OKAY, Highland Honor, book 2, we're following Nigel, Balfour's brother. This storyline seems to have been partly inspired by Mulan, which could actually be true considering Mulan came out in 1998 a year before this book. Just a note, if you don't like reading about rape or any references to rape, this is not the book for you. Nothing graphic is depicted, but it's referenced extensively because it's a big part of the heroine's past, just know that going into it.
So Nigel left Scotland at the end of the last book because he was in love with Maldie, who married Balfour, Nigel's brother, and Nigel can't stand himself anymore lusting after his brother's wife. He fucks off to France as a hired sword. This book timeskips seven years forward, and Nigel is still a sword-for-hire against the English, and an alcoholic who numbs the pain sleeping with prostitutes constantly. Great! When he meets Giselle, he's going to give her syphilis from fucking his way across the continent in brothels! I'm not a huge fan of the trope of men dealing with their depression and anger by drinking and sleeping around. And I really dislike the message that all a messed up man needs to stop being an alcoholic is the love of a good woman, but what can you expect from a book written in the 90s. Comparing Nigel's romantic style to Balfour, I vastly prefer Nigel if I had to choose, (which is funny because in the first book, a big part of Balfour's identity was being jealous that all the women prefer Nigel -- gee, I wonder why, Balfour). Nigel doesn't threaten violence, coerce sex, or kidnap Giselle in the way Balfour did to Maldie -- but that's not to say Nigel doesn't have his own problems.
Anyway, the reveal of our heroine, Giselle, had Mulan vibes. Giselle is a frenchwoman and a widow who is being pursued by her dead husband's family, accusing her of murdering him. She cuts her hair off and is trying to disguise herself as a boy within the army. I realize now, looking back on my notes, that there is a throwaway line at the start of the book that describes Nigel gathering up her hair cuttings and keeping them in his tent, like a weirdo -- but the hair clippings are never mentioned again. I totally forgot about that. No idea why we needed to know he was perving over her hair, it gave me a 'I took Becky's candy wrapper out of the garbage so that I could sniff it and feel close to her' vibe.
Anyway, Nigel happens to be eavesdropping when Giselle is narrating her plan of disguise to her cousin Guillermo. He then inserts himself into this problem and takes it upon himself to help Giselle escape her pursuers. We find out that Giselle's dead husband was routinely raping and beating her, and everyone knew about it, yet no one did anything to help because her husband was rich. Her family was glad she made an advantageous marriage and didn't want to do anything to cross him, so they just were letting her be openly abused and pretended they didn't know. When rapist-husband was found dead, he had his own penis stuffed into his mouth, so everyone thinks, well obviously Giselle did it, he was beating her ass and raping her! Maybe she didn't like it! How dare she kill her own attacker! You're supposed to accept it if your husband is abusing you, not retaliate against his violence with defensive violence of your own! Let's kill her! I'm assuming they need to execute her for 'killing her husband' and make and example of her because if they let it slide for a woman to murder her husband for raping her, there would be a lot of dead husbands popping up across medieval Europe. So she's on the run because of this double standard. Nigel offers her protection and they go on the run together, trying to get to a port so they can sail to Scotland and escape the frenchmen pursuing her.
So the set-up is this. Nigel the drunk, who is still in love with his brother's wife, all he really needs is the love of a good woman to cure him and turn him down the path of goodness, and Giselle.. well... The implication here is that all that an abused woman needs to heal after being raped is to have pleasurable sex, i.e., another horny man who can show her that sex is good! Isn't that what every rape victim needs? Another man who wants to use her body for his own purposes? Yeah. Not great.
Another twist is that Giselle looks a lot like Maldie. Both of them have black hair and are really tiny. So Nigel has it in his head that maybe he only likes Giselle because she reminds him of Maldie, and this means that he shouldn't profess his love to her -- but it sure doesn't stop him from sleeping with her 20 times. This resemblance that Giselle has to Maldie hangs over the reader's head until the very end of the story as a final romantic conflict after the action-drama-violence plotline was ended.
Let's look at Nigel in comparison to Balfour, the love interest in the first book. While Nigel is an improvement in some ways, and is a lot less forceful, coercive, and sexually violent, while he doesn't force himself onto Giselle the way Balfour did to Maldie, he does fondle her while she was asleep more than once to wake her up to sex, and this book repeatedly professed the attitude that 'not saying no is actually saying yes', which isn't true. I think we're supposed to see Nigel as something of a feminist compared to Balfour, he's more romantic, he's more patient and gentle, with a more open minded attitude about women who have sex outside of marriage (but only insofar as it benefits HIM for Giselle to feel okay having sex with him). But all that is ruined by this throw-away part where after they have sex for the first time, Nigel says, 'Don't worry, I know you did this willingly, I know you're not going to claim that I raped you, you're a sensible girl.' And Giselle replies, 'yeah, most women are." And Nigel is like, haha yeah, but in his head he doesn't agree with her. This is never expanded upon, which is strange, and leaves us thinking that Nigel sees women as duplicitous whores who lie about being raped or who sleep around, etc -- even though HE is the one whose main personality trait in both books was being a man-whore, Nigel who was sleeping his way across Europe's brothels and would put his dick in a hole in the ground if it looked a little curvy. But we get this bullshit throwaway line about women being illogical when it comes to sex, when he is ruled by lust to the point of being the most irrational man alive. Oh the irony. He reveals such little respect for the women he himself was sleeping with, thinking of them as dirty and low for having done so. The madonna-whore complex is strong in this book. He simultaneously hold the two conflicting beliefs that the women he slept with in brothels are dirty whores, but Giselle, who he is also having sex with, is pure. NO Giselle, don't have an attack of conscience! God will forgive you for having sex with me! It's okay to sin and fornicate, because it benefits ME! They have multiple convos about catholicism and that god will condemn them for their fornication, but Nigel insists that Giselle is pure, because she's not having sex with just any guy, she's having sex with HIM! Weird double-standard-ass outlook on life.
I liked Giselle, I liked her mini side-plot of learning to sword-fight, but she kept making up the stupidest dumb-fuck reasons to keep riding off on her own. The book clearly needed to contrive reasons for them to be separated so that Nigel could go rescue her, but Giselle's reasoning was always so dumb. She leaves the first time because she thinks Nigel is going to break her heart, so she decides to go back to being on the run on her own, because when she weighed the risk between getting captured and executed, and a heartbreak? She thought the heartbreak was worse. Girl then immediately gets captured and taken to the DeVeaux keep, where everyone wants to rape her.
Nigel rescues her literally the MOMENT before she's going to be raped, like they're literally on the bed and her boobs are out, and Nigel knocks the guy out. I enjoyed the capture, imprisonment, and rescue chapters, but what I found so fucking bonkers was that the book makes clear at least FIVE times that Nigel is rescuing her because he knows that if she gets raped again, 'the passion she's rediscovered will be snuffed out,' meaning, he's not rescuing her because being raped is an injust violation and no one deserves to go through that torture and pain, but because he is afraid that being raped again will make her stop wanting to have sex with him ever again! No, don't get raped! Then /I/ won't be able to have sex with you! What the fuck is this sociopathic attitude???
After being rescued from a near-rape, Nigel's strategy to make her feel better is to initiate sex. Which is INSANE. But whew, she likes it! Hey, good thing she isn't traumatized from being almost raped again, now I can have sex with her some more!
The worst part of this book is how it keeps insisting that having good sex with a guy is the way to remind yourself that not all men are bad! Sex is the cure to being traumatized by rape according to this book. Which is mind-bogglingly ignorant. But--
So they finally get a ride on a boat back to Scotland and Nigel still hasn't told Giselle about Maldie. When Giselle finds out, she gets mad and goes to her room. Nigel then explains everything to Balfour, Maldie, and James and Eric, and then when we get Giselle's perspective again, the book skips over Nigel apologizing and telling her about his past with Maldie, which was ... really weird. Why didn't Hannah want to write that scene out, isn't that an important moment? Nigel promising to Giselle that he loves her for her, not because she looks like Maldie? Ugh. It was weird, because the book didn't do that weird kind of skipping at any other time.
Anyway, Giselle runs off again because she thinks she's going to bring danger to the Murray family, so she rides off with her horse and fucking immediately, two road thieves accost her and are going to steal her stuff and rape her. I would say its unrealistic for everyone man to be a psycho rapist, but??? Medieval Scotland/Europe? Yeah, I'd say that any time a woman was out alone, especially a poor or low-born one from an outside village, and men thought they had the opportunity to, rape probably was extremely common. There's a reason people call them sheep-fuckers, dudes would rape anything.
Anyway Nigel rescues her and is mad at her that every time Giselle runs away, she almost gets raped. Rather than wondering how strange it is that every man she comes across is so bloodthirsty, demonic, and eager to commit an opportunistic rape, he's angry at her for 'putting herself in that situation.' His attitude is, come back with me you little woman, you, you can't take care of yourself! If you go off on your own, you will be raped. So you have no choice but to stay with me. And Giselle is like, yeah you're right.
The book ends with a love confession from Nigel to Giselle that could've used some more rewrites, I just didn't /feel/ the catharsis I was hoping to feel with that ending. There were quite a few areas this story could have been improved, but I think it had a good foundation and a fun premise. This was some silly adventure-romance, and I enjoyed where the book took me. I think it overdid it using rape as a plot-point, there should've been only the one attempted rape by the cousin of the husband, but the highway thieves too? That was unnecessary and gratuitous.
Side note! -- remember how in book 1, Highland Destiny, it kept being hinted that Maldie has some kind of supernatural power of empathetic aura reading? Well, this book keeps hinting that Nigel has some sort of 'gift' that alerts him to danger, it keeps being dropped that it may be supernatural or magical, but like the last book, the plot drops it and never explains it, which makes me wonder why it was ever mentioned. Do all of these books hint at people having magical gifts? Is this plot thread what inspired Hannah Howell's later series with the Scottish vampires, the MacNachton Vampires? I wonder if there's a connection.
Alright, book 3, I think it's about Eric, the little adopted brother of Nigel and Balfour! Hopefully he's sweeter and less entitled than his older brothers are.