While this was certainly better than its predecessor, I still had a lot of trouble investing in the story and characters, and feel like more time could've been taken to tell a better, more fully fleshed out story. This certainly isn't the worst novel I've ever read, but felt very much like a cheap knock-off of Sarah J. Maas's A Court of Thorns and Roses series. I had high hopes going into this book, but was unfortunately disappointed by its execution.
Bright Burns the Night resumes ten years after the events of Dark Breaks the Dawn, with Evelayn trapped as a swan and Lorcan ruling over both the Light and Dark kingdoms as king. Once a year, Lorcan comes to Evelayn and transforms her back into a Draiolon to ask her to Bind herself to him, and every year she refuses. This year, however, Lorcan is unable to transform Evelayn back into a swan due to his weakening power. After shepherding Evelayn back to her former castle, she learns that not all has been as it seemed in the ten years since she's been gone. Tanvir never really died (and has been hiding dark secrets from her), Ceren has Bonded with Quinlen and had two children, and the sinister Ancient Mathair Damhan has returned to collect Lorcan's half of a deadly bargain made years ago. Desperately trying to save their dying kingdoms, Lorcan and Evelayn must team up to defeat Mathair Damhan and reclaim their power... before it's too late.
This book, while slightly more entertaining, suffered from many of the same problems that the first book fell victim to. The plot was rushed, the world was never fleshed out or fully developed, and the characters felt shallow and one-dimensional. I could tell that Larson was attempting to imitate Sarah J. Maas, as the dynamic between Tanvir, Evelayn, and Lorcan greatly resembles the dynamic between Tamlin, Feyre, and Rhysand in A Court of Thorns and Roses. Tanvir turns out to not only be alive, but hiding the fact that he manipulated Evelayn to help Lorcan seize power for ten years. For some reason, however, Evelayn decides that Lorcan is somehow still the better option after imprisoning her for ten years as a swan and wreaking emotional terror or on her subjects. This made little sense, and wasn't explored enough for it to feel like a genuine plot point.
Also like the first book, Bright Burns the Night shoves many characters into the fold who serve little purpose. Letha, Tanvir's sister, is one such character. Presumed dead in the first book (literally nobody except the bad guys and Evelayn's parents STAY dead in this series), Letha is revealed to be alive near the beginning of the book. She then joins Tanvir in hunting down King Lorcan to murder him, only to botch the attempt and harm Evelayn instead. After this, she serves literally no purpose to the plot other than being an implied love interest to Lorcan's brother Lothar, who serves more of a purpose but still not enough for me to feel invested in him. Evelayn's aunt appears exactly once, further proving she didn't need to exist, and Quinlen is swept under the rug, existing only to be Ceren's housewife/arm candy during the novel.
Another disappointing factor in both of these books is that the world is never explored or fleshed out. The lore is poorly explained, and many of the cities and locations on the map in the front of the book are never mentioned. In A Court of Thorns and Roses, Prythian feels vast because the characters spend a lot of time traveling to different locations, spending enough time in each one that we really feel a sense of the scope of the world. In this book, however, the characters go straight from the palace to the Undead Forest where Mathair Damhan lives. The characters progress from point A, to B, to C with little fanfare, as if Larson is checking off plot points in her mind as she goes.
Speaking of Mathair Damhan, I got EXTREMELY tired of the overly complicated and contrived names of each character. It feels like Larson literally used a fantasy name generator to name the people and places in her story, and most of them are ridiculous and hard to pronounce. On top of this, the universe she has created has very little stakes; every character who dies in the story (with the exception of the baddies and Evelayn's mom) is given a Deus Ex Machina and brought back to life as a reward for completing the story, as if Larson couldn't commit to killing off even one of her many pointless characters. Tanvir and Letha are both miraculously alive at the beginning of the story, Lorcan is brought back to life by the Ancients, and even Lothar is nearly killed off TWICE only to be magically brought back by ridiculous means. It got to the point where I stopped worrying about character deaths, because I knew that Larson would likely just find a way to bring them back. This killed all of the suspense, and drastically lowered my investment in the story.
I was also frustrated by the poorly written relationships in this novel, from Tanvir and Evelayn to Evelayn and Lorcan. In fact, the only relationship I even believed was the one between Lorcan and Lothar, which is perhaps the only praise I can give this book. I was genuinely interested to learn more about their history and the abuse they suffered at the hands of their father, but this was often side-lined to focus on annoying things like the forced romance between Evelayn and Lorcan. While it was still more believable than the relationship between Evelayn and Tanvir, I still didn't care who she ended up with.
For all this story rushes to the end of the road, it leaves many questions unanswered. For example, what happens between Lothar and Letha? How do the two leaders begin to rebuild a kingdom without their powers and magic? Does Evelayn ever learn to forgive Tanvir, and does he come to terms with his own role in deceiving her? What the hell happens with Lorcan's mother? Does she accept Evelayn as her son's Mate? Does anyone ever manage to find Evelayn's missing aunt? This book was short enough that it could have easily added an epilogue that skips a few years ahead, but instead leaves us dangling with the meager scraps of a bland romance at the end. We don't know what happens to the two kingdoms; in fact, the entire book treats them as if they don't matter. No, what REALLY matters is playing around in the woods, squabbling over nothing, and trying to convince the readers to invest in a bland romance that feels forced. If this book had slowed down and spent more time developing the world and the lore, I might've enjoyed it a lot more.
This book not only disappoints me because I really wanted to like it, but because it could have easily been a middle grade alternative to Sarah J. Maas. There is no sexual content or excessive cursing, nor is the story particularly violent. Anyone who has read Maas knows that her work is very graphic, and this could've been a great recommendation for younger readers not quite ready for A Court of Thorns and Roses. Instead, this book feels like a cheap knock-off, trying to execute the same plot devices as Sarah J. Maas... but doing so very poorly.
Eveything about this novel just felt lackluster, and I found it hard to invest in any of the characters or anything that was going on in the story. I hate to slam an author's work, as I know how much effort must have gone into this duology, but I've read so many fantasy titles at this point that I've seen all of the tropes in this book done ten times better. Because there is so much fantasy on YA shelves these days, readers can be a lot more picky about what they choose to pick up. This series is, unfortunately, one of the many bland fantasy stories that can easily be skipped in favor of a much better read.