I gained an enormous appreciation for this great artist when my father, after telling me about a Fonteyn/Nureyev performance he had seen in Europe, bought me this book. It's a fully-fleshed out biography and leaves no stone unturned (although I could have done without a salacious comment or two allegedly made by Constant Lambert...that taught me nothing about Margot, her artistry, or her life). Her work ethic was something for the ages, and there will never be another like her. Her simplicity, economy of movement and her adherence to truth (at least in dance) were her hallmarks. She's the Peggy Fleming (or the Michelle Kwan) of the dance world.
While reading this book, I became so fascinated that I repeatedly went to YouTube to watch taped performances of "Romeo and Juliet", "Sleeping Beauty" and "Swan Lake". (I never was able to locate "Ondine", unfortunately.) Her personal life after she marries Roberto De Arias reads like a complete reinvention, fueled by denial and some sort of self-loathing, it seems to me. Nevertheless, Daneman manages to capture the woman inside the artist (or is the artist inside the woman?), and I'm grateful to my dad for introducing me to this true icon.