Review 3/14/22:
Compulsively readable, chick lit dramedy
Ava Nickerson is a 29-year-old, well paid, corporate attorney in Los Angeles who hasn’t had a date in over a year, and the last one she had was a total bust. She is conservative to the point of being dowdy in her dress, extremely introverted and shy, and very responsible about her obligations and her personal finances.
Though Ava and her 26-year-old sister, Lauren, look very much alike in their basic facial features and slender figures, unlike her frumpy sister, Lauren is obsessed with beauty and fashion. So much so that she is a shopaholic when it comes to clothing, and is up to her ears in debt as a result. She has recently been evicted from her apartment for owing back rent, and has been fired from her job as a fashion buyer because her boss found out her credit rating is irresponsibly low. She decides to leave New York City, where she has lived since graduating from college, to come home to Los Angeles and live with her mother, Nancy, who is going through chemotherapy for breast cancer.
Soon after Lauren arrives in town, Ava learns about her sister’s debts and is determined to help her get her life on track. Ava tricks Lauren into seeing a debt-consolidation adviser, and pressures her into signing an informal contract with herself, promising to cut up her credit cards and avoid spending a penny on anything but dire necessities for the next six months. Lauren is so embarrassed by Ava’s treating her like a recalcitrant teenager, she is determined to get even. The perfect opportunity arrives when, at their parents’ home, Lauren stumbles upon a joke contract from twenty years ago, signed by Nancy Nickerson and Lana Markowitz, betrothing eight-year-old Ava to thirteen-year-old Russell Markowitz. Lauren asks Ava’s highly efficient administrative assistant at her law firm to track down Russell, and sets up a meeting between herself, Lauren and Russell at a restaurant, thus beginning Lauren’s matchmaking efforts to get Ava and Russell together for real.
Meanwhile, after living with her parents for less than a week, Lauren asks Ava if she can stay with her instead, because their father, Jimmy, is convinced the best possible life plan for flakey Lauren is for Jimmy to pay for her to train to be a dental hygienist, so she can snag a prosperous dentist as a husband, and he won’t shut up about it. Ava knows that Lauren will bring endless chaos into her small, tidy, one-bedroom apartment, and her life in general, but she is feeling rather lonely and alienated, and soon Lauren has moved in and is sleeping on Ava’s couch.
This story is told from the alternating points of view of Ava and Lauren. There are four, main, interconnected relationships which form the core of the action in this novel: Ava and Lauren, Lauren and Nancy, Ava and Russell, and Lauren and Daniel, a man she meets at the hospital, where his mother and Lauren’s mother are both undergoing chemo. Each relationship is vividly portrayed, and each character fully and colorfully revealed via their dialogue and behavior.
In heterosexual chick lit, the core message typically amounts to this: heterosexual women should cynically distrust romance, because decent, caring, heterosexual men are almost impossible to find. Instead, work on yourself, your own self-sufficiency and maturity, and look to female relationships if you want loyalty and stability (even if some of your female relationships include female relatives who are, much of the time, aggravatingly self-centered and often downright idiotic--in this book, that is Lauren). If there is dating or an initial romantic relationship in chick lit, those connections are doomed to failure, because they represent choices the heroine has made in her immature state. A healthy, committed, romantic relationship, with an emotionally mature, financially stable man, is a reward the heroine can only achieve via a successful growth arc across the novel from clueless immaturity, to a state of rational, compassionate, humbled maturity. Unlike in a romance novel, the romance is not the main plot, but is a relatively small subplot.
This is very much the pattern that Ms. LaZebnik follows in her chick lit. What sets her stories apart is the brilliant way she weaves together captivating themes within the heroine’s various relationships that amplify each other. In this novel, there is a clever and compelling twist provided to the theme of female distrust described above in the form of the intriguing, multi-layered character, Russell. Rather than the female main characters, Ava and Lauren, being burned out and cynical about men, in this novel, it is the twice-divorced Russell who is burned out and cynical about women—and with very good reason, starting with his mother. Lana Markowitz is a self-obsessed narcissist, who never protected him from his father who, from Russell’s earliest childhood, shamed him continually with homophobic slurs for having a sensitive, metrosexual personality, rather than marching lockstep in his father’s toxic-masculinity footsteps. And when Russell ended up working in the fashion industry, it put him completely beyond the pale with his father.
I really enjoyed the fact that it isn’t just the two sisters, Ava and Lauren, who have a strong growth arc across the course of this novel, but Russell does, too. Even though we are never allowed to experience his point of view, and for most of the book, Ava is a classic “unreliable narrator” in her perceptions of Russell and his motives, CL is such a fantastic writer, the reader is able to see how kind and generous Russell really is, long before Ava gets beyond her own insecurities and is able to see it as well.
As for Lauren, it fascinated me that, though at the beginning of the novel she is presented as seemingly nothing but an irresponsible, addicted shopper, living her life in a totally superficial way, over the course of the novel, deeper layers of her personality are gradually revealed, and she becomes quite lovable by the end of the novel.
Finally, this book contains something that that I absolutely adore: plenty of witty banter, both between Ava and Russell, and between Ava and Lauren. I frequently laughed out loud at the conversational volleys between them.
All in all, this is a book I have read several times, and will no doubt read again in the future, in spite of the fact that I am, in general, not at all a fan of the chick lit genre. However, this book is so well written, I found it hard to put down once I picked it up. It is a classic case of a “compulsively readable” novel.
I rate this book as follows:
Heroine Ava: 5 stars
Heroine Lauren: 5 stars
Romantic Interest Russell: 5 stars
Subcharacters: 5 stars
Sister Plot: 5 stars
Ava/Russell Romance Plot: 5 stars
Writing: 5 stars
Overall: 5 stars
Reread 12/24/24: This is still a dependably satisfying read for me. I agree with everything I stated above in my previous, glowing review.