This is actually one of the more fascinating and haunting books I’ve read in quite some time. Even the way the author rolls you into the story and characters is unusual, and kind of creeps up on you such that the entire world and its inhabitants seep into your very skin. I’m actually not usually that drawn to stories wrapped around ancient mythological characters and/or biblical figures, but this one was done in such a unique and ‘real-feeling’ way that it’s nothing like books I’ve read before that tackle this basic premise.
In this, Dillin’s first novel in the Fate of the Gods series, you have Adam and Eve as odd “exceptions” in a world filled with humans, very human-seeming gods, somewhat temperamental angels and with the “One God” a shadowy figure in the background, whose motives remain murky throughout much of the book. I got the impression that the other gods, which include those from pretty much every pantheon over the history of human civilization, are essentially “squatting” in the general vicinity of Earth, hoping to maintain their home there and filled with uncertainty about their ability to do so on the One God (Elohim’s) graces. Relatively silent throughout the books, the “One God” himself, whose world it truly is, acts primarily through his instruments, the angels, who can be terrifying in their own right and whose “goodness” isn’t always without question.
Despite her ability to incarnate over and over again, while retaining all of her memories, Eve is an incredibly human and likable character, one who essentially lives normal lives and marries normal men and has their normal children. Seen as ‘The One God’s grace” by some, or his heart and compassion in the world, she is later viewed as a threat by a number of the lesser gods, for reasons to do with jealousy, fearing the unknown and the political maneuverings of several of the gods themselves. One of these, Thor, takes it upon himself to ensure her safety, however, and employs a number of other gods to assist him in this task, notably Athena, who is another subtly-drawn and very real-seeming character.
Eve’s brother, Adam, on the other hand, is an incredibly volatile (yet increasingly, oddly likable) character, who weaves a more mixed and ambiguous path through history. Eve has been warned by the angels, Michael in particular, that if she ever were to have a child with Adam, it would undo the world, and rather than let that happen, Michael would kill her and the child before it could be born. Therefore, much of Eve and her brother’s past history together has involved Adam chasing Eve and Eve fending him off or avoiding him, with the help of Thor, the angels (who made Adam forget for centuries who he was), and a family with whom Eve has ties that stretch back to the very beginning of creation, and the Garden itself. Nonetheless, it grows increasingly clear that Eve and Adam’s relationship contains contradictions and complexities that don’t make for simple conclusions, no matter how black and white it seems on the surface.
Honestly, this is a difficult book to summarize, in that so much of its appeal comes from watching these histories and characters unfold. The narrative switches back and forth between three main time periods and two primary narrators, which should probably be confusing but somehow isn’t. Together these different strands paint portraits of the main characters through time, from Eve’s first confused interactions following her “birth,” to Thor seeing her on the streets of ancient Egypt and realizing she is not ‘human’ in the strictest sense, to France, where Eve is on the verge of marrying when Adam storms back into her life, bringing chaos and confusion and not a small amount of empathy for his own plight.
The ending jarred me, if only because there is so clearly more to this story, the world and its characters. If I hadn’t known it was a series, I might have chucked the book into a wall (ha), but as it is, it only made me look forward to seeing how the rest of Dillin’s narrative unfolds.
A unique, hauntingly beautiful story, and definitely worth the read.