"I know your secret." Tonight is Tommy Morris's big he's been invited to party with the social elite of Franklin High and maybe even hook up with Pam, the girl of his dreams. But when a prank call turns sour, Pam goes missing, and Tommy gets sucked into her disappearance deeper than he bargained for. The Secret is a chilling coming-of-age mystery from Dark Horse founder Mike Richardson and Eisner-nominated artist Jason Shawn Alexander (Damn Nation, The Escapists).
Mike Richardson is an American publisher, writer, and Emmy-winning producer. In 1986, he founded Dark Horse Comics, an award-winning international publishing house located in Milwaukie, Oregon. Richardson is also the founder and President of the Things From Another World retail chain and president of Dark Horse Entertainment, which has developed and produced numerous projects for film and television based on Dark Horse properties or licensed properties. In addition, he has written numerous graphic novels and comics series, including The Secret, Living with the Dead, and Cut as well as co-authoring two non-fiction books: Comics Between the Panels and Blast Off!.
un fumetto che ci porterà mano nella mano in una storia semplice, dai tratti adolescenziali e dalle pennellate horror è proprio the secret; se ti chiamassi e ti dicessi "io so il tuo segreto" quale sarebbe la tua reazione? questa è la frase clou che fa scattare la molla a tutta la trama che ho trovato scorrevole e ben delineata, anche se avrei preferito forse un qualcosa in più; sebbene il finale sia un po' scontato è comunque giusto se si vuole tentare un continuo di storia che leggerei più che volentieri; le tavole illustrate sono davvero notevoli, soprattutto per quanto riguarda le ambientazioni più che i personaggi in sé che come disegni non mi hanno entusiasmato; il pezzo forte è il contrasto tra le scene horror, ovviamente più cupe, e quelle di tutt'altro genere che si colorano e prendono vita, sembra che ogni emozione e situazione si palesi tramite i colori usati creando quindi una sfumatura emozionale che va dal giallo al nero più minaccioso.
2.5* A decent but in no way amazing thrilling tale-the by-the-book construction up to the final twist kinda spoiled it all- holding up thanks to JS Alexander's impressive art. Would probably be a dud if not for him.
Decent horror comic that I think would work better as a movie. The art was painted which added to the atmosphere. Nothing groundbreaking but much like a horror movie it's cool entertainment. Teenagers prank call the wrong person and things go downhill from there...
Starts out as a promising thriller, then its plot relies too much on coincidence, and it ends on a very predictable note - even though how we get there makes little sense (a character makes a choice that doesn't characteristically follow out of anything we know about him or her), and what happens itself makes even less sense.
If there was a sequel, the ending would be at least more interesting, but as far as I know, there isn't.
I did like the painterly art a lot, even if it's mostly covered in crime-grime.
Bunch of people got in to the troubles, when prank hone calls made one young lady very nervous then lost with certain maniac who decided to make good old slasher comics.
Another random library read that I wouldn't have encountered otherwise.
Mike Richardson's writing is decent and John Shawn Alexander's grim ink and watercolour style art is really nice and effective, but being a graphic novel can't do anything to hide the fact that this is just another trash 'trauma horror' movie in the vein of Jeeper's Creepers, albeit without the supernatural elements.
A prank call to the wrong person ends up in kidnap and abuse of the fridge girlfriend birthday girl of the protagonist who is a troubled kid doing his best and trying to save the day.
Generic plot with a generic villain and a cheap morally grey ending with the most obvious final twist.
Everything about this other than some of the dialogue and Alexander's art are pointless, male hero, fridged girlfriend tropes that have been done to death and weren't spellbinding begin with.
I'm being really harsh again, but I thought this might actually be something. Whereas, it is just tropes and the trauma of women for tension. Fuck that noise.
Story is ok. Subpar by closing. Art is painted stylings and a real treat to look at it. Splashed with speckles and scary. Very good framing and composition. Easy to recognize characters and see/understand their eyes. Sometimes a little too dark. Very pleasing.
This story started out great with a good thriller premise, teen horror archetypes, and some actually creepy/scary compositions. But then the story becomes dull, not a lot of character or plot development happens, and oh look, I happened upon SPOILER by complete chance. I don't think the creators had the time or interest to give this piece more of themselves. It really could've been special. Instead it's very hollow.
Think that cop being suspicious of so and so will develop into a subplot or a.n.y.t.h.i.n.g? Think we'll learn why so and so is treated poorly by students or why so and so is a major prick? Think we'll learn anything about anything?
A completely formulaic teen mystery / horror, in the vein of Scream and I Know What You Did Last Summer. It could have been better, but sadly there is never enough room for it to become more interesting than a classic example of a specific trope combination. I suspect they might have been angling to ride the wave of such movies from the mid-90s to the mid-00s, and have it end up as a movie as well, but it really adds nothing to the genre.
A really awesome, tense graphic novel that left me thoroughly engrossed the entire time, the art was amazing and added to the horror, and the writing was exceptional. It was a great read, and good for anyone who enjoys horror and comics.
It gained a star because I found the art creepily atmospheric. The story was okay, nothing too original and the ending was predictable (and almost knocked it back down to 2 stars).
Mike Richardson does a credible job as comics creator on this horror novella. I've had this on my Kindle Fire for ages, and am glad I finally got to it.
It was nice but honestly not as good as I expected it to be. The graphics are amazing that's for sure and that's the main reason why you should go through this comic but even if the base of the story is nice and interesting it's not very well used. For me the story should have been longer and more developped, with more investigation, more details on the characters, situation,...Here it just goes over important things so you can't really get into it...you don't really have the time to. Before you really get attached to any character the story is over already and you don't get to know anything about them. It's just like "Here are the characters / Oh no this happened / That's how it finishes" and nothing in between which is quite frustrating. But it's still worth reading at least for the beautiful graphics and the storyline which is interesting even if just flew over!
The art is quite cool, but everything else in the thing is just so completely bad. The story is a collection of teenage horror clichés, as are the characters. And the values enforced are also very typically harsh and celebratory concerning double standards.
The story is just ok, not overwhelmingly original, sort of in vein of "I know What You Did Last SUmmer" and similar genre. The art however, is amazing, definitely the best part of the book. Quick read. Decent suspense.
This would have been amazing, but it just needed to be fleshed out more. I know that sometimes less is more, but I've seen b-movie slasher flicks that had more backstory than this one. Well executed, just not enough.
There is nothing remotely original about this comic--and that's okay. It is dark, twisted and genuinely suspenseful despite those flaws. The art is amazing as well.