knows what it means. Triumvirate is a political regime where the ruling is done by three people (or institutions), but who these three people/institutions are is never acknowledged or even alluded to, so I strongly suspect the author has just chosen this word because she liked the sound of it. (In the same way lots of fantasy novels nonsensically use the word ‘protectorate’).
My last point of this gentle rant is that it is again a fantasy book written by a very Christian American author and it SHOWS. American puritanical Christianity seems to have no problem with violence, guns or brutal murders, but god forbid someone had sex. Their obsession over “purity” and virginity is frankly unhealthy. So of course the magical rules of this world are such that the “vessels” can only be people who have never had sex. Sandis will lose her ability to host her fiery stallion if she loses her virginity. I don’t think I have to explain to anyone how toxic and absurd this virginity concept in our culture is and how toxic all these tales are, which promote this notion that three minutes of a magical male penis can so change the woman on a molecular level and rearrange her whole being that she would become a different person with different abilities. Please, for once and for all, let’s retire this ‘virgin with special powers’ trope. Let’s never publish another book with it. At least in this book, it’s both boys and girls that need to remain ‘pure’ and don’t even get me started on THAT word, let’s end this review here.