Bindy Mackenzie is the smartest, most focused student at Ashbury High. She works hard to be the best and encourages her peers to fulfill their potential as well, holding lunchtime seminars and offering constructive criticism. In that respect, she’s the nicest, kindest student at Ashbury. The problem is that she’s the only one who thinks so. The fact that most of her classmates hate her comes to light during her 11th grade year, when she’s forced to take a Friendship and Development class (FAD) that puts her with her peers. As the year progresses and Bindy becomes less socially awkward and more aware of the consequences of her actions, she also starts to realize that someone might be trying to kill her.
Like Moriarty’s other works, The Murder of Bindy Mackenzie is told in an epistolary manner, for the most part. Unlike Moriarty’s other works, though, this story is told almost exclusively through the eyes and mind of Bindy Mackenzie herself. Through Bindy’s diary, transcripts, and letters, the reader gains insight into a girl who is often funny and even more often self-righteous. As her story unfolds, however, the reader starts to understand that Bindy’s pretty complicated: her parents are emotionally and physically absent, she doesn’t have friends to confide in, and the amount of pressure that she’s putting on herself to be successful might just be making her sick. Moriarty’s talent is clear here, as she crafts a character that is both annoying and oddly sympathetic. Bindy is irritating, don’t get me wrong: she’s self-righteous to a fault, completely oblivious to how snide she comes off towards her peers and teachers, and seems to be unaware of or in denial about the fact that she is a teenager. But she is also lonely, and funny, and wants to be loved, and that shines through the air of pomp that she puts on when in the company of others.
Fans of her other work will also be glad to see the appearances of characters from her previous Ashbury novels. Moriarty writes characters that are quirky (almost too much, sometimes) and funny and self-aware. She understands teenagers and writes them well. Her talent for writing funny, smart dialogue is illustrated in this book as well. Moriarty presents heroines in her books that are funny, smart, and flawed, and none of them are completely defined by romantic interests.
All was not well with my reading of this book, though. Like The Ghosts of Ashbury High, Bindy Mackenzie suffers from being overly-long. Coming in at nearly 500 pages, the story gets bogged down in details and anecdotes that don’t come to a head until way too late (or not at all). The last 200 pages are the strongest, but by then the reader has sloshed through nearly 300 pages of build up to something that not only did they not see coming but doesn’t make complete sense. It is Moriarty’s tendency to include a darker element to her stories about teenagers doing silly things, but this one is dark in a way that doesn’t quite work, because it comes out of nowhere.
That being said, it’s still an enjoyable read for fans of Moriarty’s books. If you’re just entering the author’s oeuvre, though, I’d recommend starting with Feeling Sorry for Celia, which remains, to this day, her best work.