The Burning Room

Harry Bosch #17

by Michael Connelly

In the LAPD's Open-Unsolved Unit, not many murder victims die almost a decade after the crime. So when a man succumbs to complications from being shot by a stray bullet nine years earlier, Bosch catches a case in which the body is still fresh, but any other evidence is virtually nonexistent.

Now Bosch and his new partner, rookie Detective Lucia Soto, are tasked with solving what turns out to be a highly charged, politically sensitive case. Starting with the bullet that's been lodged for years in the victim's spine, they must pull new leads from years-old information, which soon reveals that this shooting may have been anything but random.

Genres: Mystery, Fiction, Crime, Thriller, Audiobook, Detective, Mystery Thriller

388 pages, Hardcover

First published November 3, 2014

About the author

Librarian Note: There is more than one author in the Goodreads' database with this name. See this thread for more information.

Michael Connelly decided to become a writer after discovering the books of Raymond Chandler while attending the University of Florida. Once he decided on this direction he chose a major in journalism and a minor in creative writing — a curriculum in which one of his teachers was novelist Harry Crews.

After graduating in 1980, Connelly worked at newspapers in Daytona Beach and Fort Lauderdale, Florida, primarily specializing in the crime beat. In Fort Lauderdale he wrote about police and crime during the height of the murder and violence wave that rolled over South Florida during the so-called cocaine wars. In 1986, he and two other reporters spent several months interviewing survivors of a major airline crash. They wrote a magazine story on the crash and the survivors which was later short-listed for the Pulitzer Prize for feature writing. The magazine story also moved Connelly into the upper levels of journalism, landing him a job as a crime reporter for the Los Angeles Times, one of the largest papers in the country, and bringing him to the city of which his literary hero, Chandler, had written.

After three years on the crime beat in L.A., Connelly began writing his first novel to feature LAPD Detective Hieronymus Bosch. The novel, The Black Echo, based in part on a true crime that had occurred in Los Angeles, was published in 1992 and won the Edgar Award for Best First Novel by the Mystery Writers of America. Connelly has followed that up with over 30 more novels.

Over eighty million copies of Connelly’s books have sold worldwide and he has been translated into forty-five foreign languages. He has won the Edgar Award, Anthony Award, Macavity Award, Los Angeles Times Best Mystery/Thriller Award, Shamus Award, Dilys Award, Nero Award, Barry Award, Audie Award, Ridley Award, Maltese Falcon Award (Japan), .38 Caliber Award (France), Grand Prix Award (France), Premio Bancarella Award (Italy), and the Pepe Carvalho award (Spain) .

Michael was the President of the Mystery Writers of America organization in 2003 and 2004. In addition to his literary work, Michael is one of the producers and writers of the TV show, “Bosch,” which is streaming on Amazon Prime Video.

Michael lives with his family in Los Angeles and Tampa, Florida.

Reviews

[Frances · Rating 4 out of 5]

Detective Harry Bosch nearing retirement has been paired with rookie Detective Lucia Soto to give guidance along with his expertise in solving cases. Working in LAPD's Open-Unsolved Unit they are assigned a 10 year cold case of a victim shot while sitting in an outdoor plaza, However, the victim only recently died from the bullet which had been lodged in his spine with no hope of recovery until he became a corpse on the coroner’s steel table being probed and poked mercilessly. Bosch is a dynamic, tenacious detective when once assigned a case will not stop until all leads have emerged, obtains solid evidence, and cuffs the guilty perpetrator. The Burning Room is an intense, skillfully crafted crime thriller and recommended to all readers.

[James Thane · Rating 4 out of 5]

Ten years ago, a mariachi musician was shot and critically wounded in what the police then assumed was a drive-by shooting, perhaps a stray bullet from a gang-related incident. When the musician dies, with the bullet still lodged against his spine, his death is ruled a homicide and the ten-year-old case falls to Detective Harry Bosch of the LAPD's Open-Unsolved unit and Bosch's young new partner, Lucy Soto.

Harry is still getting to know Soto, who is known as "Lucky" Lucy and whose rapid rise through the department was accelerated by her heroic action in a shoot-out with armed robbers that left her partner dead. He's not yet sure whether she's detective-grade material or not and will be watching her closely.

Their only real chance of solving the murder rests on the hope that new technology will provide them leads that were unavailable to the team of detectives that first investigated the shooting. In particular, will it be possible to enhance the video that was taken that day so as to provide additional information about the crime?

As Harry and Lucy begin digging into the investigation, Harry discovers that Lucy is secretly conducting an investigation of her own into another old cold case involving a fire that took the lives of several children and a caretaker at an unlicensed day-car center. The case has great personal relevance for Soto, and Harry has to decide whether to shut down her efforts or assist her in attempting to solve this case as well. All of this is of tremendous personal importance to Bosch as well, because he's coming up against his mandatory retirement date and in less than a year will have to leave the LAPD for good. He is determined to go out on a high note.

The result is another excellent entry in what is probably the best police procedural series being written today. By now the Bosch character has been firmly set and Harry remains as grimly dedicated to the cause of justice and as fiercely determined to do things as he sees fit as he has been for some time now. Soto is a great addition to the cast and is one of the most interesting people with whom Bosch has ever been partnered. The cases involved are complex and interesting and the sum of it all will keep readers turning the pages of this book long into the night. One closes the book desperately hoping that Michael Connelly will somehow be able to keep Harry on the job for years to come in spite of his looming retirement date.

[Paula K · Rating 5 out of 5]

Wow, am I thankful I started reading Harry Bosch again. The Burning Room, # 17 in the series, is very well done. I recently finished Michael Connelly’s latest The Wrong Side of Goodbye which was outstanding. Not knowing where to start back into the series, I decided to jump into when he is about to retire.

The Burning Room pairs veteran Harry Bosch with newly promoted Lucy Soto. She’s smart and quite likable. I love the way Harry shows her the ropes in a kind and gentle manner. The technical aspect of Connelly’s books is terrific. Very detail driven.

I also started the Amazon series, Bosch, which stars Titus Welliver, the narrator for the audiobooks. He has a great voice. The show is decent. I will be continuing with both.

Thanks to GRF James for bringing me back to this great series.

5 out of 5 stars

[David Putnam · Rating 5 out of 5]

For me this is one of Connelly's better books. I was enthralled the entire time. The descriptions of the fire was vivid and terrifying. The story was tightly drawn with a satisfying ending.

[Michael · Rating 4 out of 5]

A Connelly read for me is like opening a Christmas present, a special treat that quickens my heart (and then leaves me sad because it’s all over until next year). Los Angeles police detective Harry Bosch here is working the cold case squad in his last year before retirement and is tasked with mentoring a young rising young star, Lucia Soto. They take on a case of a Latino musician apparently shot by a stray bullet ten years before during a mariachi concert and whose recent death from complications makes it a homicide. Analysis of street camera footage with modern high tech suggests a fellow musician on the stage that night might have expected the attack, but this man has disappeared. His affair with the wife of a powerful construction magnate and financial backer of a popular former Hispanic mayor makes for a tricky investigation, fraught with the dangers of high-profile politics and potential corruption.

Watching Bosch work the case is a great pleasure due to the sense of realism. Connelly doesn’t jerk the reader around with pyrotechnics and gratuitous thriller escapades. The story is mostly about his relationship with Soto, who is trying to prove herself after a recent case where a heroic shootout has made her male colleagues jealous over early promotions and media accolades. Bosch has to work hard to restrain her eager beaver efforts to succeed and make sure this will not become another partner he loses to the dangers of a mistake. When he discovers she was motivated to join the police from her childhood experience as a survivor of an arson case that led to many deaths at a project apartment complex, he is empathetic and begins helping on that cold case on the side. Slowly there emerges some intriguing links between this presumed gang-related crime and an armed robbery at a cash checking business on the same day three blocks away.

The expert juggling of these cases was a fun to experience with the master and his apprentice. As Bosch trains her in tradecraft, he has some real challenges with the gray areas such as improper shortcuts with intelligence gathering, negotiating the political ass-covering of their desk jockey supervisors, and effective harnessing of journalists they are forbidden to disclose case information with. Missing are the noirish elements of Bosch as the lone coyote in a dark world of social decay and police corruption. His home life with his teenaged daughter Maddie is upbeat and good counterpoint to the tension of his cases.

[Barbara · Rating 4 out of 5]

In this 17th book in the 'Harry Bosch' series, the detective and his new partner look into a few old cases. The book can be read as a standalone.

*****



Harry Bosch and his current partner, new murder detective Lucy Soto, work cold cases for the Los Angeles Police Department. Now they have an unusual one. Ten years ago mariachi band member Orlando Merced was shot in what was thought to be a drive by shooting.



Merced survived, but the bullet was too close to his spine to remove, and the shooter was never caught. Now Merced has died from his injuries and the bullet has been recovered. Turns out it came from a rifle, giving Harry and Lucy new lines of investigation.

Meanwhile Harry learns that Lucy survived a long-ago deadly building fire that was thought to be gang-related, and Harry agrees to help her re-investigate that crime. Before long the fire is linked to the robbery of a check-cashing store, and Harry and Lucy are working all three cases.





The partners make good use of CCTV, computers, cell phones, and forensics to investigate the crimes, and the suspense builds as they discover one clue after another.



Turns out the investigation into Merced's death has some political implications, and the check-cashing robbery seems to point to an inside job.

Harry and Lucy make an excellent team - their witness interrogations making good use of Lucy's fluency in Spanish. Harry also uses some of his other talents, like opening locked doors with paper clips and convincing a couple of old friends - a reporter and an FBI agent - to get him needed information. Harry even gets to spend some quality time with his teenage daughter.





The book has a wide array of interesting characters, including mariachi players, a former mayor and his assistant, a beautiful socialite, a Mother Superior, and more. The story moves at a steady clip to a well-constructed conclusion. This is a good book, recommended for mystery lovers - especially for Harry Bosch fans.

You can follow my reviews at http://reviewsbybarbsaffer.blogspot.com/

[MeMe · Rating 5 out of 5]

I just want to start off by saying I see why Michael Connelly is spoken highly of his work is one of a kind when it comes to crime. I love a book based in Los Angeles California. I related very well with this book for the simple fact all the street crime took place. I knew exactly what street he was talking about and what's on each corner. Bosch and his rookie detective went above and beyond to solve the case. They went with their instinct no matter how old the case was they knew they were going to solve it even if it meant opening up old wounds. Even though Lucia Soto was a rookie I enjoyed reading how she was dedicated to solving the case of sleepless nights quick thinkers on her P’s and Q’s at all times. Also I found out her reason for wanting to be a detective and working on this specific case was personal. One thing I can say I did not see the ending coming at all. I look forward to reading more of Michael Connelly work.

[Jonetta · Rating 4 out of 5]

Detective Harry Bosch has one year left with the LAPD under the DROP agreement and he wants to make the most of it. He has a new partner, Lucia Soto, who doesn’t have much experience but has great instincts. They’re assigned a unique case where the victim just died of a gunshot wound inflicted almost ten years earlier. What looked like a cold case gang-related shooting turns into something much more. And, Soto has a personal relationship to another cold case that she and Bosch decide to covertly explore.

I read recently that Connelly’s work on the Bosch television series has impacted his writing for this series, causing his storytelling to be more nimble and concise. I sensed that in this story as the pacing was excellent and there was much less inclusion of non-essential details. This was a fairly complex story because of the two investigations, which made it even more interesting. There were quite a few angles and it’s the first time I felt Bosch acted like he had a partner. I loved how much he invested in Soto’s training, which also helped me better understand the investigative process.

This is the first story narrated by Titus Welliver, the actor portraying Bosch in the TV series. Before listening to this one, I binged through the three seasons and have to say that Titus IS Bosch. As much as I’ve enjoyed the previous narrators, Dick Hill in particular, I’m quite happy with Welliver. Maybe that’s helped by having watched the new series but no matter...he’s my Harry. I enjoyed the story and the ending really caught me off guard. Can’t wait to see what’s next for Harry.

[Phrynne · Rating 3 out of 5]

Poor Harry Bosch. I know we have to get old but I wish our favourite book characters did not! Worse still is that he even seems to be mellowing with age.

In The Burning Room Harry actually starts to work with his partner instead of constantly going off on his own. This is lucky for her since she is young and new to the job. Sadly though I felt as though he had lost a bit of his edge - obviously I like bad Harry best.

This was not one of my favourite books in the series so far. I did not take to Lucy Soto at all and was surprised that Harry did. I also thought that the story moved very slowly and finished strangely. There were too many lucky breaks and coincidences.

So this one did not do it for me. A rare event - most of this series have been great and I am sure the next one will be too.

[Thomas · Rating 4 out of 5]

Harry Bosch is assigned a new partner, Lucia Soto, only 28 and already a detective, thanks to a shootout where she shot 2 of 4 robbers and pinned down the other 2 until help arrived. Harry is expected to train Luica.
They receive a cold case. A man was shot 10 years before and has just died from complications resulting from the shooting. Harry and Lucia are also pursuing another case, an unsolved arson where nine children died.
The title references not only the arson, but also how they handle sensitive information: P.152 "Because it's a hot door and we have to be careful. You never open a door on a burning room."
I give it a sold 4 out of 5 stars.

[PamG · Rating 4 out of 5]

THE BURNING ROOM by Michael Connelly is the seventeenth book in the Harry Bosch series and it still has the ability to draw me into the story and keep me engaged throughout the book. This is a well-written police procedural.

Harry is working in the LAPD's Open-Unsolved Unit, has about a year left until retirement and is partnered with rookie Detective Lucia Soto. A man dies from complications from a bullet ten years earlier and Harry and Lucy catch the politically sensitive case.

Both Harry and Lucy were compelling and well-drawn characters with clear goals. There was enough at stake and enough tension throughout to make it a page-turner for me. The plot twists were believable, but not totally unexpected. The scenes progressed in a realistic, compelling manner. Harry's softer side came through in his relationship with his teenage daughter. While the main story was resolved, there was a cliffhanger at the end of the book that I felt should have been resolved here rather than in another book.

I recommend this series to those than enjoy police procedurals.I look forward to reading more books in this series.

[L.A. Starks · Rating 5 out of 5]

Since this is one of the monthly picks for the Mystery, Crime & Thriller Goodreads group, I won't say much except that it was an excellent choice. Connelly's books are so humane and this one is no exception. The ending is....well, you'll have to read it and see.

[Terence M [on a brief old bloke's hiatus] · Rating 4 out of 5]

July 13, 2025: 4-Stars for "The Burning Room" - Rating unchanged from 2017 - I very much enjoyed this re-listen to Harry Bosch #17

November 7, 2017
Audiobook - 10:11 hours - 4.0 out of 5.0 stars
Narrator: Titus Welliver

What other author continues to write excellent stories about a major protagonist so well and so consistently? I know, there are many others and to each his own, but none do it better than Michael Connelly - in my opinion. I dread the day that Connelly stops writing Harry Bosch books. The Bosch character continues to develop but he is due for the final Drop in less than two years and I, for one, am most interested in what Connelly will do about that.

My criticism of this production is that the narrator, Titus Welliver, pretty much uses the same vocalisation for Bosch as he uses for just about all the main male characters and female characters as well! The book deserves a far better narration than Welliver provides. Is it fair to penalise good writing because of poor narration? As a general rule I think not, hence 4.0 stars instead of 3.5.

[Pamela · Rating 1 out of 5]

OK. This is it. I'm done, done, and done with Harry Bosch and done with Michael Connelly.

"The Drop" was boring and derivative.

"The Black Box" was even more so.

This one can only be described as a stinking waste of time. The plot(s) are unintriguing and predictable. The characters are tissue thin.

And the writing....the writing is flat, uninspired, and mind-numbingly boring. Seriously. The writing is ridiculous. There is nothing even remotely resembling a spark of creativity in the words. To call it workaday is a compliment. I have read instruction manuals that exhibit more heart and feeling than this mess.

What's more, it is so boring and uninspired that apparently neither Connelly nor his editor could be bothered to read it themselves. Here's an example of what I mean:

A character asks: "...Mr. Ojeda. Am I saying that right, Detective Soto? The J like an H?"

Nothing wrong with that you say. Nothing at all. Nope. Nothing wrong except that a few lines above, Detective Soto spoke the name.

Things like this drive me up the wall. It is not right that I spend my time (and money) reading a book that no one who is making money off my reading the book can take the time to read.

As I said, I'm done.

[Brenda · Rating 5 out of 5]

Detective Harry Bosch was watching the autopsy of a man who had just died from complications following a gunshot wound he had received ten years previously. The perpetrators were never caught – hence the investigation of this particular cold case was different to any other Harry had worked on. He was an active member of the LAPD’s Open-Unsolved unit, and the satisfaction of solving a crime which was sometimes decades old was great.

The department had recently implemented a policy to partner new detectives with the seasoned ones – Bosch found himself with Detective Lucia Soto as his new partner and though initially he had doubts about her suitability it didn’t take long for him to realize that Lucy would make a fine detective.

As they began their investigation, the retrieval of the bullet which had been lodged in the ten year victim’s spine was an exciting start. Digging back through the archives, interviewing the available detectives who were on the original case; suddenly they were discovering secrets which had the potential to become highly political. Keeping a lid on some of their information was vital – with the senior brass and the media coming down hard on the detective team, they had to be extremely careful. As Lucy and Harry found their days blurring into nights, the thrill of expectation was riding high. Would all their hard work pay off? And would they solve this strange and very different cold case? “Don’t open the door to the burning room”

Brilliant! I absolutely loved this latest episode in the Harry Bosch series – Michael Connelly is up there with the best in the business! The pace in this novel was fast, with full on action all the way. The unexpectedness of some of the twists and turns was great. I had a hard time putting this one down. I always enjoy Harry Bosch – he’s a great character. But I really enjoyed Lucy too – she brought a breath of fresh air to the LAPD. I have no hesitation in recommending The Burning Room highly.

With thanks to TRR and the publisher for my copy to read and review.

[John · Rating 4 out of 5]

I have to say I prefer the books to the tv series. There is much more detail and plot development. A fire killed 9 children and their carer almost 20 years ago. A bank robbery nearby at the same time leads us on a trail to a nun.

Another story takes us down the familiar path of LA political corruption. Where a Mariachi player also shot 20 odd years ago and paralyzed dies and the bullet can finally be removed from his spine and analysed. This leads to a dead hired killer and a concrete king who took umbrage his wife was sleeping with a Mariachi player.

Soto is a good partner for Harry and she works very hard as a detective. A good story.

[Scott Rhee · Rating 5 out of 5]

Michael Connelly’s novel “The Burning Room” is, besides being the seventeenth book in the Harry Bosch series, that most wonderful of literary gifts: a twofer. It’s two mysteries in one.

Nine years ago a mariachi band member was shot by a stray bullet in a crowded Los Angeles city street. He died nine years later, in 2014, from complications due to the bullet, still embedded in his body. It was, technically, murder. One that stretched on for almost a decade. For Detective Harry Bosch in the Open/Unsolved Unit, it’s now a cold case.

Reluctantly taking on a new young partner named Lucia Soto, Bosch doesn’t know what to expect. Coupled with a lot of political baggage from the start (a former Latinx mayor wants the case prioritized due to the fact that the victim was a Latinx), this case seems doomed from the start.

Something weird happens, though. Soto turns out not only to be a decent detective, but one that surpasses Bosch in many ways. She’s a new generation of detectives who understands and actually utilizes technology in ways that old-school detectives like Bosch can’t quite grasp. But she’s also not afraid to get her hands dirty, beat the streets, or knock on doors.

When he discovers that she has been moonlighting secretly on another case that has a deeply personal interest for her, it’s almost like Bosch has fallen in love. Professionally, of course.

Soto’s case involves a many-decades old fire in an apartment building that killed several children and a woman in an unlicensed day care in the basement of the building. Little Lucy Soto was the only surviving child in the fire. She wants to find the person responsible, to avenge the death of her friends.

The two work quickly and efficiently on both cases, but what they find in either case may not be the closure that they want or need.

Connelly is one of those writers who just keeps getting better and better with each book.

I “read” this as an audio book. It’s read by Titus Welliver, who plays Bosch on the phenomenal Amazon Prime TV show. He has a terrific reading voice. (I swear to God, he sounds just like the guy who does the Intro on “Law and Order”. You know, the one that starts with “In the criminal justice system, the people are represented by two separate but equal groups…”)

[Rob · Rating 4 out of 5]

Number 16 in the Harry Bosch series.

The start of this book was a bit of a slow burner for me. A lot of police procedure and not a lot of thrills and spills to start with. It took about 100 pages before things stared jumping.

Harry and his new partner ‘Lucia Soto’ working in the cold case department are given a strange case to follow up on.
Ten years ago a musician was shot, by mistake or so it was thought at the time. But the bullet didn’t kill him. He lived for the next ten years with the bullet embedded in his spine. So, slowly over ten years this poor bugger dies bit by agonising bit until the bullet does what it was supposed to do ten years ago, it killed him. At the autopsy it is discovered that this was no mistaken, random shooting but a very professional execution. There was not just one shot but two, so close together, that it could only have been achieved by a highly trained shooter.

The case is now a murder. All Harry and Lucia need to do is find the killer. No easy undertaking.

As I said earlier, at the start this was a bit of a slow burner but when it takes off it goes off with a bang. Some very high profile, A list elite are in Harry’s line if sight and Harry is not about to back down.

The end was a bit of a jaw dropper, as has been the case in the last few books but I didn’t see this coming at all.

A slow start but for all that a very entertaining read 3.5 stars rounded up to 4.

[Sam Quixote · Rating 1 out of 5]

Several years ago I read an article by the brilliant Nicholson Baker who was writing about traditional paper books vs ebooks. He was heavily on the side of paper books but he mentioned that he did stay up reading The Lincoln Lawyer in the dark on his phone using the Kindle app because he didn’t want to turn on the light and wake his wife - he had to finish it no matter what!

That convinced me to check out The Lincoln Lawyer and he was right, it was amazing! Suddenly I had a new favourite writer and I picked up the next Michael Connelly I could find: The Brass Verdict. Again, it was great and I was introduced to a new character, Harry Bosch, who I began to read about in Echo Park, which might be my favourite Connelly book.

I ended up doing something I almost never do and read seven or eight Connelly books in a row before stopping - after the great ones I found came the dross and eventually I realised I’d burned through the good and went elsewhere to other writers. I returned here and there for the new books - Nine Dragons, The Reversal - but they weren’t as good and after The Fifth Witness, which I couldn’t bear to finish it was so bad, I gave up on Connelly for good.

Until now. Three years later and I thought it might be worth checking in with Connelly again - maybe he’d gotten the crap out of his system and he was back to producing quality thrillers like Lincoln Lawyer/Echo Park? I was wrong. He’s remained as bad as I remembered.

In one of the later Bosch books I remember Harry talking about retiring, and maybe he did, so I was shocked to see he’s still working in the LAPD! How old is he now, 80-something? Wasn’t he ‘Nam? So apparently Bosch can’t retire because Connelly can’t come up with another wafer-thin character. Harry’s now working cold cases, which is what ancient cops do, investigating the case of a mariachi who was shot ten years ago and only recently succumbed to his injuries.

This leads to an even older case dating back twenty years which involves bank robbers, an orphanage fire, and a grudge from his new partner, Lucy Soto, who coincidentally happened to be the sole survivor of the fire.

I don’t know about you but that “story” doesn’t grab me. It feels like background detail to a sub-plot rather than the main for a 400 page book! Connelly does his level best to ensure no excitement is gleaned from this case as Bosch and Soto look through stacks of old paperwork, interview former cops and witnesses, and basically twiddle their thumbs the entire time. Every aspect of their procedures are described in tedious detail by Connelly.

Bosch can be an interesting character, like in Echo Park, but here he’s a complete blank. He’s an experienced cop with know-how and nothing else. He doesn’t offer, personality, character, clever dialogue, or much of anything. He plods through this police procedural with zero charisma and total wonder from this reader as to why anyone would feel any connection to him. Not that any of the other characters are much better but the central character ought to be the focus for a reason.

I’m not one to say that the ending is critical to the success of a crime novel, but the ending to this was particularly terrible - and the “journey” of the novel itself was so uneventful and worthless that if the ending had read like Connelly had made any effort, it might’ve been slightly better to read. Without giving too much away, Bosch meets a character who he thinks dunit and another character says something like “You don’t think he did it did you?” and Bosch says no - and then at the end it turns out he did do it! Connelly chose the most obvious and least satisfying conclusion to his novel. What happened to his imagination!?

If you’re paid by the word, or quantity, of a manuscript over the quality, you’re called a hack writer, and the way Connelly grinds out these awful novels year after year, same page length, same bad stories with the same tired character, I’d have to say that nowadays he fits the bill. The Burning Room is one of the dullest crime novels you’ll ever read. The fact that this is labelled a “thriller” is a joke. Connelly is worth reading but I’d seek out Echo Park and The Lincoln Lawyer over his latter day drek.

[Metodi Markov · Rating 5 out of 5]

Поредната отлична книга за Хари Бош!

Препрочитането ѝ ми помогна да видя голямата картина и замисъл на автора, и съответно ми достави още по-добро читателско изживяване.

Бош има нов партньор - младата Луси Сото и те заедно разследват престъпления с десетилетна давност. Нещата от поверения им случай постепенно се навръзват и следите водят към могъщи политически и бизнес фигури от обществото на ЛА.

Паралелно разследват и умишлен палеж, довел до смъртта на деца от нелицензирана детска градина и на възпитателката им. Луси се оказва една от малкото оцелели в този страшен ден.

Жалко, че далеч не всички истории за Бош успяха да влязат в тв сериала и продължението му.

P.S. Този роман бележи края на кариерата на Хари Бош в LAPD и според мен се явява финал на втория цикъл за живота му. Не планирам да препрочета последващите книги от серията, поне за сега - повечето от тях са ми още много пресни.

Много ми бе приятно да се потопя в тези истории, хванах нюанси и моменти, които съм пропуснал или забравил.

Препоръчвам приключенията на Хари Бош на всички любители на доброто криминално четиво!

[Liz · Rating 3 out of 5]

I've been a fan of Connelly and Harry Bosch for years. The books are always decent, some are down right brilliant. This one is well told mystery, if nothing special. There are two different cold cases that Bosch and his new partner Soto are trying to solve. As always seems to be the case with mysteries, you keep waiting to see when they will intersect. The ending was a little far fetched, but it tied up the loose ends for the reader. I liked the interplay between Bosch and Soto, as she is a newbie and he is looking to provide her with the benefit of his experience.
I listened to the audio version and the narrator did a good job.

[Liz Barnsley · Rating 5 out of 5]

I honestly do not know where the time goes, here we are already at the 19th outing for one of my favourite Literary detectives Harry Bosch, boy he’s had some ups and downs over the years, but every single adventure has been pretty much pitch perfect and the same goes for this one.

“Don’t open the door to the burning room”

Still looking at cold cases, Harry and new partner Lucia find themselves a hot potato – when a man who was shot many years earlier finally dies, this case starts with a bullet and pretty much shoots you off in all directions from there in another rollercoaster ride of suspense and action with all of Mr Connolly’s trademark twists and turns. I have to say this is one of my favourite Bosch novels of the last few years – I may even have to give it top billing which previously went to “City of Bones” – Mainly I think because of the addition of Lucia, a terrifically well drawn and likeable character who injects a new lease of life into an already pretty vigorous series.

It is quite hard to review an ongoing series of this calibre by taking one novel, this current one and trying to get across how readable and accessible it is – certainly Harry’s story has been a long and extremely engaging one, but you could pick this up and read it in a vacuum easily enough as you could any of the others. However I would say there is a lot to be gained by starting from the beginning with The Black Echo and following Harry on his highly entertaining and eclectic journey – and perhaps stopping to meet Jack McEvoy, Terry McCaleb and Mickey Haller along the way – and oh the pure joy of getting to a book that features more than one of these excellent protagonists at once.

Overall though, with The Burning Room, Michael Connelly has once again proven that there is plenty of life left in Harry Bosch and has written yet another page turner of the highest order. The ending was unexpected and clever, making me absolutely desperate to find out what is next for those that inhabit this world – and I have no hesitation at all in recommending this series highly for all fans of Crime Fiction and indeed any fan of a darn good yarn. If you havent met Harry yet where have you been?

Happy Reading Folks!

[Obsidian · Rating 2 out of 5]

I am hard cringing at how much I disliked this book. I feel bad for it, I feel like it tried really hard and all I can keep saying is that it needs to do better. There are continuity problems galore, the fact that even though the years are passing (it's been at least 3-4 years since the last book) that Bosch and his daughter Maddie are still the same age. We have Bosch investigating two cases (not related) and he stupidly gets in trouble for something that was not necessary at all except that I think Connelly wanted it that way. There are way too many police/science facts in this one. It felt like Connelly wanted to re-explain everything to a new reader who had never read a Bosch book before. I am usually a fan of every book needs to stand alone. But in this case, it's an ongoing series, if you start with book #19 and get completely lost, that's on you. I just found myself becoming more and more bored just reading about every little thing related to two separate cases.

Let's get to it shall we?

In "The Burning Room" we have Bosch more than a year away from being done with his DROP (when he will have to retire from the LAPD and leave the Open/Unsolved unit he is part of) and he is starting to wonder why is he still plugging away at cases when the LAPD as he knows it has changed. Honestly, Bosch reminds me a bit of Poirot in the last couple of Poirot books. Poirot/Bosch both feel like they are still the smartest men around. Based on the last few books, you get the sense that Bosch believes he is the only one that cares about a murderer being brought to justice. And if he doesn't do everything involved with a case, it will end up fouled up. Bosch still doesn't get computers and hates how the police force has become more tech savvy and that people don't go out and knock on doors anymore. Connelly implies via Bosch that the police have gotten more lazy as more sophisticated methods have come into play via forensic science. Considering the fact that in the end someone gets killed (that didn't have to) because Bosch talked to someone he shouldn't have, one wonders if maybe Bosch wouldn't have been better tied to a desk.

Bosch also has a new partner in this one named Lucia Soto. Lucia we find is promoted up the ranks after a shootout involving her and her now dead partner. Lucia jumps over several other detectives to take a prime seat at Open/Unsolved with Bosch. If the book had focused on resentment from Bosch or others towards Lucia it would have been a better book. Instead Bosch opines about it, but honestly, that has nothing to do with anything. I felt there was a lot of that in this book.

If you are waiting to hear about where David Chu went, too bad. He is never mentioned at all. And speaking of Chu, we have some continuity errors here when Bosch speaks to Soto about previous partners. Bosch only references one partner getting shot and recovering (Kiz) and another one who killed himself (Sheenan who we know didn't kill himself, he was murdered). But Bosch doesn't bring up Iggie at all which I found cold. And he also doesn't mention Chu or J. Edgar.

Between the partner continuity issues and the ever increasing Maddie doesn't age at all in these books, I wish that Connelly would start tracking things a bit better. I have no idea how Maddie is only 17 in this book when at least 3-4 years has passed since the last book in the series, "The Black Box" when she was 15. And somehow Bosch never dances towards more than late 50s in these books. He has to be at least 64 years old at the time of this book. Okay, moving on.

There are not a lot of interesting people in this one I found. There is no real development with Soto beyond why she's interested in one case. We find out that Harry's long term girlfriend dumped him between books due to him not supporting her son's parole. Which honestly, who was this woman who didn't know that wasn't going to happen? I think that Harry and Hannah had an interesting relationship and I hate that everything dealing with it happened off screen. But hey, we have another potential love interest in this one who I felt blah about.

We do get two people who reappear in this one from prior books. We get to see Rachel Walling again. I really want her to just tell Bosch to shove off since he only calls when he wants something. It appears that Rachel is happy and in a relationship though. We have a former Open/Unsolved detective (Jackson) that was in the last book giving Harry some details and that's about it.

I wasn't grabbed by the two cases that Lucia and Bosch were investigating. I thought that in both cases the solutions came about just a bit too easily, ie. in one case someone told them how/why someone was killed and then all they do is do research/interview to confirm this person's account. I don't get why Bosch held things back from his commander (I never get that) and at one point Bosch stupidly breaks into someone's office for a freaking case file because he couldn't wait until the next day to get it from that person. I honestly felt like most of this book was just a set-up to get to the next book in the Bosch series.

The writing was repetitive. If you want to read about how Bosch looks on in horror at something, enjoy. If you want to read about how Bosch doesn't know how to use computers and depended on his partners to be in charge of all of that, enjoy. If you want to read about Bosch's constant guilt about not being around for his daughter (and honestly not changing any of his habits to be there more), enjoy.

The flow was off from beginning to end. Connelly can usually juggle two cases and make them pop. But honestly, there was just too much happening that were separate from each other to focus on the story that Connelly wants to tell in this one.

I thought the endings to both cases was a disappointment. Especially because Bosch's actions end up costing him a bit too much at the end of this book.

[Eric · Rating 5 out of 5]

There is nobody writing crime fiction that does it better than Connelly does. At this point in the series, most authors would be mailing in rote and tired copies of previous books, but Bosch just keeps evolving. It helps that Bosch is aging in real time, and his wisdom has begun to show in his work and the relationships with those around him -- specifically his teenage daughter and the new partner he is in charge of mentoring. Add to that the multiple cold case mysteries woven through this book, and an excellent ending -- not the climax, which was good but rushed, but the actual last few pages -- and you have another top-notch police procedural and another compelling chapter in Harry Bosch's life against crime.

[Mark · Rating 4 out of 5]

And so we entered the good year of 2015 in which learned so far that flying with AirAsia in the first week of this year is not without a risk [an emergency landing, engine trouble before take off and the downed airplane] and human traffickers have found a new way to hurt their customers with abandoning cargo ships with their customers still on board while being on a crash course with the Italian mainland. And again an Italian cruise ship is in trouble, this time the captain stayed aboard long enough.
And Louis van Gaal, trainer and coach extraordinaire from the Netherlands, has continued to translate Dutch sayings into the English language and thereby leaving the English press flabbergasted and the Dutch audience highly amused.

Thank God that the murder and mayhem written by Michael Connelly is back in the area of quality I enjoy, after his John McClane-esque outing to Hong Kong I was not sure if Connelly still could work magic with Harry Bosch. But he proved me wrong with this excellent new outing.

Harry Bosch is still working the Cold Cases with the LA police force and is in the last year of his DROP agreement, a contract that has turned out to be an expensive matter for the city of LA. This novel has Harry partnered with a young female detective named Lucia Soto. During this tale he will find out if she is as good as the LA police-force hopes she will turn out to be.

A Marachi player dies ten years after being shot and thus makes a cold case very actual again. Bosch & Soto get pushed into the lime lights as this dead has some serious political capital behind it. It is up to the two detectives to find out what happened ten years ago.
At the same time Bosch partners hobby case turns out to be reignited as well, another cold case twenty years old concerning dead children & teacher in an illegal daycare center.

Bosch & Soto find their way to the solution of both cases and the outcome does not please everybody.

When Bosch leaves the police station while being applauded by his colleagues you do hope that Connelly returns quickly to the further tales of Harry bosch before he gets too old to be believable.

Once again a tour-de-force by the LA master crime writer who has so long been the provider of excellent reading material.

I loved the mentioning of a certain Matthew C. in science fiction movie, one can only hope that Hollywood has the smarts to return with the same player to the other series of books about Bosch halfbrother.

this book comes well advised and as a great series great fun to enjoy.

[Jason · Rating 3 out of 5]

I picked this up because Jodie Archer (researcher) has it listed in the Top-5 novels that her super-scientific algorithm determined was destined to be a bestseller. And, this book was a bestseller. So I thought, let's take a look-see.

I wasn't particularly blown away by this book. It took about 200 pages until I finally became interested in the characters, especially the secondary characters. The main character, Harry Bosch, is interesting enough. However, I'm pretty sure I would have benefit from having read the previous 18 Harry Bosch novels prior to this one, because I felt like there was a lot to him that I didn't know that would have made this more interesting for me to read. Partly that's my own fault. I suppose you can't jump into the middle of a series and expect to know everything about a character who's been there for a long time.

But, I also just got bored. For 200 pages I didn't suspect anyone. It took Connelly a long time to start giving me secondary characters to suspect as being guilty in this crime novel. I rather more enjoy a novel that gives me someone to suspect really early on, without all the pretence and buildup.

Connelly is good at describing a scene. He's very detail oriented. Sometimes this works for me, but in this novel I found it took away from the pace of the novel. Often, good pace was suddenly brought to a halt so that he could describe a specific setting or scene for a whole page. I think this works better in worlds that are created where an author needs to show us the new world. This took place mainly in LA, however, and even if you haven't been to LA, you don't need a ton of description to know the place.

The plot was interesting. A man dies ten years after a bullet strikes him in the spine. And suddenly a decade-old crime becomes a homicide. I really enjoyed the interdepartmental conflict that Connelly depicts in the novel. He creates good tension among the other detectives and officers, and I find this really delightful to read. I mean, who doesn't have conflict with at least one coworker in their lives? In that sense, Connelly is very good at realism. Everything about this felt real, as though I could have been watching a Dateline special.

As a writer, Connelly is skilled. He's no Stephen King, who has a seemingly inhuman ability with words. But Connelly is a good writer, particularly with dialogue, and it was unfortunate that he didn't employ more dialogue here.

In all, I think the main reason this book didn't work for me was my expectations going in. I expected more of a thriller type novel, and what I got was a slower, detail-oriented crime novel. In hindsight, given that Connelly is a crime writer, I should've known better. Duh!

[A.J. Davidson · Rating 3 out of 5]

I was looking forward to this book and having read it I feel a tad disappointed. Harry solves a couple of cold cases with the assistance of a new partner. He faces no antagonist, no political interference - high jingo, no red-herrings. It was all a bit pedestrian and not what you expect from Connelly. True, it does end with a small cliff-hanger, but it fails to make up for a dull, lack-lustre plot.

[Skip · Rating 4 out of 5]

Now assigned to cold cases, Harry Bosch is teamed with the inexperienced "Lucky Lucy" Soto, who survived a street gunfight with a local gang. When the bullet is pulled from a gunshot victim, when he dies after struggling for 10 years, L.A. wants justice. Harry and Lucy make a good team, with her unbounded energy and Harry's great experience solving murders. Meanwhile, Lucy carries the stigma of surviving a housefire when she was little and is driven to solve that arson case that was originally considered gang-related. Using laset technology, Harry and Lucy's investigation takes off in a different direction, focusing on determining victims and perpetrators. Both Harry and Lucy want the truth, and are willing to do what it takes to solve the crimes.

[Marty Fried · Rating 4 out of 5]

Harry Bosch doing what he does best - finding clues in places that nobody else thinks about. In this book, he ties together a number of unsolved cases and solves them in his own unorthodox ways. And as usual, no good deed goes unpunished in Harry's world. I almost thought he was going to get nailed for stealing a pen after solving a case involving high-profile perps, but fortunately he got nailed for something a little more serious than that. Sometimes I wonder how he keeps going as a cop; he could probably be a successful PI if he wanted to.

[Matt · Rating 4 out of 5]

Connelly brings Harry Bosch back in yet another wonderful mystery, with a new partner, and new cold-case structure. A man shot ten years earlier finally succumbs to his injuries, allowing Bosch and his newly-honed partner, Lucy Soto, to open an investigation. They trace it back to a sniper who might have mistakenly focussed on the wrong target, leading to a larger fallout and more blood spilled. When a political heavyweight's name comes up during the investigation, Bosch and Soto begin pressing harder to fit the pieces together, all while trying to keep things on the down low. Late one night, Bosch discovers that Soto has some of her own interests in a cold case, an apartment fire that brought much tragedy to her childhood. As they work the case, connections to a bank robbery have haunting parallels, and Bosch takes Soto under his wing to delve deeper into the investigation, even if the pain level reaches personal angst. Connelly keeps Bosch alive on these pages and, as always, ends the story with a BANG and keeps fans waiting for the next instalment, hoping it will come soon.

Connelly continues his masterful spinning the Bosch tales with another wonderful story. Having done the complete 'Harry Bosch-athon' a few years ago, I know all too well how intricate the stories can be and how detailed things can get. Characters crossing series and playing cameo roles in the larger arc, all of which is handled by Connelly in an effortless manner. Bosch just IS and will always have that presence, no matter what comes across his path. The new television series is sure to touch on that and make Bosch fans want even more. This author and this character are gold mines, not to be scoffed at, by any stretch.

Kudos, Mr. Connelly for this wonderful addition. Bosch has the magic touch and you bring him to life so effortlessly.

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