An engaging story, well-crafted world, interesting and diverse characters, and a strong music focus were the main positives for me in this second entry in the Legendsong Saga. Unfortunately, there were some detractors: too padded-out and long, lack of clear focus especially in terms of social issues, some plot discrepancies and a tedious and repetitious perspective swapping device.
It's hard not to compare this to Carmody's Obernewtyn Chronicles - there are innumerable similarities, but especially the mind/magic system and the idea of a central mythological figure who laid the path for a prophesised hero of future generations. For someone like me who enjoyed Carmody's other work, I found it an interesting insight to see how she's shaped and pushed some of her ideas over the years. There is a similar focus in the Legendsong Saga (as with all of Carmody's work) on social and political issues, however, it felt undirected and weaker than some of her other work. In Obernewtyn there is the central political issue of the balance of terror inextricably linked with a critique of the destructive side of human nature. This galvanises the entire series and gives it a clear message that is poignant and strong. The Legendsong Saga is missing that. There are a bunch of socio-political issues that are all briefly touched on and generally held under the umbrella of Chaos. To me, this wasn't as effective as positioning all the other socio-political issues around one key central theme, and instead felt a bit scattered and generic. You could argue the central point everything revolves around is that the world (our world) is fundamentally broken. I agree with this, but it still feels too generic and isn't illustrated through a particular point, and instead it vacillates between numerous unrelated social issues as if someone were shouting 'Capitalism is why the world sucks! Tokenism is rife in charitable causes! Artists are neglected and not respected! Kids are addicted to drugs! Domestic violence is horrible!', and while sure, I agree with the sentiments, using them to point out that the world is in the grip of chaos and is not civilised (despite what the majority like to think) is not particularly insightful (or original for that matter).
Part of the problem was the clumsy Watcher character, who doesn't really need to be there except as a deus ex machina. The jarring and repetitive leaps back to the Unraveller's world (our world) were where Carmody expounded upon most of her ideology, and I think this makes her key points lose their importance, as they seem slotted in and tokenistic - they're just signalling that there's going to be a perspective change. Similar to my feelings after reading the first book in the series, I think the Watcher as a character could have been ditched entirely and the overall novel would have benefitted.
I have been quite negative, which undermines the fact that I actually enjoyed large parts of this novel. I like a lot of the characters and particularly the fact that their diversity is not remarked upon, but is instead just omnipresent. I also felt the overall plot was engaging, although interspersed with some slightly more poorly constructed episodes. I do hope that Carmody writes and releases the final entry in the series at some point, but I'm very happy to patiently wait until the time is right.