" . . . [w]e need to champion the notion that all human beings are equal and deserve to be treated as such.
"We need to be alert to the dangers and nip them in the bud." Justs Rosenberg, The Art of Resistance, page 273.
So Justus Rosenberg, the blond-haired jewish boy who became an active member of the French Resistance, later an academic, ends his wonderful memoir, giving us the lesson his lifetime as someone fearful but unafraid, extroverted but made cautious by war, compassionate and sensitive in a way that makes his story almost poetic. He promises us more of his life in books to come. I hope he is true to his promise and live long enough to meet that goal. For our sakes.
Many, if not most, memoirs are written, in my opinion, to reinforce an author's fame or to justify a well-known author's next career move. My experience has been, unfortunately, that within the first 50 pages, the brain loses focus, the eyelids become heavy, and thoughts of 'what's for dinner' appear. None of this applies to this gift of a memoir Rosenberg offers here.
Rosenburg is hardly a household word, except to those knowledgeable about the Gaullist Resistance during the Second World War and he has never held political office or been a television news commentator. During his work life, he held professorships in English and foreign languages at Swarthmore and Bard, among other professional credits. In 2017, though, at age 95, Rosenburg was awarded the French Legion d'Honneur, the highest honor awarded by France, for his underground activities with the 636th tank destroyer battalion, an American unit which invaded France with the goal of seizing France and the world's beloved city of Paris back from the Nazis.
But Rosenburg's skills and what he calls the confluence of circumstances permitted him to survive the War when everyone he knew (he was Jewish, living in Danzig) was threatened with extinction as would he have been had he not taken advantage of every opportunity presented him to engage in Resistance. Rosenberg asks what I believe is the most important question about Hitler's unresisted ability to implement the horrors of the Holocaust, a question I have been trying to find certainty about since my days as a college history student 50 years ago:
"What was it about this man (Hitler) that could inspire such hatred?" (page 39). He does not, indeed he cannot, answer this question if my experiences are relevant, but he does show that Hitler, by his theatrics and cult-like appeal reversed German democracy and, unabated and unresisted, carried out atrocities against Jews and Roma that is unimaginable, all under the colour of the fiat laws Hitler imposed and judges Hitler appointed.
The work is a beautiful work of prose and Rosenberg's fondness for people and life shines through.
For example, he describes his first sexual experience with a friend of his mother, in a way I have never read before never once describing the sexual act itself, but as fond memory that seems to grow fonder as age advances. When I read this early in the book (pages 20-23), I recognized instantly that I was about to be treated to some very captivating writing and an extraordinary story. This assumption was reinforced when he wrote about the "flanerie" of Paris, that "attitude of curiosity and open-mindedness--not taking anything for granted. . . . [F]lanerie was not at all about detached observation, for when I lost touch with my own feelings" (page 62). Rosenberg's statements about flanerie describe him, too, I believe. It was his extroversion and his openness to observations that gave him the tools to do his work in the Resistance.
I recommend this book to anyone. People who want to experience or learn what good writing is should study this book for its style, clarity, and purposefulness. Rosenberg, at 98, promises 3 more work. Hurry up, Gussie, I'll be first in line to read them.