Entertaining, Regency, romantic suspense
Madeline Deveridge is notorious among the ton as the Wicked Widow, because rumor has it that she murdered her husband shortly after their wedding. Her dead husband practiced the mystical meditation and martial arts techniques of Vanza, which originate from a monastery on the (fictional) island nation of Vanzagara. It is because of him that she is in possession of the information that wealthy, reclusive Artemas Hunt is a Vanza practitioner as well. She knows as an absolute fact that her husband is dead, but someone who looks like him, and is a Vanza practitioner like him, keeps showing up around London. She considers him to be the primary suspect behind suspicious deaths that have occurred among some reprobate aristocrats. Madeline needs someone to help her figure out what is going on, and only another Vanza practitioner will do.
I enjoyed the relationship between Madeline and Artemas very much. They are equally matched in intelligence, integrity, perseverance, and courage. As is often the case with JAK's romantic protagonists, there are entertaining, light moments of levity in the form of repartee between Madeline and Artemas, which are a welcome relief between intense bouts of action and adventure. I also chuckled at Madeline's description of Artemas to her aunt as, "mature yet still agile." Her aunt teases her about it multiple times over the course of the novel.
No age is provided for Madeline or Artemas but, given the fact that all of JAK's historical FMCs tend to be between 25-28, and her MMCs, whether historical or contemporary, tend to be between 35-39, I would guess that Madeline is around 26 and Artemas is around 37.
This novel was first released almost 25 years ago in 2000. It has held up well over time and does not feel dated in the author's approach to writing this story. Other than the fact that, unlike a large percentage of current-day historical romances, it does not contain excessive amounts of anachronistic lust scenes. To me personally, as a major fan of the romance genre, one of its most frustrating tropes is that unplanned pregnancies occur frequently in contemporary romances due to the FMC and MMC's irresponsibly failing to utilize readily available contraception, but in historical romances, during points in history where there was no reliable birth control, the FMC virtually never experiences an unplanned pregnancy, even though she and the MMC frequently engage in uninhibited bouts of unprotected sex. In addition, the aristocratic MMCs, who have had mistresses, and some have even gone to brothels (I'm looking at you, Loretta Chase), improbably, almost never have any bastard children and are never infected with STDs. In contrast, in all of JAK's romances, whether contemporary, historical or futuristic, there are only a couple of sex scenes toward the end of the novel, which are emotionally satisfying and avoid any crudeness of language or behavior, and her MMCs never have a history of promiscuity.
This is the second time I have read this novel. The first time I rated it 3 stars, but this time around it was a 4-star read for me. Maybe because I had just been disappointed by a whole string of romance novels, and I am grateful to JAK that I can always count on her for a well-written romance, with equally strong co-protagonists and none of the sex issues I just described.
I obtained free access to the audiobook version of this novel through Hoopla. It is narrated by the fabulous Barbara Rosenblat, who has voiced many novels by JAK. She always does a wonderful job. She is able to convincingly perform characters of all ages and genders and many different accents.