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The Oracle Of Delphi Trilogy #1
Night of Pan
The slaughter of the Spartan Three Hundred at Thermopylae, Greece 480 BCE—when King Leonidas tried to stop the Persian army with only his elite guard—is well known. But just what did King Xerxes do after he defeated the Greeks?
Fifteen-year-old Thaleia is haunted by visions: roofs dripping blood, Athens burning. She tries to convince her best friend and all the villagers that she’s not crazy. The gods do speak to her.
And the gods have plans for this girl.
When Xerxes’ army of a million Persians marches straight to the mountain village Delphi to claim the Temple of Apollo’s treasures and sacred power, Thaleia’s gift may be her people’s last line of defense.
Her destiny may be to save Greece...
...but is one girl strong enough to stop an entire army?
Fifteen-year-old Thaleia is haunted by visions: roofs dripping blood, Athens burning. She tries to convince her best friend and all the villagers that she’s not crazy. The gods do speak to her.
And the gods have plans for this girl.
When Xerxes’ army of a million Persians marches straight to the mountain village Delphi to claim the Temple of Apollo’s treasures and sacred power, Thaleia’s gift may be her people’s last line of defense.
Her destiny may be to save Greece...
...but is one girl strong enough to stop an entire army?
254 pages, Kindle Edition
First published November 7, 2014
8 people are currently reading
476 people want to read
About the author
Gail Strickland
3 books12 followersWhile studying the Classics in college, Gail Strickland translated much of Homer’s Iliad and Odyssey, as well as some of Herodotus’ prophecies. Living on the Greek islands after college, she discovered her love of myth, the wine-dark sea and retsina.
The Baltimore Review and Writer’s Digest have recognized Gail’s fiction. She published stories and poems in Travelers’ Tales' anthologies and the San Francisco Writer’s anthology. Her poetry and photography were published in a collection called Clutter.
Her debut novel, Night of Pan, first book of a young adult trilogy about the Oracle of Delphi, will be published by Curiosity Quills Press November, 2014. Born in Brooklyn, New York, Gail grew up in Northern California. She raised her children; was a musical director for CAT children’s theater; taught music in schools; mentored young poets and novelists and introduced thousands of youngsters to piano and Greek mythology. Gail is passionate about bringing the richness of Homer's language and culture to today's youth.
The Baltimore Review and Writer’s Digest have recognized Gail’s fiction. She published stories and poems in Travelers’ Tales' anthologies and the San Francisco Writer’s anthology. Her poetry and photography were published in a collection called Clutter.
Her debut novel, Night of Pan, first book of a young adult trilogy about the Oracle of Delphi, will be published by Curiosity Quills Press November, 2014. Born in Brooklyn, New York, Gail grew up in Northern California. She raised her children; was a musical director for CAT children’s theater; taught music in schools; mentored young poets and novelists and introduced thousands of youngsters to piano and Greek mythology. Gail is passionate about bringing the richness of Homer's language and culture to today's youth.
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Displaying 1 - 30 of 38 reviews
October 4, 2015
Night of Pan by Gail Strickland
First in the Oracle of Delphi trilogy
3 stars
Whimsical Writing Scale: 2.25
Kick-Butt Heroine Scale: 3.75
Swoon Worthy Scale: ----
Villain Scale: 2.5
Character Scale: 2
Plotastic Scale: 2.75
Cover Thoughts: I like the roses and the girl reminds me of Medusa, but I’m not really sure if that was supposed to be the point.
First in the Oracle of Delphi trilogy
3 stars
Thaleia is supposed to marry a man she doesn’t wish to marry. She runs away in the middle of night after being taken by the priests for her ritual in preparation for her marriage. She finds herself in the mountains and meeting a satyr, the god Pan. From there on Thaleia’s life is completely uprooted and she learns that she is an important part in saving Greece. I’m surprised by this one. I started it on a whim because my copy on my computer was about to expire but I wasn’t expecting to like it very much. In fact, I thought I would DNF it quickly and move on. That wasn’t the case at all and I’m happy it wasn’t. The atmosphere of this novel is adventurous. Thaleia is always up to no good and it makes Night of Pan a fast-paced novel. I do think that there was too much going on in chapters and in the plot overwhelm. This book is tiny (254 pages) and there was no down time, which isn’t a bad thing, but the constant surprises and info-dumping gave me a headache.
Whimsical Writing Scale: 2.25
I love the Greek mythology in this novel. It’s very heavy. In fact, this whole novel is just Greek mythology. There are gods present, but it’s not god heavy like most mythology YA reads. It’s an overall plus for me and it was what made reading Night of Pan enjoyable.
The main female character is Thaleia. I like Thaleia. She’s mischievous, strong, and smart. I really like her character, but my biggest problem with her is that she has four or five prophecies surrounding her greatness and all that jazz. Nobody is that special. Special snowflake in Greek times.
Kick-Butt Heroine Scale: 3.75
The main male character is no one because embrace the Oracle life. You belong to the Gods and don’t need no man.
Swoon Worthy Scale: ----
The Villain- There’s a war; a big war that is solved quickly and is a little disappointing. It was over too quickly and didn’t feel authentic.
Villain Scale: 2.5
I was incredibly annoyed by Sophia, Thaleia’s best friend. She wasn’t a very good friend and she betrayed her only to be forgiven. They didn’t even fight over the betrayal, it was just brushed under the rug and that really bothered me.
Character Scale: 2
This is very entertaining. It’s good fun. I didn’t like how it ended though. Cliffhangers in unnecessary places are annoying. I’m not sure if I’ll read the sequels, but I’m glad I read Night of Pan. I highly recommend it if you are looking for a quick read or in the mood for authentic mythology.
Plotastic Scale: 2.75
Cover Thoughts: I like the roses and the girl reminds me of Medusa, but I’m not really sure if that was supposed to be the point.
December 8, 2014
I recently faced the prospect of a fourteen hour flight from SFO to Hong Kong. I had Night of Pan in my bag, and I figured I would spend the first hour or so of the flight reading before trying to fall asleep.
Ha, good luck. Instead, I read the whole thing in one sitting!Night of Pan
Thalia is a young woman at odds with her world--Ancient Greece. She feels more, sees more and thinks more than the average girl in her town. When, early in the story, she is drawn up the mountain by a combination of internal desire and cosmic attraction, she meets the God Pan and everything in her life changes.
Thalia, like many modern young women, finds herself questioning everything, bucking against the iron-gripped authority of the elders in her town. It is a coming of age tale centered around a young girl in Ancient Greece who finds she has more to offer than to just be a dutiful wife.
Though Night of Pan obviously has its roots in YA, I would recommend this to anyone who loves a good read. Five stars! Well done!
Ha, good luck. Instead, I read the whole thing in one sitting!Night of Pan
Thalia is a young woman at odds with her world--Ancient Greece. She feels more, sees more and thinks more than the average girl in her town. When, early in the story, she is drawn up the mountain by a combination of internal desire and cosmic attraction, she meets the God Pan and everything in her life changes.
Thalia, like many modern young women, finds herself questioning everything, bucking against the iron-gripped authority of the elders in her town. It is a coming of age tale centered around a young girl in Ancient Greece who finds she has more to offer than to just be a dutiful wife.
Though Night of Pan obviously has its roots in YA, I would recommend this to anyone who loves a good read. Five stars! Well done!
October 30, 2014
Night of Pan follows 15 year old Thaleia on a coming of age journey that navigates between the worlds of mortals and gods. The story is steeped in Greek history and myth, but the author does an excellent job of making it accessible. Thaleia is a strong role model for girls. I was drawn right in by the story and poetic prose.
January 1, 2015
Review to come. I can't find my review notebook with my notes, so I will update as soon as I find it!
November 21, 2014
I would like to thank author Gail Strickland & Curiosity Quills Press for granting me a copy of this e-book to read in exchange for an honest review. Though I received this e-book for free that in no way impacts my review.
Goodreads Teaser:
Thaleia is a young Greek girl living in Delphi, but she is different than all the other girls. Where then yield she stands strong and defiant. She doesn't mean to be problematic, nor does she mean to create problems for her best friend, Sophia. Yet somehow things always manage to go awry when Thaleia is involved. Thaleia is much more like a modern girl in her thoughts and deeds than she is like the others of her time. She thinks for herself, loves adventure, and won't tolerate injustice - not for others, or for herself. And that is how she views her upcoming betrothal to the crude Brygos, as a betrayal by her family, but more by her father as he holds the power in their family, just like in all families.
But this story is about Thaleia's journey of self discovery, told against the backdrop of the Persian's invasion of Greece and the last stand of King Leonidas and the Spartan 300. Part of her journey includes growing up and starting to see things for what they really are. Life is not black and white, and no two people are exactly the same. It may be the power of her blood that allows her to make this leap in logic, or it may simply be her destiny; whatever it is, none of the other girls have it, nor do they even understand it. Not even her beloved Sophia. The other part is learning to believe in herself, to really know herself, and in that knowing to trust the gods to work through her and save Greece, and specifically Delphi, from the overwhelming Persian invasion. This combination certainly makes for an energizing set of events, keeping the pacing of the story steady and exciting, yet without overloading on the excitement and causing the reader to become immune to the drama being played out for them.
Thaleia meets the God Pan on the mountainside, where he gives her his pipes. She keeps this meeting to herself in the beginning, for even she doesn't trust that what happened was true. But as she has more and more visions it certainly seems that she really did meet Pan. Which means her destiny is far greater than being trapped in a loveless marriage, should she not be able to run away in time.
Time and again Thaleia is tested by the gods and villagers alike. The tests becoming faster and more dangerous once it is clear to her that she is the rightful Oracle, and the The Child of the Clouds. Indeed the Child of the Clouds on speaks in birdsong, which no one understands - not even the corrupt head priest Diokles. Yet somehow Thaleia does understand the girl, not that it makes anything easier for either of them.
Although Thaleia is the central character and focal point of the story, the other characters are also fascinating and often provide good counterbalance to Thaleia. Even with minimal descriptions and scenes, the supporting characters certainly manage to make themselves and their actions felt loud and clear throughout the entire book. While some questions are answered, others are being set up for the following books.
During Thaleia's self-exploration she finds that she will be betrayed by those she loves, and supported by strangers who believe in her from the very first. Yet she still finds a way to not only forgive those who betrayed her, but she almost seems blind to what is really happening. And at this point things could go either way - the worst betrayal could have come from real concern, or it could have been prompted by jealousy and anger. But the answer is not to be found in this first book of the series. And given what Thaleia managed to pull off in this first book, it does make me pause to wonder what on earth she can do in the second act to top this opening act!
This book is certainly fine for adult readers, but it felt to me as if it was designed for a younger audience - it felt much more like middle- & high-schoolers are the target audience. But don't let that stop you from reading this book/series, as it also easily speaks to older readers as well. Between the interesting protagonist, the smooth story arc, and the creative ending, this book certainly isn't lacking for any of the necessary requirements that make for good reading and solid entertainment!
Goodreads Teaser:
The slaughter of the Spartan Three Hundred at Thermopylae, Greece 480 BCE—when King Leonidas tried to stop the Persian army with only his elite guard—is well known. But just what did King Xerxes do after he defeated the Greeks?
Fifteen-year-old Thaleia is haunted by visions: roofs dripping blood, Athens burning. She tries to convince her best friend and all the villagers that she’s not crazy. The gods do speak to her.
And the gods have plans for this girl.
When Xerxes’ army of a million Persians marches straight to the mountain village Delphi to claim the Temple of Apollo’s treasures and sacred power, Thaleia’s gift may be her people’s last line of defense.
Her destiny may be to save Greece...
...but is one girl strong enough to stop an entire army?
Thaleia is a young Greek girl living in Delphi, but she is different than all the other girls. Where then yield she stands strong and defiant. She doesn't mean to be problematic, nor does she mean to create problems for her best friend, Sophia. Yet somehow things always manage to go awry when Thaleia is involved. Thaleia is much more like a modern girl in her thoughts and deeds than she is like the others of her time. She thinks for herself, loves adventure, and won't tolerate injustice - not for others, or for herself. And that is how she views her upcoming betrothal to the crude Brygos, as a betrayal by her family, but more by her father as he holds the power in their family, just like in all families.
But this story is about Thaleia's journey of self discovery, told against the backdrop of the Persian's invasion of Greece and the last stand of King Leonidas and the Spartan 300. Part of her journey includes growing up and starting to see things for what they really are. Life is not black and white, and no two people are exactly the same. It may be the power of her blood that allows her to make this leap in logic, or it may simply be her destiny; whatever it is, none of the other girls have it, nor do they even understand it. Not even her beloved Sophia. The other part is learning to believe in herself, to really know herself, and in that knowing to trust the gods to work through her and save Greece, and specifically Delphi, from the overwhelming Persian invasion. This combination certainly makes for an energizing set of events, keeping the pacing of the story steady and exciting, yet without overloading on the excitement and causing the reader to become immune to the drama being played out for them.
Thaleia meets the God Pan on the mountainside, where he gives her his pipes. She keeps this meeting to herself in the beginning, for even she doesn't trust that what happened was true. But as she has more and more visions it certainly seems that she really did meet Pan. Which means her destiny is far greater than being trapped in a loveless marriage, should she not be able to run away in time.
Time and again Thaleia is tested by the gods and villagers alike. The tests becoming faster and more dangerous once it is clear to her that she is the rightful Oracle, and the The Child of the Clouds. Indeed the Child of the Clouds on speaks in birdsong, which no one understands - not even the corrupt head priest Diokles. Yet somehow Thaleia does understand the girl, not that it makes anything easier for either of them.
Although Thaleia is the central character and focal point of the story, the other characters are also fascinating and often provide good counterbalance to Thaleia. Even with minimal descriptions and scenes, the supporting characters certainly manage to make themselves and their actions felt loud and clear throughout the entire book. While some questions are answered, others are being set up for the following books.
During Thaleia's self-exploration she finds that she will be betrayed by those she loves, and supported by strangers who believe in her from the very first. Yet she still finds a way to not only forgive those who betrayed her, but she almost seems blind to what is really happening. And at this point things could go either way - the worst betrayal could have come from real concern, or it could have been prompted by jealousy and anger. But the answer is not to be found in this first book of the series. And given what Thaleia managed to pull off in this first book, it does make me pause to wonder what on earth she can do in the second act to top this opening act!
This book is certainly fine for adult readers, but it felt to me as if it was designed for a younger audience - it felt much more like middle- & high-schoolers are the target audience. But don't let that stop you from reading this book/series, as it also easily speaks to older readers as well. Between the interesting protagonist, the smooth story arc, and the creative ending, this book certainly isn't lacking for any of the necessary requirements that make for good reading and solid entertainment!
November 8, 2014
....richly evocative, immediately accessible!
Evocative, poetic and moving. The story of the 300 takes new wings after King Xerxes and his Persian army defeat King Leonidas at Thermopylae, Greece 480 BC. What of Greece now?
Thaleia as the oracle come in to being, surrounded by treachery and greed, on the cusp of womanhood and great events is a striking female lead easily identified with. An epic character brought to life by Strickland's startling descriptors. I look forward to the rest of the trilogy.
I loved the cover. It reflects the moment when the satyr Pan tucks poppies into Thaleia's hair. 'The poppies burst into life and multiply until [Thaleia's] hair is a storm of green stems, a filigree of leaves and blooms...' Thaleia moves beyond herself, beyond the girl, to become the divine messenger, the oracle Pythia, with 'poppies dancing like Medusa's snake-hair.,'
Strickland has combined a pantheon of Greek gods and historical happenings seamlessly with the very human story of a young girl/woman caught up in their drama and the destiny of her homeland. A YA novel at its best.
A NetGalley ARC
Evocative, poetic and moving. The story of the 300 takes new wings after King Xerxes and his Persian army defeat King Leonidas at Thermopylae, Greece 480 BC. What of Greece now?
Thaleia as the oracle come in to being, surrounded by treachery and greed, on the cusp of womanhood and great events is a striking female lead easily identified with. An epic character brought to life by Strickland's startling descriptors. I look forward to the rest of the trilogy.
I loved the cover. It reflects the moment when the satyr Pan tucks poppies into Thaleia's hair. 'The poppies burst into life and multiply until [Thaleia's] hair is a storm of green stems, a filigree of leaves and blooms...' Thaleia moves beyond herself, beyond the girl, to become the divine messenger, the oracle Pythia, with 'poppies dancing like Medusa's snake-hair.,'
Strickland has combined a pantheon of Greek gods and historical happenings seamlessly with the very human story of a young girl/woman caught up in their drama and the destiny of her homeland. A YA novel at its best.
A NetGalley ARC
December 24, 2014
Thaleia is a young girl who was betrothed to Brygos, a considerably older brute of a man, when she was just five years old. Night of Pan begins when Thaleia is fifteen years of age. The day has come for her to be married, but feeling she can't possibly marry Brygos, she flees her village. As she takes flight through the woods she has a face-to face encounter with the god Pan, who persuades her to stay in Delphi, where she is needed by her people.
As the story progresses, Thaleia comes to learn who she is and what her role is as the Oracle of Delphi. But realizing her potential and fulfilling her destiny will not be easy when an imposter Oracle is already established. Saving Delphi seems nearly impossible when she must prove that she is the true Oracle and find a way to defeat the power-hungry priest, Diokles, who is determined to stop Thaleia at all costs.
Night of Pan is a suspenseful and intriguing book that will appeal to a broad audience, especially those interested in Greek mythology. Author Gail Strickland has skillfully woven mythology and history into an engaging coming of age novel that is sure to connect with young readers on many levels.
As the story progresses, Thaleia comes to learn who she is and what her role is as the Oracle of Delphi. But realizing her potential and fulfilling her destiny will not be easy when an imposter Oracle is already established. Saving Delphi seems nearly impossible when she must prove that she is the true Oracle and find a way to defeat the power-hungry priest, Diokles, who is determined to stop Thaleia at all costs.
Night of Pan is a suspenseful and intriguing book that will appeal to a broad audience, especially those interested in Greek mythology. Author Gail Strickland has skillfully woven mythology and history into an engaging coming of age novel that is sure to connect with young readers on many levels.
November 9, 2014
Received a complimentary copy to read and review. Gail is a great writer. I couldn't put it down. The characters and the world she has created is great. It has some great twists and turns. It will draw the reader in from the first page. Readers who love young adult historical fantasy will love this one. It's one of those that should be added to your TBR list you won't be disappointed. I look forward to reading the next book in the series.
September 20, 2014
More than a night, Night of Pan captivated readers are drawn into the timeless world of Greek Mythology and emotions that resonate today!
November 10, 2014
Night of Pan brings taste, scent, sound and raw emotion to every scene. I'm savoring every moment. Lucky to have received an advanced copy.
December 6, 2014
Finally, a new angle! Funtastic!
Thanks Laszlo
Thanks Laszlo
December 7, 2014
eARC provided by the publisher in exchange for fair review
Review will be available on my blog.
Grumble.
That doesn't count as a review, does it? I mean, it should because it more or less sums up how I feel and is a no-so-subtle hint as to what the final outcome of this review will be. But it'd make me a bad reviewer if I simply left it there, and if nothing else, I want to say I did my best, so let's take a look a look at this further.
On the plus side, I love the setting and concept: while Greek deities occasionally appear in modern books that touch on old pantheons, you simply don't see much fiction (let alone fantasy) set in this era. It's also neat to see some of the rituals of the time and the author clearly did her homework. It feels authentic.
But that's about all I can say that is genuinely positive.
First and foremost, while I do applaud the research that clearly went into this, the book seems so eager to show off that the author did her homework that it feels like a cross being a fantasy and a bit of a history lesson. Characters speak lines like
"He will never conquer us! Representatives of each city-state - from Athens, Milas, even might Sparta came together last autumn in Corinth to form the Hellenic League!" and "Xerxes' empire is vast - Asia Minor, Egypt, Judah, Lydia, Mesopotaia!"
People don't talk like that and so it doesn't sound like dialogue, but instead it sounds like recitation of fact. Adding to this sense is that there is an entire glossary in the back of the book. While that can be handy, what's not so handy is that each word in the glossary is both italicized and underlined. It breaks immersion and is cumbersome to use, and ultimately detracts from the experience, more than enhances. It's nice to have the reference, but it doesn't need to be so front and center.
My next complaint is that the book feels cold. I really, really wish Strickland had given us more time with Thaleia before she had her first meeting with Pan. Our introduction to her is basically a girl that feels ridiculously modern with her "girls can be more than wives and mothers/we're just property of men!" spiel and then the mystical aspects of the book take over. Ultimately, I never connected with Thaleia because she never felt real, never felt human and Strickland went to great lengths to point out that she was human, and not semi-divine. She is the heart of the story, both in terms of plot and emotion, so having some more closeness to her would have done wonders for me.
Finally, this book has less an ending, and more a cliff-hanger. She has another vision and then boom, you're looking at the tease for book two. It is an ever-present annoyance of mine, especially in books this short.
Overall, the word I'd use for this is disappointing. There was a lot of promise, but it never quite came together for me. It is definitely fantasy, and it's interesting positing what powers a Pythia might have been able to have, but to give her powers and have her help save Greece before we even know her is to put her a bit on a pedestal and readers should never be kept at such distance.
Review will be available on my blog.
Grumble.
That doesn't count as a review, does it? I mean, it should because it more or less sums up how I feel and is a no-so-subtle hint as to what the final outcome of this review will be. But it'd make me a bad reviewer if I simply left it there, and if nothing else, I want to say I did my best, so let's take a look a look at this further.
On the plus side, I love the setting and concept: while Greek deities occasionally appear in modern books that touch on old pantheons, you simply don't see much fiction (let alone fantasy) set in this era. It's also neat to see some of the rituals of the time and the author clearly did her homework. It feels authentic.
But that's about all I can say that is genuinely positive.
First and foremost, while I do applaud the research that clearly went into this, the book seems so eager to show off that the author did her homework that it feels like a cross being a fantasy and a bit of a history lesson. Characters speak lines like
"He will never conquer us! Representatives of each city-state - from Athens, Milas, even might Sparta came together last autumn in Corinth to form the Hellenic League!" and "Xerxes' empire is vast - Asia Minor, Egypt, Judah, Lydia, Mesopotaia!"
People don't talk like that and so it doesn't sound like dialogue, but instead it sounds like recitation of fact. Adding to this sense is that there is an entire glossary in the back of the book. While that can be handy, what's not so handy is that each word in the glossary is both italicized and underlined. It breaks immersion and is cumbersome to use, and ultimately detracts from the experience, more than enhances. It's nice to have the reference, but it doesn't need to be so front and center.
My next complaint is that the book feels cold. I really, really wish Strickland had given us more time with Thaleia before she had her first meeting with Pan. Our introduction to her is basically a girl that feels ridiculously modern with her "girls can be more than wives and mothers/we're just property of men!" spiel and then the mystical aspects of the book take over. Ultimately, I never connected with Thaleia because she never felt real, never felt human and Strickland went to great lengths to point out that she was human, and not semi-divine. She is the heart of the story, both in terms of plot and emotion, so having some more closeness to her would have done wonders for me.
Finally, this book has less an ending, and more a cliff-hanger. She has another vision and then boom, you're looking at the tease for book two. It is an ever-present annoyance of mine, especially in books this short.
Overall, the word I'd use for this is disappointing. There was a lot of promise, but it never quite came together for me. It is definitely fantasy, and it's interesting positing what powers a Pythia might have been able to have, but to give her powers and have her help save Greece before we even know her is to put her a bit on a pedestal and readers should never be kept at such distance.
August 15, 2017
Night of Pan is the first book in a trilogy about the Greek Oracle of Delphi. I'm not a huge Greek myth fan, I'm more of a Norse mythos kind of girl, but I do love the history of the Classics. This book was a great blend of history and myth with a dash of young adult adventure.
The prose is both lyrical and to the point. I could feel the Gods when they appeared in the book or showed their prophecies with Thaleia. It was both haunting and magical. I like that Strickland shows the Gods' own weaknesses and humanlike qualities that we see in their myths. It made them feel real.
Thaleia is the only human character I really felt connected to. She seemed outside the realm of both mortal and immortal. Which does make sense, given her purpose. The reader is supposed to take this miraculous journey with her, not other humans.
However, I feel that it would have been nice to be able to understand and be a part of her Mom's life or even her friend Sophia. For instance, her friendship with Sophia doesn't seem as strong as she says it is. I know they are supposed to be like sisters, but I didn't feel that energy in Thaleia's narrative. A little of it was there, just not enough to completely justify to me that they would go thick and thin for each other.
I've read some reviews that this book is written purely for education and though I can see what they mean, I disagree. There is a glossary with sites to go to for references and there is a study guide of sorts (you know the kind with questions that the reader answers). It does make the book seem targeted for schools or book clubs, but I like those type of things for something people don't really know or think about outside of their educational enviornment.
I like those type of questions to think about and wonder. I wouldn't write an essay about them, but I do like them. Now, do I think this book needs the study guide questions? No, but it is fun for the bookworm who just wants to reflect on what they've read. Is the glossary important? Yes. There are words I never heard of and it was nice to look at them and say "ahhh, now I get it." The Greek alphabet section seemed a little not needed though.
However, if it is the author's intention to educate as well as give the reader a good story, she did a good job. I love the story and the way Pan moves in the book. I felt like I was in a trance during those moments. Sure, more could be done with the emotional connection of the friends, but it makes sense that that isn't the center of the book. There is a war going on between the priest and Thaleia as well as a war between the Greeks and Persians. Sometimes, the depth of a friendship needs to be set aside for the true bulk of the story.
Would I continue in this series? Yes. Pan's flute music has me enthralled.
The prose is both lyrical and to the point. I could feel the Gods when they appeared in the book or showed their prophecies with Thaleia. It was both haunting and magical. I like that Strickland shows the Gods' own weaknesses and humanlike qualities that we see in their myths. It made them feel real.
Thaleia is the only human character I really felt connected to. She seemed outside the realm of both mortal and immortal. Which does make sense, given her purpose. The reader is supposed to take this miraculous journey with her, not other humans.
However, I feel that it would have been nice to be able to understand and be a part of her Mom's life or even her friend Sophia. For instance, her friendship with Sophia doesn't seem as strong as she says it is. I know they are supposed to be like sisters, but I didn't feel that energy in Thaleia's narrative. A little of it was there, just not enough to completely justify to me that they would go thick and thin for each other.
I've read some reviews that this book is written purely for education and though I can see what they mean, I disagree. There is a glossary with sites to go to for references and there is a study guide of sorts (you know the kind with questions that the reader answers). It does make the book seem targeted for schools or book clubs, but I like those type of things for something people don't really know or think about outside of their educational enviornment.
I like those type of questions to think about and wonder. I wouldn't write an essay about them, but I do like them. Now, do I think this book needs the study guide questions? No, but it is fun for the bookworm who just wants to reflect on what they've read. Is the glossary important? Yes. There are words I never heard of and it was nice to look at them and say "ahhh, now I get it." The Greek alphabet section seemed a little not needed though.
However, if it is the author's intention to educate as well as give the reader a good story, she did a good job. I love the story and the way Pan moves in the book. I felt like I was in a trance during those moments. Sure, more could be done with the emotional connection of the friends, but it makes sense that that isn't the center of the book. There is a war going on between the priest and Thaleia as well as a war between the Greeks and Persians. Sometimes, the depth of a friendship needs to be set aside for the true bulk of the story.
Would I continue in this series? Yes. Pan's flute music has me enthralled.
November 14, 2014
I’ve always had a soft spot for books based in mythology, and this one definitely doesn’t disappoint on that front. The story starts with fifteen-year-old Thaleia’s wedding day. A strong, independent heroine, though, she has other plans for her future, plans that don’t involve marrying a man she’s been betrothed to since age five. She escapes and starts to flee, but is stopped by Pan and a prophecy — the Persian army is on its way to Delphi, and she’s the only one who can save her people.
This is an interesting coming-of-age story about how the Oracle of Delphi comes to be. Strickland has clearly done a ton of research into the culture of the region, from the well-known pantheon of gods, to the day-to-day customs and warfare practices of the time. And from that standpoint, it’s phenomenally written. But I did find myself struggling with some of the other aspects. Namely, that the character development felt shallow. I would expect a coming-of-age story to be largely character-driven, but this fell flat on that for me, reading instead like more of a plot-driven action-adventure. I didn’t connect with Thaleia emotionally (nor with any of the supporting cast), and often struggled with her voice. She seemed to be both too mature and too young for fifteen, and some of the modern turns of phrase were jarring against the historical backdrop. While I do feel that she’s a good role model for young girls, she almost borders on a cliche’ed example of the “strong, independent woman” stereotype. I would have liked to see her be a littler more fully developed and multi-faceted as a character.
That said, I do think the prose itself is beautifully written. Lyrical and smooth, Strickland’s style is effortless, and I could appreciate her voice as an author (not to be confused with Thaleia’s voice, as mentioned above.) The additional material included in the book makes this a well-rounded choice for younger readers interested in mythology. It is a YA, and I think it targets it’s market effectively. However, unlike some YA, it doesn’t translate quite as well outside of that target readership. I would definitely recommend it for the 12 + age range it’s intended for, though. And I will probably finish the trilogy, if only to see more of the richly developed, detailed world.
**Disclosure Statement: I received a copy from the publisher in exchange for an honest review. **
This is an interesting coming-of-age story about how the Oracle of Delphi comes to be. Strickland has clearly done a ton of research into the culture of the region, from the well-known pantheon of gods, to the day-to-day customs and warfare practices of the time. And from that standpoint, it’s phenomenally written. But I did find myself struggling with some of the other aspects. Namely, that the character development felt shallow. I would expect a coming-of-age story to be largely character-driven, but this fell flat on that for me, reading instead like more of a plot-driven action-adventure. I didn’t connect with Thaleia emotionally (nor with any of the supporting cast), and often struggled with her voice. She seemed to be both too mature and too young for fifteen, and some of the modern turns of phrase were jarring against the historical backdrop. While I do feel that she’s a good role model for young girls, she almost borders on a cliche’ed example of the “strong, independent woman” stereotype. I would have liked to see her be a littler more fully developed and multi-faceted as a character.
That said, I do think the prose itself is beautifully written. Lyrical and smooth, Strickland’s style is effortless, and I could appreciate her voice as an author (not to be confused with Thaleia’s voice, as mentioned above.) The additional material included in the book makes this a well-rounded choice for younger readers interested in mythology. It is a YA, and I think it targets it’s market effectively. However, unlike some YA, it doesn’t translate quite as well outside of that target readership. I would definitely recommend it for the 12 + age range it’s intended for, though. And I will probably finish the trilogy, if only to see more of the richly developed, detailed world.
**Disclosure Statement: I received a copy from the publisher in exchange for an honest review. **
January 1, 2015
You can feel Gail Strickland’s love for Greek mythology all through this story. She draws us into the world of Thaleia (even her name speaks to the Gods), a frustrated fifteen-year-old who will do anything to avoid an arranged marriage to Brygos, a local fisherman. But Thaleia’s life takes a crucial turn when she travels up the hillside to a special place with her most special friend, Sophia. When the two are separated, Thaleia meets the god Pan, his hairy and hoofy description beautifully relayed to us by the soon-to-be Pythia. She soon learns that she’s more than a girl who wants to marry for love.
Thaleia’s destiny is opposed by the village priest, Diokles, who claims to speak for the gods, when in truth all he craves is gold, power, and total control over Delphi. Even when the old priest thinks he’s killed Thaleia, the gods return her to the living. Revived, she discovers her connection to the gods and uses this power to protect her home, her country, and all those she loves.
Thanks to Hollywood, most know the story of King Leonidas and that battle of the 300 at Thermopylae. And good King Leonidas has a role in this story–intriguing within itself–but Gail Strickland takes the story further, challenging the people of Delphi and all of Greece, to rely on the power given to a fifteen-year-old girl as their last hope of driving back King Xerxes and his army.
Thaleia has a wonderful voice, filled with the usual concerns of a teenager, but also blessed with courage and a hunger to know who she is. Night of Pan is a coming of age story and what Thaleia discovers will delight and enthrall readers. It’s right there on Apollo’s temple: Know Thyself.
Gail Strickland spent countless hours studying the Greek culture, the language, as well as the mythology, and she has woven that knowledge into this magical story. Not preachy or textbook dry, but told as Aristotle would, standing in an amphitheater, words traveling on warm breezes tickling sensitive ears, the tale thrilling young and old alike.
Night of Pan appeals to everyone . . . as all great stories do. Thaleia is a heroine for the ages and we are fortunate that we can continue to follow her in the Oracle of Delphi Trilogy.
Thaleia’s destiny is opposed by the village priest, Diokles, who claims to speak for the gods, when in truth all he craves is gold, power, and total control over Delphi. Even when the old priest thinks he’s killed Thaleia, the gods return her to the living. Revived, she discovers her connection to the gods and uses this power to protect her home, her country, and all those she loves.
Thanks to Hollywood, most know the story of King Leonidas and that battle of the 300 at Thermopylae. And good King Leonidas has a role in this story–intriguing within itself–but Gail Strickland takes the story further, challenging the people of Delphi and all of Greece, to rely on the power given to a fifteen-year-old girl as their last hope of driving back King Xerxes and his army.
Thaleia has a wonderful voice, filled with the usual concerns of a teenager, but also blessed with courage and a hunger to know who she is. Night of Pan is a coming of age story and what Thaleia discovers will delight and enthrall readers. It’s right there on Apollo’s temple: Know Thyself.
Gail Strickland spent countless hours studying the Greek culture, the language, as well as the mythology, and she has woven that knowledge into this magical story. Not preachy or textbook dry, but told as Aristotle would, standing in an amphitheater, words traveling on warm breezes tickling sensitive ears, the tale thrilling young and old alike.
Night of Pan appeals to everyone . . . as all great stories do. Thaleia is a heroine for the ages and we are fortunate that we can continue to follow her in the Oracle of Delphi Trilogy.
November 11, 2014
(I received a free copy of this book in exchane for a review).
(This review may contain spoilers).
I’ve always been quite fascinated by the myths and legends of the ancient world. I used to get books with myths and legends in… like when I went to Germany and came back with several myths and legends books. Or when I got books of Scottish myths and legends.
But Greek has always fascinated me the most, to be honest.
I did find the main character of this book to be quite an intriguing character. There were a few occasions in the book where I was confused about what was going on. Even reaching the end, I still didn’t have all of my questions answered.
The other characters in the book were really interesting, though I particularly didn’t like the priests. It was really interesting to see glimpses of the Greeks gods, though there were times when I wasn’t sure exactly what was going on with them. It was intriguing to see just how contradictory Apollo was, in particular. I felt he fit in with the kind of mental picture I had of his personality from reading the myths. Pan did as well to a certain extent, but I was confused about his relationship with the other gods.
I did feel that there was a lot of research that had clearly gone into this book. I felt the author did a really good job of showing what that time was like. There were parts of the book that I could really empathise with the POV character. It was nice to see that she wasn’t perfect… that she did make mistakes and that not everything worked out. It was good to see that free will played quite an important part in this book.
I wasn’t too keen on Sophia as a character in this book. I felt she didn’t really act like a very good friend for a lot of the time.
It was also really good to see King Leonides and the battle of the three hundred. I liked the way the prophecies were linked into that.
The questions at the end of the book were quite interesting and I felt that most of them would be good for a discussion of this book. I would probably read the second book in this trilogy at some point in the future.
(This review may contain spoilers).
I’ve always been quite fascinated by the myths and legends of the ancient world. I used to get books with myths and legends in… like when I went to Germany and came back with several myths and legends books. Or when I got books of Scottish myths and legends.
But Greek has always fascinated me the most, to be honest.
I did find the main character of this book to be quite an intriguing character. There were a few occasions in the book where I was confused about what was going on. Even reaching the end, I still didn’t have all of my questions answered.
The other characters in the book were really interesting, though I particularly didn’t like the priests. It was really interesting to see glimpses of the Greeks gods, though there were times when I wasn’t sure exactly what was going on with them. It was intriguing to see just how contradictory Apollo was, in particular. I felt he fit in with the kind of mental picture I had of his personality from reading the myths. Pan did as well to a certain extent, but I was confused about his relationship with the other gods.
I did feel that there was a lot of research that had clearly gone into this book. I felt the author did a really good job of showing what that time was like. There were parts of the book that I could really empathise with the POV character. It was nice to see that she wasn’t perfect… that she did make mistakes and that not everything worked out. It was good to see that free will played quite an important part in this book.
I wasn’t too keen on Sophia as a character in this book. I felt she didn’t really act like a very good friend for a lot of the time.
It was also really good to see King Leonides and the battle of the three hundred. I liked the way the prophecies were linked into that.
The questions at the end of the book were quite interesting and I felt that most of them would be good for a discussion of this book. I would probably read the second book in this trilogy at some point in the future.
September 1, 2015
Night of Pan is a fascinating tale about the Oracle of Delphi and her rise to her position during a tumultuous and well renowned time of Greek history. It follows Thaleia as she runs from her wedding and meets the god Pan. This meeting changes the course of her life as she soon comes to realize she is the mouthpiece of the gods, and has the ability to potentially save Greece from the Persians.
This is not a YA read, it's definitely more adult with the heavy internal dialogue and overly flowery language. Although it's not as "mature" as an adult book, I think young readers could easily get bored and distracted by the lack of action verses the heavy description and lyrical language. In my opinion, it feels like I've walked into a high school history class, and while some teens might love this, I think the majority won't. This "heavy" writing, although beautiful and poetic, makes the pace slow. The story doesn't get to the actual war until after halfway through the novel. *spoiler*
Being a history nerd, I wasn't surprised by her youthful engagement to a considerably older man. This goes along with supporting the rest of the historical aspects in showing accuracy and establishing how different the setting is to our modern culture. I can't fault the history. But the fact that Thaleia ran away from the arrangement shows how reckless she is, and how she refuses to conform, a potentially dangerous trait in her time. In fact, it made me struggle to place her in that time. She feels too much like a modern day high school girl, whereas culturally the norm would be for her to be ready to marry and be a mother. This, among other examples of Thaleia's behavior, clashes with how historically accurate the rest of the book reads. It's like a contemporary YA character has been placed into a thesis or journal. Separately they are great, but together it's a bit jarring.
As I said, the writing is beautiful, and imagery colorful. It tells a well known tale from history through a new perspective.
This is not a YA read, it's definitely more adult with the heavy internal dialogue and overly flowery language. Although it's not as "mature" as an adult book, I think young readers could easily get bored and distracted by the lack of action verses the heavy description and lyrical language. In my opinion, it feels like I've walked into a high school history class, and while some teens might love this, I think the majority won't. This "heavy" writing, although beautiful and poetic, makes the pace slow. The story doesn't get to the actual war until after halfway through the novel. *spoiler*
Being a history nerd, I wasn't surprised by her youthful engagement to a considerably older man. This goes along with supporting the rest of the historical aspects in showing accuracy and establishing how different the setting is to our modern culture. I can't fault the history. But the fact that Thaleia ran away from the arrangement shows how reckless she is, and how she refuses to conform, a potentially dangerous trait in her time. In fact, it made me struggle to place her in that time. She feels too much like a modern day high school girl, whereas culturally the norm would be for her to be ready to marry and be a mother. This, among other examples of Thaleia's behavior, clashes with how historically accurate the rest of the book reads. It's like a contemporary YA character has been placed into a thesis or journal. Separately they are great, but together it's a bit jarring.
As I said, the writing is beautiful, and imagery colorful. It tells a well known tale from history through a new perspective.
August 19, 2024
2.5 I think.
This is a story about a girl in ancient 480 BCE Delphi and her struggle to find herself, find out about the Oracle and save all of Greece.
Read if you like:
-Coming of age stories
-Greek Mythology
-A quick read
-Feminism in a historical setting
-Stories with a strong family influence
-A story that takes historical events and adds fantastical elements
-Books where the author clearly spent a lot of effort to make the setting and events as realistic as possible to what life would have been like in that time
(These also happened to be my favorite parts of the book)
This book started out pretty slow for me and it took me a while to get into it, because this is a first book in a series and world building tends to slow things down, but once I got past the first half and got used to the rhythm, it really took off. Thaleia is a powerful and realistic character, with flaws and a lot of character development. The message given in this book can relate to so many. Don't give up, know who you are, believe in yourself, these are things that tie into the historical setting and still relate to modern times. The main con for this book is the writing. While I found the writing to be vivid it was also made up of short choppy sentences, which does give the book a distinct writing style but it can be off-putting. The other is the sheer lack of important side characters, while there are some side characters, we don't get any sort of development from them. However, one character was introduced at the end and I have high hopes that he will be important. It was a good story overall, with a great meaning.
Added at a later time: One thing that keeps popping up when I think about this book is in the very beginning, Thaleia says she can't call for her father to help her because he's the one who put her in that mess to begin with but her father actually turns out to be very loving and supportive and would have definitely stopped the people from taking her. I kind of felt lied to just so the book could start off with a bang.
This is a story about a girl in ancient 480 BCE Delphi and her struggle to find herself, find out about the Oracle and save all of Greece.
Read if you like:
-Coming of age stories
-Greek Mythology
-A quick read
-Feminism in a historical setting
-Stories with a strong family influence
-A story that takes historical events and adds fantastical elements
-Books where the author clearly spent a lot of effort to make the setting and events as realistic as possible to what life would have been like in that time
(These also happened to be my favorite parts of the book)
This book started out pretty slow for me and it took me a while to get into it, because this is a first book in a series and world building tends to slow things down, but once I got past the first half and got used to the rhythm, it really took off. Thaleia is a powerful and realistic character, with flaws and a lot of character development. The message given in this book can relate to so many. Don't give up, know who you are, believe in yourself, these are things that tie into the historical setting and still relate to modern times. The main con for this book is the writing. While I found the writing to be vivid it was also made up of short choppy sentences, which does give the book a distinct writing style but it can be off-putting. The other is the sheer lack of important side characters, while there are some side characters, we don't get any sort of development from them. However, one character was introduced at the end and I have high hopes that he will be important. It was a good story overall, with a great meaning.
Added at a later time: One thing that keeps popping up when I think about this book is in the very beginning, Thaleia says she can't call for her father to help her because he's the one who put her in that mess to begin with but her father actually turns out to be very loving and supportive and would have definitely stopped the people from taking her. I kind of felt lied to just so the book could start off with a bang.
April 27, 2016
Receive a review copy from the publisher in exchange of an honest review.
This book was a shocker. After reading the synopsis I didn't think I would like this book, but I really enjoyed this. It was centered around gods and oracles and was full of action, drama and deception. This was based around the time of the Spartan 300 and King Xerxes.
The main character, Thaleia is fifteen years and it starts off with her wedding day to a man she was promised to. She sets off to run away and ends up meeting the god Pan. After meeting him she begins to learn things about herself and her life. She learns that she isn't like normal girls, but she is the Pythia -- the connection between gods and mortals. She embraces her true self so smoothly. For her age, she is so mature and wise. She knows what she wants out of life and knew she had a bigger goal in life. Throughout this entire book, she was strong and courageous, never wavering in her true destiny. I definitely enjoyed her. She was phenomenal.
Pan and the gods were quite interesting. The whole Apollo and her mom thing was a bit creepy. I knew gods were jealous, but he was downright crazy for everything he did. Pan was such a sweetheart. I hate how he apparently looked ugly -- he was so cool either way. I was really rooting for him and Thaleia to be an item!
Dikoles is a power and money hungry man. I couldn't stand him because he took things too far. Using his role as a priest and the "right hand" to Apollo to pull blinders over the people. He was so disgusting. I wish he had died. Brygos was just the stupid traitor in this story. I couldn't believe how much he wanted to betray his people and have Thaleia to himself. I can't remember if he died or not, but I hope he did!
I enjoyed that preview of the sequel and really think I will be reading it because it started off pretty good. I'm curious to see how things pan out (no pun intended) for Thaleia.
This book was a shocker. After reading the synopsis I didn't think I would like this book, but I really enjoyed this. It was centered around gods and oracles and was full of action, drama and deception. This was based around the time of the Spartan 300 and King Xerxes.
The main character, Thaleia is fifteen years and it starts off with her wedding day to a man she was promised to. She sets off to run away and ends up meeting the god Pan. After meeting him she begins to learn things about herself and her life. She learns that she isn't like normal girls, but she is the Pythia -- the connection between gods and mortals. She embraces her true self so smoothly. For her age, she is so mature and wise. She knows what she wants out of life and knew she had a bigger goal in life. Throughout this entire book, she was strong and courageous, never wavering in her true destiny. I definitely enjoyed her. She was phenomenal.
Pan and the gods were quite interesting. The whole Apollo and her mom thing was a bit creepy. I knew gods were jealous, but he was downright crazy for everything he did. Pan was such a sweetheart. I hate how he apparently looked ugly -- he was so cool either way. I was really rooting for him and Thaleia to be an item!
Dikoles is a power and money hungry man. I couldn't stand him because he took things too far. Using his role as a priest and the "right hand" to Apollo to pull blinders over the people. He was so disgusting. I wish he had died. Brygos was just the stupid traitor in this story. I couldn't believe how much he wanted to betray his people and have Thaleia to himself. I can't remember if he died or not, but I hope he did!
I enjoyed that preview of the sequel and really think I will be reading it because it started off pretty good. I'm curious to see how things pan out (no pun intended) for Thaleia.
February 23, 2015
(I received an advanced reader's copy from Netgalley)
I finished this book a few days ago. It's taken a while for me to organise my thoughts on this. I'm currently a student in the Classics department at my university, so I have a keen interest in Greek history and mythology- that's what made me pick up the book in the first place.
Firstly, this book is exquisitely formatted. The ebook I read had sharp, easy-to-read lettering, a gorgeous cover and inside design. The amount of work and research the author put into this is evident from the reading list at the back. This novel has been painstakingly crafted, to wonderful effect. The story flows easily and is written well, allowing the reader to finish it in no time at all.
And yet... and yet, I cannot seem to connect with any of the characters aside Thaleia- it is as if every character aside from her was created for the sole purpose of driving the story forward. I can't understand the ambitions of many characters, what drives them. It's to be expected that we don't understand how the minds of Greek gods work, but humans? I feel like this story was more plot-driven than character-driven. Thaleia reacted, instead of acting. Events of significance happen in no particular order, all to emphasize Thaleia's growing power as the Oracle of Delphi. And the imposter Oracle! How quickly she changes her mind about Thaleia.
I loved this book for the atmosphere and the Greek mythology, but I could not love it for the events or the characters. it always felt like it could be something more.
I finished this book a few days ago. It's taken a while for me to organise my thoughts on this. I'm currently a student in the Classics department at my university, so I have a keen interest in Greek history and mythology- that's what made me pick up the book in the first place.
Firstly, this book is exquisitely formatted. The ebook I read had sharp, easy-to-read lettering, a gorgeous cover and inside design. The amount of work and research the author put into this is evident from the reading list at the back. This novel has been painstakingly crafted, to wonderful effect. The story flows easily and is written well, allowing the reader to finish it in no time at all.
And yet... and yet, I cannot seem to connect with any of the characters aside Thaleia- it is as if every character aside from her was created for the sole purpose of driving the story forward. I can't understand the ambitions of many characters, what drives them. It's to be expected that we don't understand how the minds of Greek gods work, but humans? I feel like this story was more plot-driven than character-driven. Thaleia reacted, instead of acting. Events of significance happen in no particular order, all to emphasize Thaleia's growing power as the Oracle of Delphi. And the imposter Oracle! How quickly she changes her mind about Thaleia.
I loved this book for the atmosphere and the Greek mythology, but I could not love it for the events or the characters. it always felt like it could be something more.
December 23, 2014
Read all my reviews on http://urlphantomhive.booklikes.com
I've always been interested in reading about Greek mythology, but it's usually not easy to find fiction set in that time. However, Night of Pan is exactly that.
Thaleia is a fifteen year old girl living in Delphi. She's no ordinary girl, immediately on the first few pages you're introduced to her specialness. She's a special snowflake if I've ever seen one. She's way ahead of her time, thinking she's more than just a future wife/mother and this all is before the visions even start.
Though it was interesting to read about the period (it is absolutely evident that a lot of research was done before the novel was written) and it was also nice read about how an Oracle comes to be (I'd never really thought about that before) it still disappointed me a bit. Besides Thaleia all characters felt hollow and even Thaleia never felt real.
Overall the story is written well and a lot happens, but some chapters are too slow. The ending builds up and then there's a cliffhanger and you're supposed to wait till the second book to find out what's going to happen. I don't like this construct. I like it to have at least some ending of itself. Interesting promise, but the book didn't use it to its full potential.
Night of Pan is the first book in the Oracle of Delphi trilogy.
Thanks to the publisher and Netgalley for providing me with a free copy of this book in exchange for an honest review.
I've always been interested in reading about Greek mythology, but it's usually not easy to find fiction set in that time. However, Night of Pan is exactly that.
Thaleia is a fifteen year old girl living in Delphi. She's no ordinary girl, immediately on the first few pages you're introduced to her specialness. She's a special snowflake if I've ever seen one. She's way ahead of her time, thinking she's more than just a future wife/mother and this all is before the visions even start.
Though it was interesting to read about the period (it is absolutely evident that a lot of research was done before the novel was written) and it was also nice read about how an Oracle comes to be (I'd never really thought about that before) it still disappointed me a bit. Besides Thaleia all characters felt hollow and even Thaleia never felt real.
Overall the story is written well and a lot happens, but some chapters are too slow. The ending builds up and then there's a cliffhanger and you're supposed to wait till the second book to find out what's going to happen. I don't like this construct. I like it to have at least some ending of itself. Interesting promise, but the book didn't use it to its full potential.
Night of Pan is the first book in the Oracle of Delphi trilogy.
Thanks to the publisher and Netgalley for providing me with a free copy of this book in exchange for an honest review.
March 15, 2016
To be completely honest, I must say that my opinion suffers a bit that I do not like novels written for educational purposes, and this one clearly is, even if there were no comprehension cardsfor the pupils use at the end of the book.
Said that, despite many delays and use a little patronizing use of certain teen-aged uncertainties of the characters, and a tendency to cut them with an ax, the novel flows well, and it is evident the depth of historical research carried out by the author.
Probably perfect for a teenager, it is much less for an adult who reads too much as I am.
Thank Curiosity Quills and Netgalley for providing me with a free copy in exchange for an honest review.
Per essere del tutto onesta, devo dire che il mio giudizio risente un po' del fatto che non amo i romanzi scritti a uso didattico, e questo palesemente lo è, anche se non ci fossero alla fine le schede di comprensione a uso degli studenti.
Detto questo, pur tra molte lentezze e un uso un po' paternalistico di certe incertezze adolescenziali dei personaggi, e una certa tendenza a tagliarli con l'accetta, il romanzo scorre bene, ed è evidente la profondità della ricerca storica effettuata dall'autrice.
Probabilmente perfetto per un teenager, lo è decisamente meno per un adulto che legge troppo quale io sono.
Ringrazio Curiosity Quills e Netgalley per avermi fornito una copia gratuita in cambio di una recensione onesta.
Said that, despite many delays and use a little patronizing use of certain teen-aged uncertainties of the characters, and a tendency to cut them with an ax, the novel flows well, and it is evident the depth of historical research carried out by the author.
Probably perfect for a teenager, it is much less for an adult who reads too much as I am.
Thank Curiosity Quills and Netgalley for providing me with a free copy in exchange for an honest review.
Per essere del tutto onesta, devo dire che il mio giudizio risente un po' del fatto che non amo i romanzi scritti a uso didattico, e questo palesemente lo è, anche se non ci fossero alla fine le schede di comprensione a uso degli studenti.
Detto questo, pur tra molte lentezze e un uso un po' paternalistico di certe incertezze adolescenziali dei personaggi, e una certa tendenza a tagliarli con l'accetta, il romanzo scorre bene, ed è evidente la profondità della ricerca storica effettuata dall'autrice.
Probabilmente perfetto per un teenager, lo è decisamente meno per un adulto che legge troppo quale io sono.
Ringrazio Curiosity Quills e Netgalley per avermi fornito una copia gratuita in cambio di una recensione onesta.
December 15, 2014
Touched By The Gods
This series must be read in order. This is the first book.
Thaleia is different. She hears, sees, and feels things other people don't ... All the time. She never realizes how special she is until she decides to thwart her "destiny" of marrying the man her parents chose for her. That night everything changes and she begins on her journey of self awareness. Why does she have these powers? What do they mean? How will she escape the role thrust upon her by tradition to live up to her full potential?
This is an amazing young adult novel of mythology and history! I loved it and wish to than the author for ACTUALLY doing her research and keeping the Gods purely Greek!!! I am so sick of people thinking Greek and Roman Gods are interchangeable when they really aren't! They have similarities but they are not the same. Many Roman Gods were based on the Greek Gods but that is no excuse for mistaking them. Thank you Ms. Strickland for keeping your Pantheon pure when writing this awesome book! This is a classic coming of age story but done large :) Intrigue and suspense play a huge role alongside all the action and adventure. I can't wait to read more and find out what happens next!
***This series is suitable for young adult through adult readers who like life in their historical fiction :)
This series must be read in order. This is the first book.
Thaleia is different. She hears, sees, and feels things other people don't ... All the time. She never realizes how special she is until she decides to thwart her "destiny" of marrying the man her parents chose for her. That night everything changes and she begins on her journey of self awareness. Why does she have these powers? What do they mean? How will she escape the role thrust upon her by tradition to live up to her full potential?
This is an amazing young adult novel of mythology and history! I loved it and wish to than the author for ACTUALLY doing her research and keeping the Gods purely Greek!!! I am so sick of people thinking Greek and Roman Gods are interchangeable when they really aren't! They have similarities but they are not the same. Many Roman Gods were based on the Greek Gods but that is no excuse for mistaking them. Thank you Ms. Strickland for keeping your Pantheon pure when writing this awesome book! This is a classic coming of age story but done large :) Intrigue and suspense play a huge role alongside all the action and adventure. I can't wait to read more and find out what happens next!
***This series is suitable for young adult through adult readers who like life in their historical fiction :)
November 14, 2014
Thaleia has always been a wild one. She’s always in the mountains.. defying all the rules that are set in her village. So when the day comes that she’s about to get married to Brygos, the man who her father chose for since she was 5, Thaleia ran away.. intending to get away and never to come back again. That is until the god Pan appeared in front of her and m ade her realize that she have a purpose in their village.
First of all, Strickland has a very lovely writing. I’m a fan of Thaleia’s POV. Its a mix of mischief and innocence. I was easily gripped from the start because of the poetic and haunting way that Strickland is using in describing Thaleia’s environment and their culture. I was enamored and kind of shocked on how they do things. I mean, engaging a 5 year old to some man who is much much older? Man, I’m glad we don’t do that now.
The plot was entertaining.. though the pacing was a bit slow and I think some chapters should’ve been just cut short, I was still engrossed the whole time. I recommend Night of Pan for older fans of Rick Riordan’s novels. But then again, I think kids will love it too. They just have to know that Pan is a bit different here. Any mythology fans will find Night of Pan fascinating.. with rich characters and setting and lovely writing, I can’t wait how this series goes!!
First of all, Strickland has a very lovely writing. I’m a fan of Thaleia’s POV. Its a mix of mischief and innocence. I was easily gripped from the start because of the poetic and haunting way that Strickland is using in describing Thaleia’s environment and their culture. I was enamored and kind of shocked on how they do things. I mean, engaging a 5 year old to some man who is much much older? Man, I’m glad we don’t do that now.
The plot was entertaining.. though the pacing was a bit slow and I think some chapters should’ve been just cut short, I was still engrossed the whole time. I recommend Night of Pan for older fans of Rick Riordan’s novels. But then again, I think kids will love it too. They just have to know that Pan is a bit different here. Any mythology fans will find Night of Pan fascinating.. with rich characters and setting and lovely writing, I can’t wait how this series goes!!
December 27, 2014
The fact that I yelled “YES” at the question at the end of the blurb every time I read it should have been warning enough for me to be wary about the novel. But alas, I was not. Not that this is a terrible book. It just felt… cold.
You see, the plot itself is not a bad one. It’s about how a girl flees from an arranged marriage, discovers that the priests have been lying about hearing Apollo speaking to them, and tries to convince the villagers that she is indeed having visions and communicating with the god Pan. The subplots are interesting too, from her parents’ secret past to Thaleia’s fear of losing her best friend, there’s always something to keep one wondering.
My problem is not the plot, but the writing itself. I didn’t feel anything for Thaleia – or any of the characters. A giant boulder could have dropped on their heads and I wouldn’t have been upset one bit. I suppose this is partly because it felt like a story a history teacher would tell their students in the hopes of making them learn Greek history better. Whilst I applaud what must have been extensive research of the time period and admit to having learnt a few things, it’s still true that the writing feels stiff and far too formal.
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You see, the plot itself is not a bad one. It’s about how a girl flees from an arranged marriage, discovers that the priests have been lying about hearing Apollo speaking to them, and tries to convince the villagers that she is indeed having visions and communicating with the god Pan. The subplots are interesting too, from her parents’ secret past to Thaleia’s fear of losing her best friend, there’s always something to keep one wondering.
My problem is not the plot, but the writing itself. I didn’t feel anything for Thaleia – or any of the characters. A giant boulder could have dropped on their heads and I wouldn’t have been upset one bit. I suppose this is partly because it felt like a story a history teacher would tell their students in the hopes of making them learn Greek history better. Whilst I applaud what must have been extensive research of the time period and admit to having learnt a few things, it’s still true that the writing feels stiff and far too formal.
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September 4, 2014
I received an advanced reader's copy of this book.
How ever does an oracle develop? This is a question I never really wondered about, but I was glad to learn about the Oracle of Delphi. Ms. Strickland does a good job showing teenage Thaleia trying to get at the truths about herself and her family and trying to understand the visions that come to her, in this first volume. There is so much duality, of the gods, about her mother, about her father, about the roles of the villagers and priests, that it is easy to start feeling as confused and crazed as she does. Her best friend Sophia certainly doesn’t understand, but the head priest constantly shows himself to be her enemy. Luckily she has Pan to appeal to and a travelling oracle to help her understand, though at times I felt Thalia understood much more than I. As the gods visit her and give her visions of a terrible threat to all of Greece, she starts to shape her role, her power and maybe its limitations. Threats of marriage, murder, a fraud and the tremendous battles with the Persians coming closer and closer to home keep the tension steady while wild things are happening to Thaleia. I am certainly looking forward to the next book in the series as she grows into her new role.
How ever does an oracle develop? This is a question I never really wondered about, but I was glad to learn about the Oracle of Delphi. Ms. Strickland does a good job showing teenage Thaleia trying to get at the truths about herself and her family and trying to understand the visions that come to her, in this first volume. There is so much duality, of the gods, about her mother, about her father, about the roles of the villagers and priests, that it is easy to start feeling as confused and crazed as she does. Her best friend Sophia certainly doesn’t understand, but the head priest constantly shows himself to be her enemy. Luckily she has Pan to appeal to and a travelling oracle to help her understand, though at times I felt Thalia understood much more than I. As the gods visit her and give her visions of a terrible threat to all of Greece, she starts to shape her role, her power and maybe its limitations. Threats of marriage, murder, a fraud and the tremendous battles with the Persians coming closer and closer to home keep the tension steady while wild things are happening to Thaleia. I am certainly looking forward to the next book in the series as she grows into her new role.
March 17, 2017
After reading reviews on this website, I conclude that this novel's best audience is that of adolescents. The novel reaches a plot and descriptive climax in the eponymous chapter of the Night of Pan, then again rises at the end. Some slight grammatical and typographical errors impede the story, with stilted, even corny dialogue like a 1950s sword and sandals film. However, I applaud this first novel of a series by its noblest intentions: to breathe life into our classical tradition! Descriptions are often scintillating and imaginative but there are too many shoves and childlike descriptions as actions among characters, even though the characters described are often children. We need more classical attempts like this one! As a visual artist I often recalled art history images in the reading: J. L. David's "Leonidas" of the Louvre, Apollo Belvedere, Alma-Tadema's tableaux. As a new friend of the author who encourages my own writings I hope to encourage her writing career as well, somehow. I wish I knew more of her collegiate classical studies touched upon in the "about the author" final book page.
November 19, 2014
This is a mixed bag of a read. I really like the writing and the sheer amount of research that goes into this book is stunning. I love the whole premiss for the story line and I like how everything moves along with the plot through to the end. This is an easy to read book and enjoyable except for a few minor things that dragged down the whole experience for me. I did not feel like every character was thought through, fleshed out or layered which made it difficult to feel anything towards them. The pacing was a bit slow at times, to the point I really wanted to skim through pages. Overall though, this is a good read and one to enjoy. I received an ARC through Curiosity Quills Press in exchange for an honest review. This in no way influenced my opinion.
October 13, 2014
The Night of Pan brings to life the story of the Oracle of Delphi steeped in history from ancient Greece and Sparta. Coming from the point of view of a 15 year old, the book is appealing to young adults (12+) and provides a much needed female voice and perspective for this historic period. The story has some fantastic twists and a very rich style to keep the reader engaged. Also provides a glossary to help the reader with the terms and ideas from that time period. Recommend it for young adults who liked the Percy Jackson books and wants to go back in time to the actual historic period of the Gods.
December 26, 2014
I bought this book for my 8-year-old son, who reads a lot of YA fantasy and loves mythology; for example, he has read all of the Rick Riordan books and is reading the Lord of the Rings series. Immediately after reading Night of Pan, he asked if this was going to be a series and if he could read the next book! He said he loved the mythological detail and the characters. He especially liked the character Sophia (he thought she had "good instincts"), and liked how Pan helped Thaelia (the scene with the magical pipes was his favorite). I plan on borrowing this book from my son and reading it myself!
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