Movie producer Sy Spencer -- one of the premier summer residents of the Hamptons, Long Island's oh-so-fashionable beach resort for everyone who is anyone -- has hosted his last power clambake, thanks to whoever shot him dead beside his oceanfront pool. Heading the investigation is Hamptons native Steve Brady. His prime suspect is Sy's ex-wife Bonnie, a strangely appealing and energetic woman both in and out of bed. As the case against Bonnie builds, so does Brady's obsession with her. Before long, he's laying the case and his career on the line for her, ignoring all the rules, all the evidence, and all common sense
I was born in a thatched cottage in the Cotswolds. Oh, you want the truth. Fine. I was born in Brooklyn and educated at Queens College. After leaving school, I saw one of those ads: BE A COMPUTER PROGRAMMER! Take our aptitude test. Since I had nothing else in mind, I took the test-and flunked. The guy at the employment agency looked at my resume and mumbled, “You wrote for your college paper? Uh, we have an opening at Seventeen magazine.” That’s how I became a writer.
I liked my job, but I found doing advice to the lovelorn and articles like “How to Write a Letter to a Boy” somewhat short of fulfilling. So, first as a volunteer, then for actual money, I wrote political speeches in my spare time. I did less of that when I met a wonderful guy, Elkan Abramowitz, then a federal prosecutor in the SDNY.
We were married and a little more than a year later, we had Andrew (now a corporate lawyer). Three years later, Elizabeth (now a philosopher and writer) was born. I’d left Seventeen to be home with my kids but continued to to do speeches and the occasional magazine piece. During what free time I had, I read more mysteries than was healthy. Possibly I became deranged, but I thought, I can do this.
And that’s how Compromising Positions, a whodunit with a housewife-detectives set on Long Island came about. Talk about good luck: it was chosen the Main Selection of the Book-of-the-Month Club, auctioned for paperback, sold to the movies, translated into thirty languages, and became a bestseller. I was a little overwhelmed by the success. However, it’s hard to rise to a state of perpetual cool and go to slick downtown parties when you’re living in the suburbs with a husband, two kids, two dogs, and a mini-van, I simply wrote another book… and then another and another.
About half my works are mysteries, two fall into the category of espionage, and the rest are…well, regular novels. In the horn-tooting department, nearly all my novels have been New York Times bestsellers.
My kids grew up. My husband became a defense lawyer specializing in white collar matters: I call him my house counsel since I’m always consulting him on criminal procedure, the justice system, and law enforcement jargon. Anyway, after forty-five years of writing all sorts of novels—standalones—I decided to write a mystery series. I conceived Corie Geller with a rich enough background to avoid what I’d always been leery of—that doing a series would mean writing the same book over and over, changing only the settings.
I also produced one work of nonfiction, Brave Dames and Wimpettes: What Women are Really Doing on Page and Screen. I wrote a slew of articles, essays, and op-ed pieces as well. Newsday sent me to write about the 2000 presidential campaign, which was one of the greatest thrills of my life-going to both conventions, riding beside John McCain on the Straight Talk Express, interviewing George W. Bush. I also reviewed books for the New York Times, Los Angeles Times, Washington Post, and Newsday. (My website has far more information about my projects than most people would want to know, but have a look.)
In the mid-1980s, I wrote the screenplay for Paramount’s Compromising Positions which starred Susan Sarandon and Raul Julia. I also wrote and co-produced Touchstone’s Hello Again which starred Shelley Long, Gabriel Byrne, and Judith Ivey. (My fourth novel, Shining Through, set during World War II became the 20th Century Fox movie starring Michael Douglas, Melanie Griffith and Liam Neeson. I would have written the script, except I wasn’t asked.)
Here’s the professional stuff. I’m a recipient of the Writers for Writers Award, the Marymount Manhattan Writing Center Award, and the John Steinbeck Award. I just retired (after over a decade) as chairman of the board of the literary organization, Poets & Writers. I also served as president of Mystery Writers of America. I belong to the National Book Critics Circle, the Creative Coalition, PEN, the Ameri
Isaacs is a word-painter. Her writing is vivid and lush, and once in awhile, a slice of wry humor comes around a corner and strikes you hard and fast, and you didn't expect to laugh, yet there you are.
I read everything Isaacs writes. This was one of the first. I am usually unwilling to read about the upper-middle-class and wealthy characters, but because she is so very, very good, I read them anyway.
I don't want to wreck the plot with specifics. One thing I will say: the women are always the heroes...and I guess I like that part. And yes, if you are particular about off-color language, avoid everything she has written, as you are sure to be offended. As for me? I found out that she has published one I haven't read yet, and I can hardly wait!
My go to book! Have read it every summer for at least the last ten years and recommend it to all my friends! Steve Brady, recovering alcoholic homicide detective rediscovers the love of his life who he doesn't even remember. Susan Issac's descriptions of Long Island from what is now 25 years ago is bittersweet.
The male lead was not likable in any way. His tiresome fantasies about Bonnie were edging up on sick. I couldn't finish it. I normally like Susan Isaacs but I won't read another make driven mystery by her.
Thought I'd never get through this book as was very slow. Not the most exciting, however, picked up towards the end. Probably would have made a good made-for-tv movie about 20 years ago, if she had picked up the pace.
This book was drawn out in some ways,and once again got slow in some areas.Half the time I wondered if the book was about the crime committed or the relationships this cop kept getting into during his life.On the upside the outcome wasn't what I expected as far as who killed Sy in the story.Though the circumstances seemed rather stupid to me.It was an ok book just not something I would consider a favorite.
I like a lot of types of books, or a variety of subjects. And I picked up this book because it's by an author, Susan Isaacs, who is a most reliable provider of classic page-turners. I've read a lot of her books, and I gave it as a gift to myself during this holiday week. And I enjoyed it thoroughly, and without any guilt...
p398. "It was the magic hour...Twice a day, opportunities for wonder. But in real life, those moments that allow the possibilities for grace hardly ever come at all." Really? I don't think so. The opportunities to employ grace occur every day---multiple times every day. Without this line I could recommend as an easy beach read, but this pretty much spoiled it for me.
Este libro ha envejecido un poco mal. La misoginia de los personajes es exagerada y a menudo inverosímil. El protagonista masculino es poco creíble, una mala hipérbole de la idea que la autora tiene de lo que debería ser un hombre hetero sexista y obsesionado con el sexo. Sin más, lo he acabado. A otra cosa, mariposa.
This is the first book I have ready by this author and my first thought was that it was a lot of pages! I did enjoy the story and didn’t guess “whodunit” but the chapters were too long and it could probably have some bits cut out to make it an easier read.
Found the characters unlikable. Probably took 3 times longer to get through than I normally would have because I kept putting it aside in order to read something else.
Great mystery novel that keeps you guessing til the end. She does a great job setting the scene and building characters in a way that’s authentic and puts you right in the story
This was a re-read, first read about 10 years ago. This is my mother’s favorite book. I love the structure, reminds me of the film LAURA. More thoughts to come.