First book in a Regency-romance trilogy, from 1989
The Earl of Tredair is in his early 30s and feels that he can no longer put off marrying to produce an heir. Unfortunately, he is not interested in the type of women who abound in the ton. Their superficial chatter and stagey flirtatiousness leave him cold. He longs to discover a woman who is completely out of the ordinary. Ironically, it is through the intervention of a lovely, 25-year-old, wealthy widow, Lady Artemis, who is determined to make the Earl her second husband, that an opportunity arises to meet an entirely different type of woman. At a society ball, Lady Artemis attempts to hold his wandering attention, when the Earl is growing bored with her, by informing him that, living in the mansion across the street from her home in Hanover Square is a house full of eccentric bluestockings, a Mrs Waverly and her three young and beautiful daughters. Mrs Waverly is an extremely rich, middle-aged widow, who fervently preaches the rights of women and scorns men. She has no male servants, refuses to go into society, and lives like a recluse. The Earl does not believe that any woman could be a true believer of that philosophy, and Lady Artemis cheekily bets him £100 that she is right. She connives her way into the home of Mrs Waverly, pretending to be interested in women's rights. Then she requests permission to come to a weekly lecture given by Mrs Waverly in her home and asks if she can bring a guest, not specifying the guest's gender.
When Lady Artemis shows up at Mrs Waverly's home with the Earl at her side, he immediately notices 19-year-old Fanny. She uses no feminine arts whatsoever to attract him and, in fact, engages in a lively and highly disrespectful debate with him. The Earl realizes that Fanny represents everything he has been hoping to find in a woman, and he is instantly and profoundly attracted to her.
This novel is the first in a trilogy, and all three novels are tightly linked together. They definitely should be read in order. In particular, a central mystery, figuring out the identity of the biological parents of the three FMCs of this series, who were adopted by Mrs Waverly some years before, is not answered until the third book.
Overall, this is one of the better attempts of Chesney to actually write a romance novel with the courtship of the FMC and MMC as the main focus. In far too many of her Regency novels, a melodramatic murder-mystery plot takes over the book and almost entirely squeezes out the romance.
The Earl of Tredair is not quite a Cinnamon Roll, but he definitely isn't a harsh Alpha. It is typical in virtually every Regency romance written by Chesney for there to be a 12-15-year age difference between the MMC and the FMC, and this novel is no exception.
This story was written in the '80s, when it was not common practice for the FMC in a Regency novel to have coequal agency with the MMC in their relationship. Therefore, the dangers that occur in the action-adventure portion of the novel are never resolved by the FMC saving herself, entirely by her own courageously competent efforts. On several occasions in this novel, the intrepid MMC must ride to her rescue.
I would not classify this novel as romantic comedy but, more accurately, dramedy. The humor mainly occurs within the early encounters between the Earl and Fanny, which offers some clever repartee.
Chesney rarely opens the bedroom door in her novels, and even when she does, there is very little description beyond kissing. In the case of this novel, there is no more sensuality involved than a few kisses.
I experienced this novel in audiobook format, which I obtained through Hoopla. The female narrator does an excellent job.