Quince is the seventh graphic novel/trade paperback release, and incidentally the third in a trio of consecutively released youth-oriented superhero stories (after Yehudi Mercado’s Hero Hotel and Stefano Terry’s The Gamma Girls), from Fanbase Press. Created by Sebastian Kadlecik (one of the masterminds behind Fanbase Press’ Penguins vs. Possums), written by Kit Steinkellner with Emma Steinkellner on art duties, Quince was originally being released digitally on the 15th of each month at comiXology. The Quince trade paperback collects all fifteen issues of the series’ run.
The story encompasses the entire year of high school sophomore Lupe, whom on the night of her quinceañera, is bestowed with superhero powers. Over the course of the year, she secretly trains under her grandmother, (who also received quince-super powers while she was fifteen years old), and juggles having a crush on a boy, difficulties with homework, fighting crime and eventually coming head-to-head with a classmate who also stumbles upon superpowers, but elects a darker path on using them.
As with Fanbase Press’ prior releases of The Gamma Gals, Quince focuses on marginalized characters, and in this instance, a Hispanic female teenager. Quince goes a one step further than The Gamma Gals in that is incorporates more cultural depictions. Lupe’s quinceañera and its importance is the obvious cultural depiction, along with the many Spanish-language colloquialisms that pepper the dialog and the various floral patterns on Lupe’s outfits (both her normal clothing and her superhero-garb) which are inspired by designs used on traditional Mexican dresses.
Though Quince is a superhero comic, the quantity of action and fighting sequences is extremely low: the focus is mostly rooted on Lupe and her development as a character. Lupe is a truly standout character and she is exceptionally funny. At times snarky, at times teenage angst, and at times simply going for a joke, Lupe delivers and her facial expressions compliment her (perhaps incidental, but definitely not acknowledged) wit perfectly. The supporting cast, particularly Lupe’s grandmother and little sister, provide many opportunities of great banter and fun dialog, giving everyone tight knit relationships. All the characters are drawn in distinctive and expressive ways, especially in their facial expressions.
While the characters are smartly realized, Quince falters on depicting background and environments. Exterior buildings are often featureless boxes, lacking even windows. Walls are flat and two-dimensional, lacking texture and are often in a singular colour. The world of Quince may be populated with diverse, interesting and nicely-realized characters, but the world itself is bland and uninteresting.
This is perhaps the only fault with Quince, and its truly overshadowed by how lovable the characters are. Though a teen, Lupe has moments of being whiney, but it is never being off putting or annoying to the reader: she is relatable to them. The ending moral of Quince is a variation of “not all superheroes need to wear capes” motif, but its underscored with other elements: bullies that stop being bullies and other folks striking friendships with unlikely people. It’s a positive comic book, and told in a fun fashion with Lupe at the helm.