Robert van Gulik wrote 14 original novels, 2 novellas and 8 short stories about the Chinese Tang-dynasty crime solving magistrate Judge Dee. The eight short stories have been collected in Judge Dee At Work, which was published in English in 1967. The stories are set at different times in the fictional career of Judge Dee and are quite nice, but not as good as the novels (which in fact are usually combinations of 3 separate stories to demonstrate the reality of work as a busy magistrate where no case comes by on its own). The novels have more atmosphere thanks to their greater length.
The stories are:
- "Five Auspicious Clouds." Set in the summer of 663 when Judge Dee was magistrate of Penglai. When Judge Dee is finishing a project to control the naval industry, with the help of two shipowners, he is warned of the suicide of the wife of one of them. He quickly realizes that it is a case of murder rather than suicide thanks to an unexpected witness: an incense clock. Incense clocks were used in China since the 6th c. and were in fact specialized censers, that worked through burning lines of powdered incense. While religious purposes were of primary importance, these clocks were also popular at social gatherings, and were used by Chinese scholars and intellectuals. One or more grooves were etched (often in intricate patterns, such as here auspicious clouds) in a plate of stone or metal, and the time could roughly be read from how far the powder trail of incense had been burned along the pattern.
- "The Red Tape Murder." Set in the summer of 663 when Judge Dee was magistrate of Penglai. As an official of the Dutch Ministry of Foreign Affairs, Van Gulik was a bureaucrat and to keep good files and dossiers without any documents lacking is a concern he shared with his protagonist, Judge Dee. A missing document in a dossier brings Judge Dee to the huge military fort at the estuary near Penglai, where he assists - although this fort is outside his jurisdiction - to solve the murder of Colonel Su, the second in command of the fort. He demonstrates that careful attention to bureaucratic detail, even when it seems superfluous and just "hair splitting," can be very useful...
- "He Came with the Rain." Set in mid-summer of 663 when Judge Dee was magistrate of Penglai. The final story set in Penglai, in the marshes that lie between the town and the coast. It is a hot and humid day when after six months on his post, Judge Dee is finally joined by his wives and children. That day he also solves a crime whose only witness is deaf and mute...
- "The Murder on the Lotus Pond" - set in the year 666 when Judge Dee was magistrate of (fictional) Hanyuan, a mountain town with a lake resort. Van Gulik uses a motif (the trick with the beggars) from the Tangyin bishi, "Model cases from under the pear tree," a collection of 144 exemplary lawsuits complied around the year 1200 in Song dynasty China. Why was retired poet Meng Lan murdered? His body was found in a small pavilion, on the edge of a lotus pond, where he used to enjoy moon-viewing. The murder weapon: a knife with an ivory handle. The clues: an empty wine pitcher and a wine cup. It seems at first glance there were no witnesses...
- "The Two Beggars" - set on the 15th day of the 1st month 670, the Feast of Lanterns, when Judge Dee was magistrate of Poo-yang.
As Judge Dee finishes his day and prepares to feast with his family, he thinks he sees the specter of an old man pass in front of him. It is at this moment that Sergeant Hoong, his faithful advisor, comes to warn him that the body of a beggar has been transported to the morgue. According to him, it is an accident, the coroner having so concluded. Intrigued by the apparition, Judge Dee decides to inspect the corpse. And some details don't add up. What is the relationship between the deceased beggar and the disappearance of an old tutor in love with orchids? Through this affair Judge Dee will be late for his family dinner ...
- "The Wrong Sword" - set in the autumn of 669 when Judge Dee was magistrate of Poo-yang.
Judge Dee is traveling to the neighboring district, and Ma Joong and Tsiao Tai, the magistrate's two lieutenants, have been left back in Poo-yang. From a restaurant, they watch the performance of a traveling theater troupe. In one scene, the killing of a young boy with a sword is simulated, but when he really falls dead, it is clear the fake sword has been exchanged with a real one...
- "The Coffins of the Emperor" - set in the early winter of 672 when Judge Dee was magistrate of Lanfang. Judge Dee is visiting a colleague whose district is close to the border. There is a war with the Tatars going on and the atmosphere around dinner is gloomy. It was then that the Marshal asks the judge to solve a riddle: weapons could be hidden in the coffin of the late crown prince. How to verify it knowing that the tomb is sacred and that one cannot touch it?
- "Murder on New Year's Eve" - set in the winter (the eve of the Chinese New Year) in early 674 when Judge Dee was magistrate of Lanfang. A boy has found blood in their room and thinks that a quarrel between his parents has led to murder. Judge Dee investigates and happily, reality is different...