TikTok, Snapchat, Instagram, Twitter (don’t call it X), Facebook. Being online and accessible 24/7 seems to be a requirement, even as the actual apps go in and out of favor. Congress wants to ban TikTok; no one under 40 is on Facebook anymore. What will these devices and apps look like in the future? Will we all have chips implanted in our brains, or will the vast divide between haves and have-nots reserve the best communication for the upper upper classes? Will we have robots, or be replaced by them?
In Leslie Stephens’s debut novel, You’re Safe Here, a California decades in the future has married the latest technology with the wellness craze to create a world where devices rule everything, from food to exercise to sleep, and record a person’s every moment. Emmett, CEO of WellCorp, is anxious over her new WellPods, ocean-faring vessels that isolate guests on the Pacific Ocean while providing their every need. Maggie, six weeks pregnant, is excited to be one of its first users. Noa, Maggie’s girlfriend and a programmer on the WellPods project, feels guilty about an affair and ignoring Maggie. But when she discovers the WellPods could be dangerous and a huge storm is coming, Noa will do anything to keep Maggie safe.
You’re Safe Here takes place in 2060, and Stephens does a thorough job detailing every storm, earthquake, and social media app that happens between now and then. There’s a huge gap between the technological advancements that enable inventions like WellPods and the environmental disasters that have left parts of the country in ruins. Air travel is practically non-existent because of the huge costs and environmental damage, but WellCorp has a modern campus that provides a high-tech apartment, shuttle to work, and all amenities a person could need. Later in the novel, Maggie remembers leaving the campus with the father of her baby and driving around Los Angeles, and the description of the ruined city is haunting.
Emmett, Maggie, and Noa are all third-person point-of-view characters, and for the latter two, Stephens goes into great detail about their back stories—so much so that at times, I was a little bored. And with Maggie and Noa both cheating on each other, I didn’t root for their relationship like I wanted to.
Thrillers and domestic suspense are built upon twists, and Stephens absolutely delivers on that end. But readers also invest in books because they’re drawn in by “the promise of the premise.” While Stephens sets up an amazing technological world that’s battered by climate change, she does not follow through with the element that made me pick up the book, twisting away from it instead. Although Stephens is a wonderful writer, with an amazing imagination, smooth prose, and dimensional characters, she does not deliver a “HAL” like WellPod, malfunctioning while it’s assaulted by hurricane waves. The ending is more soapy than sci-fi, and I was disappointed.