Nadine Gordimer was a South African writer, political activist, and recipient of the 1991 Nobel Prize in Literature. She was recognized as a woman "who through her magnificent epic writing has – in the words of Alfred Nobel – been of very great benefit to humanity".
Gordimer's writing dealt with moral and racial issues, particularly apartheid in South Africa. Under that regime, works such as Burger's Daughter and July's People were banned. She was active in the anti-apartheid movement, joining the African National Congress during the days when the organization was banned. She was also active in HIV/AIDS causes.
I can recall these stories searing across my mind. I want to return to see how they measure up now. I want to see how current writing measures up against these tales which grab you by the throat, punch you in the gut and brand your mind permanently. And without resorting to sick tricks, sensationalism, violence, sentimentalism or the macabre. These are grounded in the realities of South African apartheid. Without preaching or moralising, they show this policy impacting on the ordinary events in the lives of ordinary people in a way you'll never forget. Should be made compulsory reading for many modern writers. Then they might leave us alone.
AFTER REREADING: Have just enjoyed and completed these stories again. I was naturally less surprised by the evolving plots and able to more fully enjoy the writer's style and the journey the writing took me on, how she unravelled the tale. My mis-remembering intrigued me. My total forgetting intrigued me. But the stories were still great - shocking, insightful, disturbing, an education, a revelation. I'm just adding her "Selected Stories" to my To Read Shelf so I can explore a range of her writing over a long period. That is something to look forward to.
Gordimer has a knack for capturing the complexities of both interracial encounters and relations between women and men. The stories "City Lovers," "Good Climate, Friendly Inhabitants," and "Six Feet of the Country" were definitely the standouts of this collection for me, though all seven were worth the read.
Several of the stories in this collection, I'm not sure if by design, follow a pattern of sketching out and filling in a relationship between two people, usually who differ in gender/racial identification, then a calamity befalls them, and then the lens zooms out at the end to describe the end of the affair only in terms in legal terms/simulated court record. I liked "Six Feet of the Country," "Good Climate, Friendly Inhabitants," "A Chip of Glass Ruby," and "City Lovers" the best.
Excellent collection of short stories about life in South Africa, written in the 1950’s to 1970’s, under the oppressive apartheid regime. Some of the best short stories I have read in awhile.
I read the Six Feet of the Country short story. It is a gripping story narrated by a nameless white man in apartheid South Africa. Nadine's choice of words are almost emotionless throughout the narration however the reader still gets a sense of acute desperation, powerlessness and grief from the servant characters in the story. She has an amazing gift for story telling. I appreciated that it strayed away from painting the macabre happenings during apartheid but simply illustrated the day-to-day reality of black people as well as interpersonal relationships, in a weird way, this was a lot more impactful and sad to me. We tend to dwell on the big events, marches and massacres that occurred during that time but a simple story of black people trying to bury a loved one really drove home the atrocities of the past. It is even sadder when you realize the deep importance of following tradition and rituals when burying someone in African culture and the heartache of failing in those left behind.
Gordimer does "voice" like no other. Each of these stories gives voice to a different African and she puts you almost in the body of the narrator. I found all the stories chilling, for different reasons. The last one is not only chilling, but hits you over the head with how helpless the village African is in the face of the white man's ways and weapons.
A short collection of stories about relationships and power dynamics in apartheid South Africa. Some reminded me of Grace Paley's snapshots, athough in a very different setting where the potential for atrocity hangs heavy just off camera.
I read only "Six Feet of the Country", not the other six stories. The short story has beautiful prose and an interest location and time but actually story line was lacking. It felt like a scene from a novel, not a stand-alone short story. I do plan on reading other works by Gordimer.
Written with insight and sensitivity, these stories of life under apartheid are all edged with the inevitable sadness that arises from cultural blindness and dehumanizing social structures.
Book 14/2025 This collection of stories represents some of the rougher realities of the Apartheid in South Africa. The author uses an objective and detached way of narrating to express delicate and emotional topics. This almost clinical narration helps to bring an atmosphere of "feelings don't matter when it comes to the law" to each of the stories. It was a hard read for me, and made me think a lot about how racism affected people who lived through the Apartheid.
"Seven stories from South Africa's finest living writer that distill the essence of what has been happening in that country in recent years, through people and landscapes so intensely and evocatively drawn that they seem to burn a hole in the page." ~~back cover
The difficulty with this book is that it was first published in 1956, and the stories are therefore, obviously, based on the realities of South Africa at that time. The passage of time has resulted in the stories seeming dated, unrealistic, and the people and culture stilted and unrealistic.
I'm sure they were cutting edge back in 1956, but time has not been been good to them.
Reading this I remembered seeing on PBS years ago the filmed version of City Lovers, which left a strong impression on me. Some of the stories were very good, some seemed a bit obvious, not as good as other ones I've read of her in Jump, which when I read them years ago were mindblowing. But I'm sure they all made wonderful watching.
Love her writing and the topics she touches upon such as racism, oppression, social inequality in South Africa. She makes me feel all sort of different emotions at the same time. Would definitley want a copy for my permanent collection.
Amazing stories combining deep socio-political insight and comment with genuine literary quality. This is only a small selection from her previously published collections, probably to tie in with the TV adaptation judging by the cover.