My local bricks and mortar bookshop had this on the shelf ten days before official release date. I hadn't known it was coming out. I have the original films, TV series and animated series on DVD (also Tim Burton's on DVD and the first two reboot films on Blu) , original novelisations, two annuals, all the soundtrack CDs and an old worse for wear gorilla soldier from Mego -I even attended an arena show when I was young, in the 1970s! You can't pull the wool over my eyes, the original five films and TV series are between them, far superior to the new reboot films in my opinion (I guess nostalgia is a big part of that). But onto this book.
The original Apes mythos, in all its iterations, was overdue for an anthology like this and as I approach my fiftieth birthday later in 2017, nostalgia is once again on my mind and this book feeds that. I intend to mention every story in the volume; without spoiling things for those yet to read the book, things got off to a very strong start with my fellow townsman Dan Abnett and his story Unfired. It was a good study of the society first featured in Beneath and drew a lot from the ideas in the non-Apes book, the classic A Canticle for Leibowitz by Walter M Miller. Nancy Collins' More Than Human, Less Than Ape didn't quite work for me, particularly in the portrayal of Cornelius.
Blood Brothers by Will Murray, featuring the TV series incarnation, was wonderful, I could hear all the characters in my head, it was spot on, just like an episode of the series (which would have been my first introduction to the Apes mileu). Bob Mayer's The Pacing Place was very poignant and brought a tear to the eye.
Things went a bit pear shaped (as opposed to banana shape!) with John Miller's Murderer's Row. I was rather bored by this, marred by poor writing and execution but what was clever, was dovetailing the events of Escape into the events of its sequel, Conquest. Greg Cox' Endangered Species didn't ring true for me and I had an issue with it, which I actually found with most of the other stories, even those I loved-I will explain at the end. Dangerous Imaginings, by Paul Kupperberg, was intriguing and again reminded me of the Walter Miller book mentioned above. Of Monsters and Men, by Kevin Anderson and Sam Knight, was one of the worst stories in the collection, straying too far from the source and was like a hastily written 'throw every idea you can into the mix' story.
Andrew Gaska's The Unknown Ape was again poorly written, although it tried hard by using characters from the numerous iterations of Apes films and series. It just didn't hang together for me and read more like an extended synopsis for a not very interesting story. Co-editor Jim Beard's Silenced gave me a window onto the main character from the first film and I was glad for this, although it was a little confusing in places as it opened windows onto different periods across the span of centuries. Again, poignant at the end. Robert Greenberger's Who Is This Man? What Sort Of Devil Is He? didn't quite work for me at recalling the TV series, as Blood Bothers did. The blurb before the story mentioned explaining a mystery from the series but I am still left with a loss as to what said mystery was and how it was answered, if indeed it was.
Greg Keyes' Stone Monkey was quite awful, is was one of the most tedious entries and didn't add anything to Apes, although it started out in a humorous fashion, this was soon lost. Milo's Tale by Ty Templeton was intriguing, though not quite as I imagined it would have happened, based on what the ape characters mentioned onscreen in Escape. It was interesting though,suggesting Ape civilisation was not at the same level as that shown in Ape or Central City, for instance. Dayton Ward's Message In A Bottle again was very good in its TV series portrayal and I'd love to read a sequel!
Co-editor Rich Handley's The King Is Dead-Long Live The King, although it was great reading about the characters post-Battle, was such a downer by the climax. I was depressed after, like I was after seeing the film The Book Thief! Finally, Jonathan Maberry's Banana Republic again stepped too far outside the Apes property for me, it failed to ring true and was like a hastily written synopsis, although it bore similarity to the discoveries in the excellent earlier story Message In A Bottle.
So despite the negative points above, this was clearly a labour of love for all concerned, the introduction and afterword by the editors prove that. One caveat, the level of described violence in some of the stories was very off-putting to me as a reader and in some cases, it marred some otherwise solid work. I was hoping that the difference between the first film's year of 3978 and Beneath/Escape's 3955 would have been explained but that's a story for another time (and maybe from this writer)!
I eagerly await a second volume of short stories and tall tales but would prefer it not to include the rebooted film series.