✧₊‧˚⁀➷ 3.9/5 .ᐟ
→ for everyone who read the inheritance games and thought it should have been fantasy. and about girls.
it took me so, so long to get into this book, and even longer to start to enjoy it, but i am very glad i did because this was truly amazing by the end.
ʚɞ ⁺˖ setting .ᐟ walstad, ruled by the holtzfall family for centuries, ever since honor holtzfall built a ward of sorts to protect the city from the magical forest that surrounds it. the city is protected by the rydder knights, who are magically oathbound to serve the holtzfalls, due to a vow by their ancestor many centuries ago. the holtzfall heiress, verity, has been murdered and thus there are a set of tests of virtue, the veritaz trials, to decide the next heir. features honora holtzfall, formerly heir presumptive, attempting to find her mother's murderer, august wolffe, who teams up with her in order to establish himself as a newswriter, ottoline holtzfall, who has just discovered her connection to the family and now must compete in the trials, and theodric rydder, who is perhaps the only rydder to actually like being a holtzfall lapdog and who must decide if he stands with his duty or his blood.
ʚɞ ⁺˖ worldbuilding .ᐟ i really like the universe in which this is set, but there's not a lot of explanation in how the magic functions. it's both inherited and dependent on class of wealth? the city is divided into districts, or 'circles,' in which the first circle is the holtzfall circle and the wealthiest, and the further out you go, the poorer everyone gets. are these circles warded in some way to make sure the first circles have the highest magic? i know this is set in the same universe as the rebel of the sands series, so perhaps that's why there isn't much explanation, but not everyone has read rots. and the time period is also somewhat wonky. i was so surprised that the knights still used swords, and not guns, despite this being a world with cars and yachts. i understand it's suppose to resemble a fairytale, but everything is very modern except for this one aspect, and it just comes off as goofy and not very immersive. one thing i loved was the veritaz trials. they were lawless, wild, and magical enough to bring the fairytale atmosphere and compensate for everything else.
ʚɞ ⁺˖ plot .ᐟ suspenseful, well-paced, immensely enjoyable. the mystery of verity holtzfall's death was excellently written, with clues being well-placed enough that you could guess at what happened, but the reveals were still surprising. the absolutely perfect mystery—i hate when the killer in a whodunnit turns out to be a random and all the clues end up being red herrings, so i love that here, the reader is able to actually theorize and make sense of the mystery. the actual veritaz trials played very little part in the story, which i'm sad about, because i expected something akin to all of us villains. but it does make sense. they're structured as little tests of kindness or honesty, and there's only meant to be four, and it would be difficult to make an entire book out of that, i suppose.
ʚɞ ⁺˖ characters .ᐟ
→ nora was my favorite from the beginning, and though lotte became a close second towards the end, this never changed throughout the book. despite being another iteration of the poor little rich girl trope, she's fascinating to read about. she goes from wanting the heirship in the same way she would want a new dress—because she thinks everything in the city, the country should be hers as some sort of natural law—to actively wanting to change how wealth and magic is distributed in walstad. her friendship with august and lotte allows her to view the world through a new lens. despite her initial resistance, as she hunts for her mother's murder and goes deeper into the city, she realizes her family's power can actually be used to make life better for these people. i also love her because she seems to be the only one out of the lead characters to be interested in the grims' political plans for the city—everyone else is like woo they're terrorists, even if they understand the plight of the common people. granted, it's probably because, as nora herself admits, she's equally unhinged.
→ cinderella wishes she could be as princess as lotte. it's funny because i hated her in the beginning, but she's fighting nora for the best character spot now. her journey in desperately trying to find belonging in the holtzfall house to then standing up for herself and not caring anymore because these people are evil and weird was so satisfying and inspiring. her gradual sisterhood with nora was the best part of the book.
→ and then there's august. i do love august. it's just the problem is he's kind of a blank slate. he has maybe seven povs max, and the only thing they serve to add to the story is some background on the bullhorn newspaper and the grims' alliance. he's poor, and he's funny, and he likes nora, and that's basically it. you know how ya books basically have only two male lead types, the brooding traumatized sex beast, and the cutesy, funny, golden boy green flag? he's the outline of the latter, and he has not been colored in yet. but there's still hopes for book two.
→ finally, theodric. there aren't enough words in the english language to describe my revulsion towards this man. i hate his face, i hate his politics, i hate the fact that he's allowed to step within ten feet of either nora or lotte without being shot. aside from the fact that he's boring, he's also the personification of the twitter incels that make $10/hour and yet somehow consider it their highest calling to defend bezos and musk from being taxed. you can make a case for brainwashing i suppose, but both verity holtzfall and nora, who were actively groomed into being "perfect" holtzfalls were able to break out of this thinking. it's stated that the other knights, who were also oathbound, were simply protecting holtzfalls as a job, and he's here thinking they're gods. okay.
ʚɞ ⁺˖ romance .ᐟ not really an important part of the story, which i'm so glad about because everything else was more interesting. however, nora and august did have insane chemistry from their first meeting. there's a few kisses, and something being built up for the next installment. that's all there is, yet it's absolutely the most satisfying romance i've read since maybe january. alwyn hamilton might be the first romance fantasy author to understand pacing, because they know that 300 pages of banter and nothing else doesn't mean you get married and die for each other on the last page. theolotte, are also being built up for the next book, but them, i despise. it's instalove on his side, and a whole lot of drivel about vows and duty. like do you like her or her last name? she's a little intrigued by him, but it's not serious, and i hope this means she gets with literally anyone else.
→ anyhow, loved this, some aspects of worldbuilding could have been better, but overall an excellent read. thank you to netgalley for the advanced copy!