This follow-up to the compelling Missing, Presumed which introduced the most relatable female detective in the world of crime fiction, DI Manon Bradshaw, has a markedly different feel to her debut appearance. Whilst she is back with a bang, this second case is portrayed from a much more personal bias given that it circles dangerously close to Manon’s nearest and dearest. In search of the futile perfect work-life balance, DI Manon Bradshaw has returned to her old stomping ground; the Major Crimes Unit of Cambridgeshire Police. Frustrated by the associated difficulties of bringing up her black adopted twelve-year-old son, Fly Dent, and the worry of institutionalised racism which left him an easy target in Kilburn, forty-two-year old Manon has moved back to Huntingdon and is “with child”, five-months pregnant and half the size of a house. Complete with an entourage of Fly, sister Ellie and her two-year-old son, Solomon, she has opted for the “career cul-de-sac” (DCI Harriet Harper’s words) and the nine to five hours of working cold cases.
Persons Unknown has a more sedate pace than Missing, Presumed and the crime element of the plot feels much more a secondary focus. Manon is once again a wonderfully conflicted and witty narrator, however, there are multiple points of view which add a layer of complexity to matters and give a real feel to the turmoil that she finds herself in. DI Manon Bradshaw is the epitome of cognitive dissonance; more torn that ever by her dual roles of nurturing mother and driven detective, who in theory upholds a fundamental belief in the justice system. And if there is anyone who knows how prejudices and first impressions can impinge on justice, it is unashamedly judgemental and comically perceptive Manon. However, when push comes to shove, Manon is never in doubt about where her loyalties lie when a wealthy London banker is fatally stabbed just yards from the police station. The victim, Jon-Oliver Ross, of illustrious wealth management firm Dunlop and Finch also happens to be the father of Solomon, a man who has recently been making efforts to instigate visiting rights with his son. The case falls to Manon’s old team, with DS Davy Walker filled with worries that he has been over-promoted and DCI Harriet Harper acting as Senior Investigating Officer, however it quickly becomes apparent that Detective Chief Superintendent Gary Stanton has his own ideas as he shuts investigative options down, leaving Ellie Bradshaw with an unquestioned seven-hour hole in her alibi and swiftly concluding that Fly is “good for it”.
Convinced of Fly’s innocence, Manon is a woman possessed as she goes about knocking down the flimsy evidence upholding the charges against him. Aided and assisted by her former colleagues, Davy, Harriet and best-friend, Bri, she works with crack defence solicitor, Mark Talbot, to see justice done. I am sceptical that much of what plays out and the abject failure to investigate a case properly is representative of what happen in police operations, yet this is still a hugely enjoyable reading experience. Less compulsively readable from a crime perspective, Persons Unknown, is a emotional portrait of Manon on route to motherhood and coming to realise just what raising her adopted son entails. This relationship between Manon and Fly is nuanced and full of good intentions but a tension endures, not least with Manon’s career as a police officer, and her uprooting of Fly from his London home to a largely white village in Cambridgeshire. Although I am not sure that I wholeheartedly support the overriding statements which Steiner angles at (basically young, black males stand no chance in getting a fair hearing from the police or CPS), she does make some poignant and significant observations.
There is a realism and a general malaise that accompanies central characters DS Davy Walker at twenty-eight through to DI Manon Bradshaw at forty-two, with both increasing coming to recognise and acknowledge that with age comes pragmatism which leads to compromise and an understanding that life isn’t always a bowl of cherries. Susie Steiner has already given a clear signal that DI Manon Bradshaw has the potential for change and her willingness to test her character and watch her evolve adds another dimension to this series. Already from Missing, Presumed through to Persons Unknown she has tested her characters and in the aftermath of motherhood and the “slow thaw” from adopted son, Fly, she has again signalled that readers should expect developments when the third instalment of this series is published . Never quick to forgive at times, I am wondering how Manon will continue her career in the police force when she readily acknowledges that as a defensive organisation, “in the face of criticism, our main aim is to cover our tracks”... Despite this case having a distinctly sentimental and personal feel, I am hoping for more in the way of gritty crime and less focus on family drama in future, yet throughout it all, it is the pithy witticisms of Manon and the endearing vulnerability of Davy which will see me return to Susie Steiner.