This is the most incredible book ever. So many years later, it is still as good as when I first read it in ’81. It is a very different type of mystery, but that is why it stands out to me. The writing is beautiful. It was written by the same ghostwriter as The Sinister Omen and Enemy Match, so fans of those awesome stories will be blown away by this one. I have included formatting information at the end of my review.
Here is the plot:
Nancy is on an Emerson College tour of Austria. Their tour leader, Dr. Bagley, is acting suspicious, but he then reveals to Nancy that he is on a mission. Ten orphaned children from an oppressed Iron Curtain country must be smuggled across the border into safe Austria, where they will then be sent to family and friends. Dr. Bagley is worried because a couple of things have gone wrong and he doesn’t want anyone to sabotage the important mission.
In other news, there is a film festival in Austria, and Kurt Kessler, a resident of River Heights but originally from an oppressed Iron Curtain country, has made a powerful documentary about the oppression of civil rights in his country. But the film is stolen and the negative is destroyed, so Nancy is on another mission now: find the film before the festival deadline. The criminals also want Kurt Kessler for ransom, so he is in danger.
There are theories that this book and some others were originally meant to be a part of the Hardy Boys series, but were for some reason rewritten for Nancy Drew. I am also a huge Hardy Boys fan, and I think that these theories make a lot of sense.
Now, here are six reasons that can only begin to describe why I love this book:
1. The writing is excellent. It’s not flowery, even though I love elegant writing, it’s simple and holds your attention while still having a certain grace about it that takes it up a notch. The scenery is also beautiful, and for those who do not love “travelogue” Nancy Drew books, don’t worry. You do get to learn some cool things about Austria (mostly Mozart), but it is not thrown in your face like some of the earlier travel stories. Austria is really the perfect setting for this book, and of course the beautiful but brief descriptions bring the country alive to you.
2. The book is meaningful. The lives of the orphans and Mr. Kessler are on the line, and there is a deadline or eleven parties may find themselves literally dead (that sounds like a Files catchphrase, doesn’t it?). But it is this danger that makes Nancy work so much harder, and the mystery so much more meaningful. Money is one thing. Lives are another. You can tell that Nancy cares so much about ten children that she has not even met, and they are in the back of her mind with every action she takes. This is the Nancy Drew I love. The book has so much emotion, that even one-dimensional characters take on feelings and life.
3. The story is a little different from the others because of the villain. Most Nancy Drew books have Nancy searching for clues as to who did it. Here, we meet the villain early on. We know that it’s him, we just have to prove it. He kidnaps Nancy and Ned, but once they escape, he keeps following them. That may sound boring and weird, but I would not be writing this review if it was. And the villain is incredibly terrible. He seems so smart at times, and so stupid at others. This makes him a richly psychological, deep villain, who has important reasons as to why he is terrible, unlike other books that just have some dumb poor guy who wants money. The last chapter sees the villain unmasked, and it is explained why he is the way he is. It was fascinating, what happened to him and how it got him in this place. I definitely didn’t see that twist coming!
4. OK, another great thing about this book is the non-stop action. Nancy barely has time to come up for air while she investigates this crazy plot. It is one suspenseful, nail-biting scene after the next, but it does have some well-placed comic relief with the bus driver and just friendly jokes that Nancy makes with her friends. But there is so much going on that the book is impossible to put down. I started reading it one night and it flew by rapidly, only after I stopped to look at the clock did I have a sense of passing time again. The end is thrilling and has a sort of Sound of Music feel when Nancy brings the children safely over the Austrian border.
5. Now, you may be thinking “OK, cool, but this book is really outdated. It was published in 1981. The Iron Curtain and Czecoslovakia don’t even exist anymore. Why should I read something so old?” Well, here’s why. This stuff is really important to know about. I’ve lived through the entire Cold War and I remember feeling so grateful that I was safe in a stable democracy. I could only begin to imagine what it might be like living in Eastern Europe at the time. This is an important part of history that I think there should be more material for children on. But also, despite its theme, the book really doesn’t feel that dated when you read it. There are lots of references, of course, but not enough that the story can be discarded for a few things that need to be brought up to date. You don’t really notice the things that aren’t current when you read the book.
6. The title! It works on so many levels. First of all, the stolen film is called Captive Witness. When Nancy and Ned are kidnapped, they are captive witnesses to whatever Herr Guttermann is going to do to them. When Nancy sees the film, she is a captive witness as she doesn’t know where she is (read the book, it will make sense). The ten children and millions of residents of the oppressed countries are captive witnesses to whatever their corrupt government wants to do. But while reading this story, you will be a captive witness to the incredible events that take place within these 186 pages.
When I finished this book for the first time, I was on a sort of happy high for a week. It’s just an incredible book, and somehow, I feel very safe when I read it. I keep a copy next to my bed for if I feel sad in the middle of the night and need cheering up. I really hope that you will read it and enjoy it. If you can, get a copy with the illustrations because they really are beautiful.
Now I can’t really put how much I love this book into words. But I really tried, and I hope that you can understand how much it means to me.
For your convenience, I have put some details about the different cover arts below so you can choose the one you want, and the ISBN numbers as they appear on the book. I have all of them, so I hope that the information will be useful. Thank you for reading my review.
First edition: Ruth Sanderson cover art, illustrations. Published from 1981-1985 by Wanderer. 186 pages.
Paperback ISBN: 0671423614
Hardcover ISBN: 0671423606
Second edition: Hector Garrido cover art. Published in 1986 by Wanderer (I think that might have illustrations) and from 1987-1989 by Minstrel (this is the copy of this cover art I have, it does not have illustrations). 182 pages (unabridged text, but illustrations are cut.) Paperback.
ISBN: 0671624695
Third edition: Linda Thomas cover art. Published in 1990 by Minstrel. 182 pages, for the same reason as the Garrido cover above. Paperback. It does not have illustrations.
ISBN: 0671704710
Scholastic edition: Kinuko Craft cover art. Published in 1981 by Scholastic under the title “Captive Witness Mystery”. 186 pages. Paperback. Has illustrations.
ISBN 10: 0590328573
ISBN 13: 9780590328579
Glossy flashlight hardcover edition: A portion of the original Ruth Sanderson cover art (cut a little to fit format). Published in 2005 by Grosset and Dunlap. Has the original illustrations, with the picture on page 88 being used as the frontispiece (although it also appears inside of the book). 186 pages. Hardcover.
ISBN: 0448436957 and 9780448436951