If I’m being completely honest, The Borrowers Afloat is probably my least favorite of the series so far. I still really liked it and continue to be charmed by the story, but something was slightly off in the pacing.
The story begins right where the last left off, with Pod, Homily and Arrietty Clock finding refuge and shelter with long-lost Uncle Hendreary, Aunt Lupy, and their brood of children. But despite their warm welcome, it is immediately apparent that the Clocks are a burden on the Hendrearies, and Lupy especially does not make much effort to hide her unhappiness at having to take in her poor relatives. There’s only so much unwelcome feeling and self-righteous charity a person can take, be they human or Borrower. So when Tom Goodenough warns Arrietty that the humans are about to vacate the cottage, meaning at least one of the families will have to set out in search of a new home, it only moves up the timeline on what was likely an inevitable split.
This was probably my favorite way that Mary Norton expanded her story: the truth that as much as Borrowers fear and hide from humans, they also need them to survive. It’s nearly impossible for a Borrower to survive completely on their own, oddities like Spiller excepted; even when living in the field, the Clocks relied on human castoffs like the boot they used as shelter. Without humans in the house, the Borrowers face the equivalent of a famine.
So, unable to stay living on the Hendrearies’ charity even if they wanted to, the Clocks set out again. This begins the “afloat” part of the story, as they make their escape from the shuttered house via a drain and a waterpipe. This is where my issue with the book’s pacing comes in. The Borrowers don’t actually get on the water until the last third of the book, and the remainder of their time afloat is spent on the journey toward their new home. I was hoping for a closer look at what life in the Borrower equivalent of a houseboat or canalboat would be like, but instead this portion of the story is more of a harrowing (for a middle-grade book) adventure. For my money it wasn’t nearly as engaging as simple living would be, especially with the reintroduction of Roma character Mild Eye as a returning enemy. I did, however, really love the growth the characters show, particularly Homily, who has become much stronger and more resilient than even she would have believed possible.
Even with it being the weakest of the series so far, The Borrowers Afloat remains a solid and charming children’s fantasy. But I will weather my expectations for the next book, The Borrowers Aloft, and won’t be expecting Arrietty and her family to discover the joys of hot air ballooning.