By far the most diverse omnibus so far with a hefty ten stories, this fifth Aliens outing is, almost by its very nature, hit-and-miss. But, a couple of times, when it hits, it hits hard. Very hard. And it's misses aren't as wildly misplaced efforts as in some of the previous volumes, but there are a fair few of them.
Religious-themed stories have been explored in previous volumes and the combination of religion-and-xenomorph does generally work well. 'Alchemy' is a decent addition to those tales, if far too long-drawn out.
'Kidnapped' is a wildly entertaining, completely, ridiculously over-the-top story (with an art style to match) that stands out as one of this volume's most memorable entries.
'Survival' is the best of the ten stories collected here. Dark, compelling, understated, bitterly sad, and with an art style that perfectly complements the script, it's one of the best tales in any of the five volumes.
'Cargo' is a well-put together crime/revenge story but there's nothing about it that makes it unique to the Alien universe. It feels a bit like one of those straight-to-video Hellraiser film sequels - like an existing story that someone shoved some alien action into.
'Alien' works extremely well. A grim, twisted little tale, boldly illustrated, of a xenomorph terrorising a primitive (well, technologically, at least) alien village on a far away planet.
'Earth Angel' pits crash-landed xenomorphs against a 1950s US biker gang. A weird concept, illustrated in a not-entirely pleasing way, it's a fun, slightly daft story.
'Incubation' (illustrated by the legendary Bernie Wrightson) is a short, effective, thoughtful piece.
'Havoc' is a fairly standard, stressed-out, shouty humans battling a spaceship-based alien infestation, but the gimmick of having different artsits draw seemingly every page is unevenly jarring, distracting and makes it more of a chore than it should be to follow the story, as it's difficult to keep track of who's who. A mess.
'Lovesick' stands out visually (it's memorable, but I'm not sure I liked the art style so much, except the far ore detailed renderings of the xenomorphs), but its basic premise - the mad behaviour of a mad scientist feels like its long-since been an Alien cliche.
Finally, 'Lucky' is a beautifully dark tale of cowardice, selfishness and survival. An excellent way to finish off a wide-ranging, experimental-feeling volume.