This new series brings into modern English a reliable translation of a representative portion of Johann Wolfgang von Goethe's vast body of work. This edition, selected from over 140 volumes in German, is the new standard in English, and contains poetry, drama, fiction, memoir, criticism, and scientific writing by the man who is probably the most influential writer in the German language. The executive editors of this collection are Victor Lange of Princeton University, Eric Blackall of Cornell University, and Cyrus Hamlin of Yale University.Princeton University Press is proud to be the distributor of the twelve volumes in hardcover of the originating publisher, Suhrkamp Verlag. In addition, Princeton will issue paperback reprints of these volumes over the next two years, beginning with volumes one through three.
Goethe, the founder of the poetry of experience, created a body of poetry that is unsurpassed in lucidity of speech and imagery and in instinct for melody and rhythm. Nonetheless, many of his poems are relatively unknown to English-speaking audiences, partly because of the difficulties they have posed to translators. This volume contains translations, side by side with the German originals, of Goethe's major poems--all prepared by eminent American and English writers, and all attesting to his poetic genius.
Goethe's most complex and profound work, Faust was the effort of the great poet's entire lifetime. Written over 60 years, it can be read as a document of Goethe's moral and artistic development. Faust is made available to the English reader in a completely new translation that communicates both its poetic variety and its many levels of tone. The language is present-dayEnglish, and Goethe's formal and rhythmic variety is reproduced in all its richness.
The reflections on art and literature that Goethe produced throughout his life are the premise and corollary of his work as poet, novelist, and man of science. This volume contains such important essays as "On Gothic Architecture," "On the "Laocoon Group," and "Shakespeare: A Tribute." Several works in this collection appear for the first time unabridged and in fresh translations.
A master of poetry, drama, and the novel, German writer and scientist Johann Wolfgang von Goethe spent 50 years on his two-part dramatic poem Faust, published in 1808 and 1832, also conducted scientific research in various fields, notably botany, and held several governmental positions.
George Eliot called him "Germany's greatest man of letters... and the last true polymath to walk the earth." Works span the fields of literature, theology, and humanism. People laud this magnum opus as one of the peaks of world literature. Other well-known literary works include his numerous poems, the Bildungsroman Wilhelm Meister's Apprenticeship and the epistolary novel The Sorrows of Young Werther.
With this key figure of German literature, the movement of Weimar classicism in the late 18th and early 19th centuries coincided with Enlightenment, sentimentality (Empfindsamkeit), Sturm und Drang, and Romanticism. The author of the scientific text Theory of Colours, he influenced Darwin with his focus on plant morphology. He also long served as the privy councilor ("Geheimrat") of the duchy of Weimar.
Goethe took great interest in the literatures of England, France, Italy, classical Greece, Persia, and Arabia and originated the concept of Weltliteratur ("world literature"). Despite his major, virtually immeasurable influence on German philosophy especially on the generation of Georg Wilhelm Friedrich Hegel and Friedrich Wilhelm Joseph von Schelling, he expressly and decidedly refrained from practicing philosophy in the rarefied sense.
Influence spread across Europe, and for the next century, his works inspired much music, drama, poetry and philosophy. Many persons consider Goethe the most important writer in the German language and one of the most important thinkers in western culture as well. Early in his career, however, he wondered about painting, perhaps his true vocation; late in his life, he expressed the expectation that people ultimately would remember his work in optics.
Translations can be very problematic. I don't read Russian, although I can make out the Cyrillic script and pronounce the words. So how do I know whose Russian translations come closest to the original of Gogol? Or Chekhov? To a great extent, I have to rely on the expertise of others.
In my opinion, the translator of this volume, John Whaley, is not just exceptional at translating, he is a masterful poet, as well. His scansion and rhymes are perfect and he manages to catch the essence of every poem he tackles. While I am no scholar, and cannot converse in German, my skills are good enough that, with the aid of a dictionary, I can tell how clever he is. In this volume, we are presented with both English and German versions, and both are always a delight to behold.
This book deserves far greater recognition than it has. My favourite is “Was auch als warheit oder fabel” (Whether it is truth or fable). I hope that no one will feel intimidated looking at the exquisite original German verse followed by the beautiful English translations.
A collection of poems listed chronologically to show how Goethe grew as a poet. Although enjoyable, I would've preferred a collection of his best poems.