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Murder Ballads and Whiskey #1
The Devil and Preston Black
Preston Black has a nasty habit of falling in love with the wrong type of woman. But girls who don't play nice are the least of his problems. This handsome bar band guitarist isn't washed-up, but he's about to be. He's broke, he's tired of playing covers and he's obsessed with the Curse of 27.
He's about to add 'deal with the devil' to his list.
Lucky for Preston, he has help. Like the angelic beauty who picks him up when he's down. And the university professor who helps him sort through old Appalachian hexes and curses to find the song that may be his only shot at redemption. And when things get real bad, he has the ghost of John Lennon to remind him that "nothing is real."Let Raw Dog Screaming Press author Jason Jack Miller take you to a place where love is forever even when death isn't, where magic doesn't have to be seen to be believed, where a song might be the only thing that saves your soul.
The MURDER BALLADS AND WHISKEY Series is a unique, literary, blend of dark fiction, paranormal urban fantasy and horror. It's Appalachian Gothic, Alt.Magical.Realism, Hillbilly Horror. It's AMERICAN GODS meets JUSTIFIED. TRUE BLOOD with witches. It's Johnny Cash with a fistful of copperheads singing the devil right back to hell. THE DEVIL AND PRESTON BLACK is your ticket into a world where love can save your soul, where a song can change your destiny, and where evil still hides in the dark corners of the night.
The Murder Ballads and Whiskey Series is THE DEVIL AND PRESTON BLACK, HELLBENDER, and THE REVELATIONS OF PRESTON BLACK.
"With this new book, Jason Jack Miller has single-handedly cornered the market on Appalachian Noir fiction, and deservedly so. The Devil and Preston Black is a page-turner laced with an audiophile's longing for the days when music was genuine, and the storytelling reminded me of a strange array of similar stories -- High Fidelity, Crossroads, Justified... -- yet it stood out from the pack as fresh, thanks to Miller's authentic Appalachian voice. Any lover of guitar music or the history of the blues will instantly see themselves reflected in the story, filtered through a noir fuzz pedal, amped up with the electricity of dark fantasy. Miller's flair for words is evident even in the title I can't think of a more appropriate name than "Preston Black"! With just the right touch of magical realism, this hip take on the 'deal with the devil' story conjures up a tale that's vastly enthralling and compulsively readable. Highly recommended." Five time Bram Stoker Award winner Michael A. Arnzen.
"Miller infuses his tale of longing and self-discovery with so many subtle and overt (in a good way) nods to music and its creators that his passion for music is quite evident. Even if you don't know all of the references, you know the type of music gods he's referring to. He also has created such a believable character in Preston Black that you care about the many ups and downs Miller puts him through. The finale, which I won't give away here, literally sent goosebumps down my arms. I can't remember the last time that happened while reading a book. All in all, a great read from an author with a mature voice. I look forward to reading more by Jason Jack Miller." Glen Krisch's novels include The Nightmare Within, Where Darkness Dwells, and Nothing Lasting.
He's about to add 'deal with the devil' to his list.
Lucky for Preston, he has help. Like the angelic beauty who picks him up when he's down. And the university professor who helps him sort through old Appalachian hexes and curses to find the song that may be his only shot at redemption. And when things get real bad, he has the ghost of John Lennon to remind him that "nothing is real."Let Raw Dog Screaming Press author Jason Jack Miller take you to a place where love is forever even when death isn't, where magic doesn't have to be seen to be believed, where a song might be the only thing that saves your soul.
The MURDER BALLADS AND WHISKEY Series is a unique, literary, blend of dark fiction, paranormal urban fantasy and horror. It's Appalachian Gothic, Alt.Magical.Realism, Hillbilly Horror. It's AMERICAN GODS meets JUSTIFIED. TRUE BLOOD with witches. It's Johnny Cash with a fistful of copperheads singing the devil right back to hell. THE DEVIL AND PRESTON BLACK is your ticket into a world where love can save your soul, where a song can change your destiny, and where evil still hides in the dark corners of the night.
The Murder Ballads and Whiskey Series is THE DEVIL AND PRESTON BLACK, HELLBENDER, and THE REVELATIONS OF PRESTON BLACK.
"With this new book, Jason Jack Miller has single-handedly cornered the market on Appalachian Noir fiction, and deservedly so. The Devil and Preston Black is a page-turner laced with an audiophile's longing for the days when music was genuine, and the storytelling reminded me of a strange array of similar stories -- High Fidelity, Crossroads, Justified... -- yet it stood out from the pack as fresh, thanks to Miller's authentic Appalachian voice. Any lover of guitar music or the history of the blues will instantly see themselves reflected in the story, filtered through a noir fuzz pedal, amped up with the electricity of dark fantasy. Miller's flair for words is evident even in the title I can't think of a more appropriate name than "Preston Black"! With just the right touch of magical realism, this hip take on the 'deal with the devil' story conjures up a tale that's vastly enthralling and compulsively readable. Highly recommended." Five time Bram Stoker Award winner Michael A. Arnzen.
"Miller infuses his tale of longing and self-discovery with so many subtle and overt (in a good way) nods to music and its creators that his passion for music is quite evident. Even if you don't know all of the references, you know the type of music gods he's referring to. He also has created such a believable character in Preston Black that you care about the many ups and downs Miller puts him through. The finale, which I won't give away here, literally sent goosebumps down my arms. I can't remember the last time that happened while reading a book. All in all, a great read from an author with a mature voice. I look forward to reading more by Jason Jack Miller." Glen Krisch's novels include The Nightmare Within, Where Darkness Dwells, and Nothing Lasting.
228 pages, Paperback
First published March 17, 2011
27 people are currently reading
426 people want to read
About the author
Jason Jack Miller
17 books121 followersJason Jack Miller knows it's silly to hold onto the Bohemian ideals of literature, music, and love above all else. But he doesn't care.
His own adventures paddling wild mountain rivers and playing Nirvana covers for less-than-enthusiastic crowds inspired his novels THE DEVIL AND PRESTON BLACK, HELLBENDER, and THE REVELATIONS OF PRESTON BLACK, published by Raw Dog Screaming Press as part of his MURDER BALLADS AND WHISKEY series. He is a creative writing adjunct at Seton Hill University, where he also mentors in the school's prestigious Writing Popular Fiction MFA program. Jason is a member of the Authors Guild and International Thriller Writers. He lives just outside of Pittsburgh with his wife, Heidi, and a cat. His blog is http://jasonjackmiller.blogspot.com. Tweet him @jasonjackmiller.
His own adventures paddling wild mountain rivers and playing Nirvana covers for less-than-enthusiastic crowds inspired his novels THE DEVIL AND PRESTON BLACK, HELLBENDER, and THE REVELATIONS OF PRESTON BLACK, published by Raw Dog Screaming Press as part of his MURDER BALLADS AND WHISKEY series. He is a creative writing adjunct at Seton Hill University, where he also mentors in the school's prestigious Writing Popular Fiction MFA program. Jason is a member of the Authors Guild and International Thriller Writers. He lives just outside of Pittsburgh with his wife, Heidi, and a cat. His blog is http://jasonjackmiller.blogspot.com. Tweet him @jasonjackmiller.
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Displaying 1 - 30 of 53 reviews
June 28, 2013
My PDF version of this ebook is 666 pages long, methinks this was not accidental ;)
Preston Black is a musician in his late 20’s and is at that turning point in one’s life when one has to decide if they’re going to go all out and follow their dreams or throw in the towel and get a real job like the rest of us schlubs. Written in first person we witness first hand Preston’s love for his music, his confusion, his emotional turmoil, all of it. This is an intimate look at an imperfect guy trying to find his place in the world and locate his birth father. As a girl who grew up around young musicians (and wanna-be musicians), Preston’s characterization was spot on. He is a realistically drawn young guy, passionate about music and easily tempted by the devil’s playthings. He irritated the hell out of me and there were many times when I wanted to shake some sense into him but that’s the charm of Preston and his story. He makes some dumb choices, is a terrible boyfriend like many of the young men I have known, and his journey kept me guessing and I never really knew just how things were going to pan out for him in the end.
I’m not going to rehash the story and point out all of the things that happen along the way. I’m lazy and if you’re interested in the book you should experience all of the twists for yourself. Though the book was a little long for my liking, I truly enjoyed the quieter moments where the author carefully spins the atmosphere into a living, breathing thing with his words. When Preston finds himself in an off the grid home that time seems to have forgot I felt transported there myself. Great stuff there.
The dialogue also felt genuine. My favorite bit happened when Preston, who can be a bit “woe is me” at times (can’t we all?), meets Katy, a student and fellow musician who doesn’t mince words.
That Katy is my kind of girl.
Preston Black is a musician in his late 20’s and is at that turning point in one’s life when one has to decide if they’re going to go all out and follow their dreams or throw in the towel and get a real job like the rest of us schlubs. Written in first person we witness first hand Preston’s love for his music, his confusion, his emotional turmoil, all of it. This is an intimate look at an imperfect guy trying to find his place in the world and locate his birth father. As a girl who grew up around young musicians (and wanna-be musicians), Preston’s characterization was spot on. He is a realistically drawn young guy, passionate about music and easily tempted by the devil’s playthings. He irritated the hell out of me and there were many times when I wanted to shake some sense into him but that’s the charm of Preston and his story. He makes some dumb choices, is a terrible boyfriend like many of the young men I have known, and his journey kept me guessing and I never really knew just how things were going to pan out for him in the end.
I’m not going to rehash the story and point out all of the things that happen along the way. I’m lazy and if you’re interested in the book you should experience all of the twists for yourself. Though the book was a little long for my liking, I truly enjoyed the quieter moments where the author carefully spins the atmosphere into a living, breathing thing with his words. When Preston finds himself in an off the grid home that time seems to have forgot I felt transported there myself. Great stuff there.
The dialogue also felt genuine. My favorite bit happened when Preston, who can be a bit “woe is me” at times (can’t we all?), meets Katy, a student and fellow musician who doesn’t mince words.
"I'm sure you have drawers overflowing with panties the ladies throw at the stage. We saw you guys play down at Mon Brewing a few times. Way to keep the Nineties alive."
"Ouch. Who pissed in your Cheerios?"
"You did. There are guys up here who would play you into a hole, but nobody's ever going to hear them because they aren't as pretty as you."
That Katy is my kind of girl.
January 6, 2012
Miller infuses his tale of longing and self-discovery with so many subtle and overt (in a good way) nods to music and its creators that his passion for music is quite evident. Even if you don't know all of the references, you know the type of music gods he's referring to. He also has created such a believable character in Preston Black that you care about the many ups and downs Miller puts him through. The finale, which I won't give away here, literally sent goosebumps down my arms. I can't remember the last time that happened while reading a book. All in all, a great read from an author with a mature voice. I look forward to reading more by Jason Jack Miller.
March 26, 2011
(This pretty much duplicates my Amazon review.)
THE DEVIL AND PRESTON BLACK (D&PB) is a story that will be familiar to anyone who has ever faced the choice between pursuing their passion and creativity and the need for buckle-down practicality (i.e., a real job).
Black is a likeable character with the best of intentions. He has a dream but he also has family problems, lack-of-family problems, friendship problems, and of course, problems with the women in his life. All of these relationships and problems are woven seamlessly into the plot. There’s a wonderful push-pull in his love life that reminded me of the Holly Golightly situation in Capote’s BREAKFAST AT TIFFANY’S.
In his late 20’s, Black faces that crossroads familiar to anyone who dreams of becoming a rock star, movie star, star quarterback, top chef, top model, novelist, champion thrasher or the next Monet: Do you pursue your impossible dream or grow up, give it up and join the rat race? Black faces his now-or-never opportunity: Go for it, or turn back and join the ranks of the muggles and mundanes?
This isn’t the first novel to explore such territory. Tom Perotta’s THE WISHBONES comes to mind. (Started it twice and never made it to page 40.) And for the record, I should state that I own four guitars, two amps, a bagpipe chanter, a smelly nine-button accordion and a didgeridoo. If you’re not a musician (and I don’t really consider myself one), your mileage may vary. For me, Black’s story brought to mind the struggle of so many singer/songwriters I admire like Dave Alvin, Richard Thompson, Lucinda Williams, Steve Earle. These are ‘second-tier’ artists who produce far superior music, but who don’t have Hollywood looks, glitz or gimmickry that promoters and star-makers look for. They’re safe from becoming the next Justin Bieber and probably better off for it.
And speaking of music, one of the most difficult things for a writer to achieve is articulating the magical spell that music weaves over us. Writing about music is like writing about sex—it means something to everyone but resonates differently for each of us. The difficulty is finding that commonality and painting it in a fresh, meaningful way. And for me, the glowing highlight of D&PB is how Miller handles the music.
Most writers can mimic the clichés and jargon of music reviews. They open a window for us to look inside and you shrug and say ‘Yep, that seems like making music.’ But Miller builds a door, drags us inside, sets us down, and makes us listen, makes us feel. We get Preston Black’s perspective as both listener and as a performer. This is no small feat; even writers who are capable musicians fail miserably at this. In D&PB, not only do we feel the music, but we also feel Black’s passion and drive and that’s a lot of what pulls us through the novel. If you’ve ever been in a garage band, tickled a few keys, plucked a string or two, or played air guitar with your mom’s broom, you’ve probably shared Black’s wannabe rock-star dream. Miller captures that mania and drive beautifully. It’s the force behind Black’s character, tempered with flaws and enough baggage to fill an SUV.
But you don’t have to be a musician to enjoy this novel. Music aside, Miller does an outstanding job of bringing this West Virginia/Pennsylvania milieu (both off-the-grid rural and urban) to vivid life. (I almost got heartburn from the pepperoni rolls and he thankfully spares us from scrapple.) The narrative and dialogue is sprinkled with colorful colloquialisms and clever similes reminiscent of the best Southern writers. It’s a story that could easily have taken place in Manhattan, LA, Paris (and a less creative writer would probably have placed it there), but I found it all the richer for the colorful and charming world it presents for us to explore. There are very few novels that make me feel like I’ve really been somewhere and lived someone else’s life. This is one of them.
THE DEVIL AND PRESTON BLACK (D&PB) is a story that will be familiar to anyone who has ever faced the choice between pursuing their passion and creativity and the need for buckle-down practicality (i.e., a real job).
Black is a likeable character with the best of intentions. He has a dream but he also has family problems, lack-of-family problems, friendship problems, and of course, problems with the women in his life. All of these relationships and problems are woven seamlessly into the plot. There’s a wonderful push-pull in his love life that reminded me of the Holly Golightly situation in Capote’s BREAKFAST AT TIFFANY’S.
In his late 20’s, Black faces that crossroads familiar to anyone who dreams of becoming a rock star, movie star, star quarterback, top chef, top model, novelist, champion thrasher or the next Monet: Do you pursue your impossible dream or grow up, give it up and join the rat race? Black faces his now-or-never opportunity: Go for it, or turn back and join the ranks of the muggles and mundanes?
This isn’t the first novel to explore such territory. Tom Perotta’s THE WISHBONES comes to mind. (Started it twice and never made it to page 40.) And for the record, I should state that I own four guitars, two amps, a bagpipe chanter, a smelly nine-button accordion and a didgeridoo. If you’re not a musician (and I don’t really consider myself one), your mileage may vary. For me, Black’s story brought to mind the struggle of so many singer/songwriters I admire like Dave Alvin, Richard Thompson, Lucinda Williams, Steve Earle. These are ‘second-tier’ artists who produce far superior music, but who don’t have Hollywood looks, glitz or gimmickry that promoters and star-makers look for. They’re safe from becoming the next Justin Bieber and probably better off for it.
And speaking of music, one of the most difficult things for a writer to achieve is articulating the magical spell that music weaves over us. Writing about music is like writing about sex—it means something to everyone but resonates differently for each of us. The difficulty is finding that commonality and painting it in a fresh, meaningful way. And for me, the glowing highlight of D&PB is how Miller handles the music.
Most writers can mimic the clichés and jargon of music reviews. They open a window for us to look inside and you shrug and say ‘Yep, that seems like making music.’ But Miller builds a door, drags us inside, sets us down, and makes us listen, makes us feel. We get Preston Black’s perspective as both listener and as a performer. This is no small feat; even writers who are capable musicians fail miserably at this. In D&PB, not only do we feel the music, but we also feel Black’s passion and drive and that’s a lot of what pulls us through the novel. If you’ve ever been in a garage band, tickled a few keys, plucked a string or two, or played air guitar with your mom’s broom, you’ve probably shared Black’s wannabe rock-star dream. Miller captures that mania and drive beautifully. It’s the force behind Black’s character, tempered with flaws and enough baggage to fill an SUV.
But you don’t have to be a musician to enjoy this novel. Music aside, Miller does an outstanding job of bringing this West Virginia/Pennsylvania milieu (both off-the-grid rural and urban) to vivid life. (I almost got heartburn from the pepperoni rolls and he thankfully spares us from scrapple.) The narrative and dialogue is sprinkled with colorful colloquialisms and clever similes reminiscent of the best Southern writers. It’s a story that could easily have taken place in Manhattan, LA, Paris (and a less creative writer would probably have placed it there), but I found it all the richer for the colorful and charming world it presents for us to explore. There are very few novels that make me feel like I’ve really been somewhere and lived someone else’s life. This is one of them.
July 4, 2012
Synopsis:
Life of Preston Black has never been easy but when he reaches 27 everything seems to be going to the devil double fast. He is a musician and all of a sudden his beloved band is falling apart - the drummer, Stu, is being sent to Afganistan and Pauly, his foster brother, decides he’s had enough of drinking and playing covers. Then Preston falls in love with Dani, a mysterious woman from the Czech Republic who works as a translator and, like him, has no family of her own; although she readily offers him a warm bed and a meal when he needs it the most she also starts cheating on him from the very beginning. Maybe she acts strange because she is from Europe or maybe she considers Preston to be just another nice white trash boy? Anyway she turns his life upside down like a force of nature.
Then he finds in a record store a very strange and pessimistic song about the devil and Preston Black. He buys the record and keeps wondering – just a coincidence or a pointer leading to his unknown father? Is it the right time to start anew or maybe to cash in the chips like many other more famous and more successful musicians before? Who keeps sending him strange texts from an unknown number? Preston decides to try once again – he sells his old instruments, buys a new, acoustic guitar and heads south to find an old singer who knows the rest of that elusive song and maybe also his destiny. Will the Devil follow him? Who will control his life? Can things go even more wrong? Yes, they can.
What I liked:
It was a good interesting story, smoothly told in limited first person. It was gritty, without any maudlin moments - maybe because of that I felt for Preston almost all the time. He seemed so lost and so twisted despite the fact that he just wanted to make a career as an independent musician. Katy, his other romantic interest, was nice as well – she was such a sweet contrast to that absinthe- swilling, unstable smart-pants Dani.
I also liked the fact that there was no baddie here. The devil was in people, including the main character, bad and good people but mostly ordinary people who tried very hard to be good but still managed only average. Preston, deep in the doldrums says:
“My life had become a Chinese take-out fortune, a receipt for a guitar that cost way too much money, a thirty characters text, a name no a faded concert flier stuck to a light pole with rusty nails, footprints disappearing with the melting snow, a black and white picture in a high school year book.”
That’s the start of pure evil – feeling you are worth nothing at all.
I also learned a lot – those differenty types of guitars were a bit misleading at first (especially that the author uses different abbreviations) but I googled them and I was fine afterwards. I appreciated the bits about Appalachian folklore
What I didn’t like:
I really resent the fact that there is no cd or at least a play list attached to this book. It is all about music after all, and nobody is perfect – I knew some of these songs (Metallica, Pink Floyd, the Beatles, Jimi Hendrix and of course those ugly, stupid boys from Duran Duran ;p ) but some of them went right above my head and I wish they hadn’t.
My last carping: the voice of Preston was good but I would love to hear some words from the mouth of the devil. I am strange like that.
Final verdict:
A surprisingly good debut – I would like to read more!
Life of Preston Black has never been easy but when he reaches 27 everything seems to be going to the devil double fast. He is a musician and all of a sudden his beloved band is falling apart - the drummer, Stu, is being sent to Afganistan and Pauly, his foster brother, decides he’s had enough of drinking and playing covers. Then Preston falls in love with Dani, a mysterious woman from the Czech Republic who works as a translator and, like him, has no family of her own; although she readily offers him a warm bed and a meal when he needs it the most she also starts cheating on him from the very beginning. Maybe she acts strange because she is from Europe or maybe she considers Preston to be just another nice white trash boy? Anyway she turns his life upside down like a force of nature.
Then he finds in a record store a very strange and pessimistic song about the devil and Preston Black. He buys the record and keeps wondering – just a coincidence or a pointer leading to his unknown father? Is it the right time to start anew or maybe to cash in the chips like many other more famous and more successful musicians before? Who keeps sending him strange texts from an unknown number? Preston decides to try once again – he sells his old instruments, buys a new, acoustic guitar and heads south to find an old singer who knows the rest of that elusive song and maybe also his destiny. Will the Devil follow him? Who will control his life? Can things go even more wrong? Yes, they can.
What I liked:
It was a good interesting story, smoothly told in limited first person. It was gritty, without any maudlin moments - maybe because of that I felt for Preston almost all the time. He seemed so lost and so twisted despite the fact that he just wanted to make a career as an independent musician. Katy, his other romantic interest, was nice as well – she was such a sweet contrast to that absinthe- swilling, unstable smart-pants Dani.
I also liked the fact that there was no baddie here. The devil was in people, including the main character, bad and good people but mostly ordinary people who tried very hard to be good but still managed only average. Preston, deep in the doldrums says:
“My life had become a Chinese take-out fortune, a receipt for a guitar that cost way too much money, a thirty characters text, a name no a faded concert flier stuck to a light pole with rusty nails, footprints disappearing with the melting snow, a black and white picture in a high school year book.”
That’s the start of pure evil – feeling you are worth nothing at all.
I also learned a lot – those differenty types of guitars were a bit misleading at first (especially that the author uses different abbreviations) but I googled them and I was fine afterwards. I appreciated the bits about Appalachian folklore
What I didn’t like:
I really resent the fact that there is no cd or at least a play list attached to this book. It is all about music after all, and nobody is perfect – I knew some of these songs (Metallica, Pink Floyd, the Beatles, Jimi Hendrix and of course those ugly, stupid boys from Duran Duran ;p ) but some of them went right above my head and I wish they hadn’t.
My last carping: the voice of Preston was good but I would love to hear some words from the mouth of the devil. I am strange like that.
Final verdict:
A surprisingly good debut – I would like to read more!
July 7, 2011
It's been a long time since I've been truly impressed with a debut novel, but I am with this one. I don't want to write a book report, but rather share my feelings about it.
This book is so real it's incredible. The characters are real; they live and breathe and struggle with addictions. The setting is real; I'm there as winter turns to spring in the mountains and in the city. The heartache is real; I groaned out loud for the pain of Preston Black both past and present. And most of all the music is real; I wanted to sing along and tap my foot to the jam. Miller knows his characters and his music and has created a milieu so real you can't help but be caught up and swept toward the inevitable doom that his devil has planned.
You catch a few whiffs of something sinister through the first half of the book -- plenty to let you know what's coming as you get invested in the hopes and fears of Preston Black, legend in the making. There's somewhat of a long build-up, but when it finally hits the fan, it's a storm of epic proportions, made all the worse because your heart's tied up with Preston.
Miller knows how to turn a phrase, and he does so to great effect. I often laughed out loud at his wit and humor. All in all, a terrific read, and extremely satisfying. This is what great fiction should be. I hope for more from this talented writer.
This book is so real it's incredible. The characters are real; they live and breathe and struggle with addictions. The setting is real; I'm there as winter turns to spring in the mountains and in the city. The heartache is real; I groaned out loud for the pain of Preston Black both past and present. And most of all the music is real; I wanted to sing along and tap my foot to the jam. Miller knows his characters and his music and has created a milieu so real you can't help but be caught up and swept toward the inevitable doom that his devil has planned.
You catch a few whiffs of something sinister through the first half of the book -- plenty to let you know what's coming as you get invested in the hopes and fears of Preston Black, legend in the making. There's somewhat of a long build-up, but when it finally hits the fan, it's a storm of epic proportions, made all the worse because your heart's tied up with Preston.
Miller knows how to turn a phrase, and he does so to great effect. I often laughed out loud at his wit and humor. All in all, a terrific read, and extremely satisfying. This is what great fiction should be. I hope for more from this talented writer.
August 20, 2013
Preston Black is an orphan who knew neither of his parents growing up. At 27, he’s in a rock band, desperately wants to be famous, but feels like he’s on a path to destruction. Nothing ever pans out for Preston. It all ends in a pile of ashes and regret.
On the same day he meets a strange but beautiful woman, Preston discovers a song his father might have recorded. Equally obsessed with the song and the woman, Preston embarks on a quest of self discovery. Little does he know he’s playing for keeps. One object of his desire could be his salvation. The other could destroy him forever. Can Preston can redeem himself and advance his musical career or will the devil win?
I loved Preston Black’s voice. Mr. Miller did a fine job of making me want to find out what happened to him. The novel itself reminded me a lot of the song “To Beat the Devil.” But not the way Johnny Cash sang it. Instead, this novel plays out like Kris Kristofferson’s original, stripped down, rough, and beautiful. I could hear the music, smell the absinthe, and feel Preston’s frustration.
On the same day he meets a strange but beautiful woman, Preston discovers a song his father might have recorded. Equally obsessed with the song and the woman, Preston embarks on a quest of self discovery. Little does he know he’s playing for keeps. One object of his desire could be his salvation. The other could destroy him forever. Can Preston can redeem himself and advance his musical career or will the devil win?
I loved Preston Black’s voice. Mr. Miller did a fine job of making me want to find out what happened to him. The novel itself reminded me a lot of the song “To Beat the Devil.” But not the way Johnny Cash sang it. Instead, this novel plays out like Kris Kristofferson’s original, stripped down, rough, and beautiful. I could hear the music, smell the absinthe, and feel Preston’s frustration.
June 24, 2020
Great atmosphere, and an intriguing , relatable dive into the heart of someone who's looking for meaning and purpose.
September 20, 2012
From my blog at www.lazerbrain.wordpress.com
This first novel by Jason Jack Miller follows the story of Preston Black, a never been famous lover of music, who is trying to make it big in the shadow of approaching middle age. He is mostly stuck playing covers of his favorite musicians, but his luck changes (whether for the better or worse is up for debate) when he simultaneously discovers an old record in a music store with his name on the back of it and meets a mysterious woman named Danicka from the Czech Republic. Preston unknowingly makes a deal with the devil partially incarnated in Danicka, and then tries to find the answers to the ensuing chaos in his life by tracking down the source of the record with his name on it. This leads him through a world of Appalachian superstition and old timey music, ultimately culminating in his seeming redemption through one brilliant live performance after alienating most of his friends and family throughout the entire book.
So, I have to admit that I had a really good time with this one. I read free ebooks from time to time, and have had to train myself to put some books down after a few chapters. Otherwise I'd spend all my time reading crappy books! Anyway, that is where I found The Devil and Preston Black, in the amazon freebie aisle, and really lucked out.
Miller does a great job of making the reader identify with the Preston regardless of personal experience. I found my self getting a little bit depressed when Preston was depressed, and getting angry when Preston makes some really stupid decisions. Plot pacing was perfect. I felt invested in Preston without ever feeling like there was significant down time. I also enjoyed the exploration of Appalachian mythology/ superstition that Preston dealt with on his musical adventure, only as a fantasy/sci-fi fan, I found my self wishing for more of it.
A few thoughts (spoiler alert):
One of the interesting motifs in the book is that "people have a piece of the devil inside them", or I guess can have a piece of the devil inside them, or something along those lines. I think that Miller wants us to associate the devil with Danicka in a Faustian sort of way, since over pillow talk with Preston she asks him for three wishes and shortly there after two of his wishes are fulfilled in a sideways manner. His buddy Stu never gets to the battlefield (although its because he dies instead of because he is disharged), and Preston's brother Pauly quits the band, but in the process generates a lot of bad blood between them. Not the amicable professional separation Preston seemed to be hoping for. I don't know if the author intended this or not, but I think the complexity of the novel can be deepened considerably if we consider the possibility that more than one devil incarnate and more than one Faustian bargain. I think that Preston, while the "victim" of one bargain was the perpetrator of another. It jibes with the repeated idea that "a piece of the devil is inside me" most developed in Preston's discussion with the priest. The second bargain is even more subtle occurring with Katy the fiddler who was getting her PhD and is Preston's "uncorrupted" girlfriend. At the end of the book just before Preston's big performance, he asks if Katy would play with him on stage, and she accepts. This is significant because elsewhere in the book Katy talks about how she "didn't always want to get a phD" and was in a situation analogous to Preston's prior to his deal with Danicka. Also, we find out that Katy knows about Preston's deal and still seems interested in him. If this a second deal with the devil is present, it adds some nuance to the ending scenes that do not exist otherwise. For example, Danicka's suicide by jumping off the bridge is no longer an unqualified victory over some inhuman demon, but now her character is much more sympathetic, and we can see her as just a woman who made some bad decisions, but is ultimately still partly human. Not only is Danicka's death no longer an unattenuated good, but Preston's success is tarnished as well. He has enticed Katy into a similar deal, and so the ending becomes bittersweet instead of triumphal ending that the book has at first blush.
Anyway, Like I said, I had a good time with this book, and think it has a level of complexity that might be easy to miss on a first read.
This first novel by Jason Jack Miller follows the story of Preston Black, a never been famous lover of music, who is trying to make it big in the shadow of approaching middle age. He is mostly stuck playing covers of his favorite musicians, but his luck changes (whether for the better or worse is up for debate) when he simultaneously discovers an old record in a music store with his name on the back of it and meets a mysterious woman named Danicka from the Czech Republic. Preston unknowingly makes a deal with the devil partially incarnated in Danicka, and then tries to find the answers to the ensuing chaos in his life by tracking down the source of the record with his name on it. This leads him through a world of Appalachian superstition and old timey music, ultimately culminating in his seeming redemption through one brilliant live performance after alienating most of his friends and family throughout the entire book.
So, I have to admit that I had a really good time with this one. I read free ebooks from time to time, and have had to train myself to put some books down after a few chapters. Otherwise I'd spend all my time reading crappy books! Anyway, that is where I found The Devil and Preston Black, in the amazon freebie aisle, and really lucked out.
Miller does a great job of making the reader identify with the Preston regardless of personal experience. I found my self getting a little bit depressed when Preston was depressed, and getting angry when Preston makes some really stupid decisions. Plot pacing was perfect. I felt invested in Preston without ever feeling like there was significant down time. I also enjoyed the exploration of Appalachian mythology/ superstition that Preston dealt with on his musical adventure, only as a fantasy/sci-fi fan, I found my self wishing for more of it.
A few thoughts (spoiler alert):
One of the interesting motifs in the book is that "people have a piece of the devil inside them", or I guess can have a piece of the devil inside them, or something along those lines. I think that Miller wants us to associate the devil with Danicka in a Faustian sort of way, since over pillow talk with Preston she asks him for three wishes and shortly there after two of his wishes are fulfilled in a sideways manner. His buddy Stu never gets to the battlefield (although its because he dies instead of because he is disharged), and Preston's brother Pauly quits the band, but in the process generates a lot of bad blood between them. Not the amicable professional separation Preston seemed to be hoping for. I don't know if the author intended this or not, but I think the complexity of the novel can be deepened considerably if we consider the possibility that more than one devil incarnate and more than one Faustian bargain. I think that Preston, while the "victim" of one bargain was the perpetrator of another. It jibes with the repeated idea that "a piece of the devil is inside me" most developed in Preston's discussion with the priest. The second bargain is even more subtle occurring with Katy the fiddler who was getting her PhD and is Preston's "uncorrupted" girlfriend. At the end of the book just before Preston's big performance, he asks if Katy would play with him on stage, and she accepts. This is significant because elsewhere in the book Katy talks about how she "didn't always want to get a phD" and was in a situation analogous to Preston's prior to his deal with Danicka. Also, we find out that Katy knows about Preston's deal and still seems interested in him. If this a second deal with the devil is present, it adds some nuance to the ending scenes that do not exist otherwise. For example, Danicka's suicide by jumping off the bridge is no longer an unqualified victory over some inhuman demon, but now her character is much more sympathetic, and we can see her as just a woman who made some bad decisions, but is ultimately still partly human. Not only is Danicka's death no longer an unattenuated good, but Preston's success is tarnished as well. He has enticed Katy into a similar deal, and so the ending becomes bittersweet instead of triumphal ending that the book has at first blush.
Anyway, Like I said, I had a good time with this book, and think it has a level of complexity that might be easy to miss on a first read.
April 5, 2014
As an avid science fiction reader, I first picked up the book with trepidation, not expecting much to keep me interested. But, I know the author through his wife and figured I’d give his books a chance.
After finishing this book, I asked myself, “Why did I wait?” Despite the fact that the book is outside my normal reading genre, I found the story quite interesting. It drew me in and kept a strong hold of my attention. I did not want to put the book down. From the initial performance by Preston and his band all the way to the final scene, the author’s knowledge of music impressed me, and I’m a former music teacher. The characters were real, and his use of actual locations added a level of believability that really brought the story to life for me.
If you like dramatic stories, you’ll love this book.
After finishing this book, I asked myself, “Why did I wait?” Despite the fact that the book is outside my normal reading genre, I found the story quite interesting. It drew me in and kept a strong hold of my attention. I did not want to put the book down. From the initial performance by Preston and his band all the way to the final scene, the author’s knowledge of music impressed me, and I’m a former music teacher. The characters were real, and his use of actual locations added a level of believability that really brought the story to life for me.
If you like dramatic stories, you’ll love this book.
February 7, 2014
The Devil. Booze. Music. Mayhem. A Quest. I had a fever of 104 the entire time I was reading this, and I'm pretty sure only 102 of those degrees were from the flu because the book is just that hot. It deserves a more in-depth review but it's been a long winter and I'm knackered.
The only reason I gave it 4 stars is because there's no 4.75 star rating and I just couldn't bring myself to round up.
Yes, really. It's *that* close to perfect, and it's a first novel. Check it out...meanwhile, I'll be saving up my recyclables so I can snag the sequels.
TL;DR - This book didn't suck. It "didn't suck"-ed my fucking socks off.
The only reason I gave it 4 stars is because there's no 4.75 star rating and I just couldn't bring myself to round up.
Yes, really. It's *that* close to perfect, and it's a first novel. Check it out...meanwhile, I'll be saving up my recyclables so I can snag the sequels.
TL;DR - This book didn't suck. It "didn't suck"-ed my fucking socks off.
July 9, 2015
As a dweller of both southwestern PA (though from a town I'm almost positive the Clarks have ignored) and northern WV, as well as a traveler to various parts of WV/fan of Sirianni's, I have bequeathed myself the authority to say that this book really "got it." The characters could have been friends or family members. I'm on vacation, but through this book have been transported back home where people are "nebby" and the devil hangs over your head if you sing at the dinner table. This was an excellent read and I'm looking forward to reading more about Preston Black.
March 20, 2014
I thoroughly enjoyed this book. I loved the character of Preston Black. He's flawed and gritty and real and, even when he's making mistakes, I couldn't help but root for him. It's hard to draw out characters when writing in the first person, but the author did a great job in giving the reader a good sense as to who they all were. The music references were stellar! I'm looking forward to reading more about Preston Black.
July 24, 2013
Book Info: Genre: Dark Paranormal Fantasy
Reading Level: Adult (explicit sexual scenes
Recommended for: People who are obsessed with rock and roll, or music in general, those who are interested in stories about deals with the devil, be they real or metaphorical
Trigger Warnings: infidelity, alcohol abuse
My Thoughts: I picked this up free over two years ago during a promotion on Smashwords. I have wanted to review it to thank the author for the free read, but other things kept distracting me (ooh, shiny new book! Etc.). That's unfortunate, because this ended up being a really good book. I was jazzed when I finished.
There are parts that drag. I'm not sure everyone will stick with it to the end. But the ending is really worth it. A lot of my frustration came from two different sources. One was Preston's constant weakness, his continual giving in to Dani and his own self-destruction. The other was the way everyone seemed to come down on Preston about everything, whether it was his fault or not, which fed into his weakness because he would never defend himself. It was very aggravating.
I was also annoyed in many ways with Pauly. I have noticed it is common among alcoholics, or those attending AA, to assume that everyone who drinks is also an alcoholic, whether or not that is true, and to become overly sensitive to others' uses of alcohol. While it is true that Preston tended to overdo things at time, he was just acting his age, I think, not necessarily an alcoholic, so Pauly's calling him such, and urging him to go to AA, pressed some of my buttons.
Having experienced a Saturn Return for myself, and therefore learned extensively about them, I can say that Mick's wife was somewhat off. The Saturn Return occurs approximately every twenty-eight years, not twenty-seven. But the general idea behind it is correct. I believe what Preston is undergoing through a lot of this book is also a form of Saturn Return. As someone says in the book, he is learning to be a grown-up.
In some ways, this book reminded me of the novella I just finished editing, Thin Ice, the third in the Osh Kosh trilogy by Anthea Carson. Both books deal with a person spiraling down into depression, seemingly losing all ability to see anything positive around them, and losing their way. That's pretty much where the similarities end, however. Preston seems to at least be trying. I can't really go into how it ended, so as to avoid spoilers, but this is dark paranormal fantasy, not horror, so take that how you will. I really ended up liking this book a lot, and I think a lot of other people will. If you've been considering this book, stop considering and just read it. It's pretty good.
Disclosure: I found this book for free on Smashwords. All opinions are my own.
Synopsis: You'd think finding a song named after you on an old record would be kind of cool. But that's not how it goes down for Preston Black.
What starts out as a search for his old man turns into a quest for an original version of "The Sad Ballad of Preston Black". Turns out the song is about his deal with the devil, a deal Preston doesn't really remember making.
When the devil decides it's time to cash in things get really interesting. People he loves get hurt, and Preston starts to wonder if a long fall into an icy river is his only way out.
Lucky for Preston, he has help. A music ethnographer with connections in some of Appalachia's darkest hollows convinces him that his salvation can be found in the music. Preston can buy that. It's the hexes, curses and spells he has a hard time with.
And it's the ghost of John Lennon who convinces Preston to do something about it.
Reading Level: Adult (explicit sexual scenes
Recommended for: People who are obsessed with rock and roll, or music in general, those who are interested in stories about deals with the devil, be they real or metaphorical
Trigger Warnings: infidelity, alcohol abuse
My Thoughts: I picked this up free over two years ago during a promotion on Smashwords. I have wanted to review it to thank the author for the free read, but other things kept distracting me (ooh, shiny new book! Etc.). That's unfortunate, because this ended up being a really good book. I was jazzed when I finished.
There are parts that drag. I'm not sure everyone will stick with it to the end. But the ending is really worth it. A lot of my frustration came from two different sources. One was Preston's constant weakness, his continual giving in to Dani and his own self-destruction. The other was the way everyone seemed to come down on Preston about everything, whether it was his fault or not, which fed into his weakness because he would never defend himself. It was very aggravating.
I was also annoyed in many ways with Pauly. I have noticed it is common among alcoholics, or those attending AA, to assume that everyone who drinks is also an alcoholic, whether or not that is true, and to become overly sensitive to others' uses of alcohol. While it is true that Preston tended to overdo things at time, he was just acting his age, I think, not necessarily an alcoholic, so Pauly's calling him such, and urging him to go to AA, pressed some of my buttons.
Having experienced a Saturn Return for myself, and therefore learned extensively about them, I can say that Mick's wife was somewhat off. The Saturn Return occurs approximately every twenty-eight years, not twenty-seven. But the general idea behind it is correct. I believe what Preston is undergoing through a lot of this book is also a form of Saturn Return. As someone says in the book, he is learning to be a grown-up.
In some ways, this book reminded me of the novella I just finished editing, Thin Ice, the third in the Osh Kosh trilogy by Anthea Carson. Both books deal with a person spiraling down into depression, seemingly losing all ability to see anything positive around them, and losing their way. That's pretty much where the similarities end, however. Preston seems to at least be trying. I can't really go into how it ended, so as to avoid spoilers, but this is dark paranormal fantasy, not horror, so take that how you will. I really ended up liking this book a lot, and I think a lot of other people will. If you've been considering this book, stop considering and just read it. It's pretty good.
Disclosure: I found this book for free on Smashwords. All opinions are my own.
Synopsis: You'd think finding a song named after you on an old record would be kind of cool. But that's not how it goes down for Preston Black.
What starts out as a search for his old man turns into a quest for an original version of "The Sad Ballad of Preston Black". Turns out the song is about his deal with the devil, a deal Preston doesn't really remember making.
When the devil decides it's time to cash in things get really interesting. People he loves get hurt, and Preston starts to wonder if a long fall into an icy river is his only way out.
Lucky for Preston, he has help. A music ethnographer with connections in some of Appalachia's darkest hollows convinces him that his salvation can be found in the music. Preston can buy that. It's the hexes, curses and spells he has a hard time with.
And it's the ghost of John Lennon who convinces Preston to do something about it.
September 1, 2014
I keep enjoying titles from the RDSP catalog and a grab-bag of titles that I picked up included this entry novel in Miller's 'Murder Ballads and Whiskey' series. I opened it over a brief vacation expecting it to be a primary mixture of fantasy and horror, but was surprised to find it being more what I would consider magical realism, and closer to something 'literary' than any other RDSP titles I've read so far. The surprise was pleasant and I quickly became enraptured in Preston Black's Appalachian world.
With its featuring of a young rock musician struggling through the steps from teen years to adulthood "The Devil and Preston Black" reminded me of Robert Paston's "The Hour of the Innocents" that I recently read. Both novels feature similar coming of age themes and destructive tendencies in their protagonists, and both contain writing that shows a real fondness and respect for music and the rough road of making the good, personal kind. In "The Devil and Preston Black" the story is focused more strongly on Preston Black and his personal discoveries of himself and his heritage (compared to a focus on inter-relations between a cast of musicians as in Paston's novel.) This ends up giving a sort of biographical vibe to Miller's novel and casts the more fantastic/supernatural possibilities that emanate from the 'devil' character Dani into a greater distance from the reader, and thus provides greater ambiguity to the realistic/fantastic divide.
Beyond the brilliant rendering of Preston's passions and uncertainties and flawed decisions and the reference-filled vibe of classic rock music that pervades the novel, Miller additionally ups the ante by establishing these elements in a strong setting. Appalachia gives off hints of rustic and wild, a proud culture of self-sufficiency, though then isolated and hard to change, simple in tradition, yet filled with a magic almost forgotten. In addition to certain classic rock artists, a soundtrack to accompany "The Devil and Preston Black" could equally be Harry Smith's "Anthology of American Folk Music", music faded and legendary, long-lost and powerful.
"The Devil and Preston Black" is a mixture of diverse elements: musical styles, the femme-fatale, the Faust legend, self-discovery, and Appalachia all combined into one tightly written and fluidly flowing story that captivates readers with a sense of foreboding gradually building to a fine finish. I picked up the second novel in the series once done with this, but I think I'd enjoy rereading this one again too.
With its featuring of a young rock musician struggling through the steps from teen years to adulthood "The Devil and Preston Black" reminded me of Robert Paston's "The Hour of the Innocents" that I recently read. Both novels feature similar coming of age themes and destructive tendencies in their protagonists, and both contain writing that shows a real fondness and respect for music and the rough road of making the good, personal kind. In "The Devil and Preston Black" the story is focused more strongly on Preston Black and his personal discoveries of himself and his heritage (compared to a focus on inter-relations between a cast of musicians as in Paston's novel.) This ends up giving a sort of biographical vibe to Miller's novel and casts the more fantastic/supernatural possibilities that emanate from the 'devil' character Dani into a greater distance from the reader, and thus provides greater ambiguity to the realistic/fantastic divide.
Beyond the brilliant rendering of Preston's passions and uncertainties and flawed decisions and the reference-filled vibe of classic rock music that pervades the novel, Miller additionally ups the ante by establishing these elements in a strong setting. Appalachia gives off hints of rustic and wild, a proud culture of self-sufficiency, though then isolated and hard to change, simple in tradition, yet filled with a magic almost forgotten. In addition to certain classic rock artists, a soundtrack to accompany "The Devil and Preston Black" could equally be Harry Smith's "Anthology of American Folk Music", music faded and legendary, long-lost and powerful.
"The Devil and Preston Black" is a mixture of diverse elements: musical styles, the femme-fatale, the Faust legend, self-discovery, and Appalachia all combined into one tightly written and fluidly flowing story that captivates readers with a sense of foreboding gradually building to a fine finish. I picked up the second novel in the series once done with this, but I think I'd enjoy rereading this one again too.
April 30, 2013
This was my review posted to Amazon shortly after I read this book for the first time. I have since read it twice more - and recommended it to anyone that will listen. It's easily one of my all time favorite books and lives on my nightstand next to Kerouac and Nan Whitcomb. It just gets better each time. That said, this was my original review - it all still stands - and then some:
I read Jason Jack Miller's Hellbender first (another outstanding read, by the way) and immediately picked up The Devil and Preston Black.
"Have you met Preston?"
I've since read Preston four times. It's taken me a while to come up with a review because this novel feels like so much more than just a book - it's more than just a story. Finding the words to do it justice has eluded me...
This is such an amazing journey of finding one's art that rings true for any - and every - artist. It's also the story of finding one's self along the way. It's a heart wrenching story of realizing we are not who we thought we were and the unexpected bliss of discovering we are so much more than we ever thought we could be. It's the baby steps of Preston and his beginning of what I hope to be many more tales to come. I could not put this book down, and was, quite literally, in tears in the last chapters. I felt, tangibly, Preston's triumphs. Preston and company feel like old friends at this point. They're that real.
It chokes me up every time I read it.
This is not a book, or an author, to miss.
I can't wait for more.
I read Jason Jack Miller's Hellbender first (another outstanding read, by the way) and immediately picked up The Devil and Preston Black.
"Have you met Preston?"
I've since read Preston four times. It's taken me a while to come up with a review because this novel feels like so much more than just a book - it's more than just a story. Finding the words to do it justice has eluded me...
This is such an amazing journey of finding one's art that rings true for any - and every - artist. It's also the story of finding one's self along the way. It's a heart wrenching story of realizing we are not who we thought we were and the unexpected bliss of discovering we are so much more than we ever thought we could be. It's the baby steps of Preston and his beginning of what I hope to be many more tales to come. I could not put this book down, and was, quite literally, in tears in the last chapters. I felt, tangibly, Preston's triumphs. Preston and company feel like old friends at this point. They're that real.
It chokes me up every time I read it.
This is not a book, or an author, to miss.
I can't wait for more.
July 11, 2011
This book starts out by telling us a little about Preston Black, he has had a hard life, living with his friends mum. not knowing who his dad is and his own mum being dead. As time goes by Preston thinks he finds a link to his dad on the back of a record and this turns up as his own band is failing. Preston then meets a woman who he thinks is the woman of his dreams,these two end up geting intermate but things turn out complicated as he finds other mens clothes in her room.Preston feels like his life is getting torn apart and he doesnt know how to get it back on track. Preston then has to decide weather or not to follow his dreams or give up and live a normal life.
Well where to start with this book, Iv not wrote to much about the story because I really didnt want to spoil it for you guys. But I want you guys to know I think Jason is a very talented man, A man who through description and great detail let you travel along with Preston, on his jeurney to find out who he is and where he belongs and what to do with his life. Jason brought to life a story that I think most people will find familiar to some time in there own life. An amazing peace of writing and im really pleased I took the time to read it.
Well where to start with this book, Iv not wrote to much about the story because I really didnt want to spoil it for you guys. But I want you guys to know I think Jason is a very talented man, A man who through description and great detail let you travel along with Preston, on his jeurney to find out who he is and where he belongs and what to do with his life. Jason brought to life a story that I think most people will find familiar to some time in there own life. An amazing peace of writing and im really pleased I took the time to read it.
This entire review has been hidden because of spoilers.
June 26, 2013
I read and reviewed the second of the Murder Ballads first mostly through bad planning and not realising there was a first in the series or even realise there was a series until I was a way through the book, anyway suffice to say I really enjoyed Hellbender and here found more Jason Jack Miller after the fact.
I really like how Jason writes his characters the nearest comparison would be Stephen King, the characters are really well defined, they are warm and you can liken them in your head to a friend or an actor; you can have in your head their voice as they speak and the mannerisms they effect.
Preston’s introduction to Katy and the following jam session with a cast of seasoned musos took me back to the first time I went to a knife throwing club, all the grizzled old pro’s judging your amateurish efforts but post sarcastic free for all feeding you nuggets to advance your skill.
Like another reviewer I look forward to listening to Mr Millers accompanying music put together for Preston Black, I look forward to reading the next Preston book The Revelations of Preston Black and I look forward to what Jason Jack Miller writes next.
I really like how Jason writes his characters the nearest comparison would be Stephen King, the characters are really well defined, they are warm and you can liken them in your head to a friend or an actor; you can have in your head their voice as they speak and the mannerisms they effect.
Preston’s introduction to Katy and the following jam session with a cast of seasoned musos took me back to the first time I went to a knife throwing club, all the grizzled old pro’s judging your amateurish efforts but post sarcastic free for all feeding you nuggets to advance your skill.
Like another reviewer I look forward to listening to Mr Millers accompanying music put together for Preston Black, I look forward to reading the next Preston book The Revelations of Preston Black and I look forward to what Jason Jack Miller writes next.
December 6, 2011
Many great musicians have been lost to us at the age of 27. Known as the '27 Club', this group began with Robert Johnson and includes Jimi Hendrix, Janis Joplin, Jim Morrison and, most recently, Amy Winehouse. Preston Black is approaching his 27th birthday and is worried that he'll be joining the '27 Club'.
Preston is a musician who, like most, wants huge success. A string of bad luck and his bandmates leaving him has him afraid he won't make it on his own. But this book is about much more than Preston's struggles as a musician. We are sucked into Preston's world, exploring the feelings of a young man who never knew his parents and desperately wants to find his roots.
This is a well-written story, rich in character development and underlying, thought-provoking themes. A perfect book for the music-lover or the reader who simply loves a great tale.
Preston is a musician who, like most, wants huge success. A string of bad luck and his bandmates leaving him has him afraid he won't make it on his own. But this book is about much more than Preston's struggles as a musician. We are sucked into Preston's world, exploring the feelings of a young man who never knew his parents and desperately wants to find his roots.
This is a well-written story, rich in character development and underlying, thought-provoking themes. A perfect book for the music-lover or the reader who simply loves a great tale.
May 27, 2012
This book was a departure for me and was quite interesting. The protagonist is a young man who has been passively going about his life; a musician who never plays his own songs, just covers. So, these two defining characteristics (27 year old young man with little serious ambition and music fan) made it hard for me to identify with him. He is an orphan who has to learn to take the reins of his life away from 'the devil' in order to find himself and happiness.
One thing i really liked was the setting - West Virginia. I rarely read books set in the south, and think I've never read one set in WV. Some Appalachian culture plays a role, which made the book even more rich in its setting. I think the main reason I didn't give the book more stars was my lack of connection with Preston, as he tries to find out about his father and ends up in a big mess, only partly of his making.
One thing i really liked was the setting - West Virginia. I rarely read books set in the south, and think I've never read one set in WV. Some Appalachian culture plays a role, which made the book even more rich in its setting. I think the main reason I didn't give the book more stars was my lack of connection with Preston, as he tries to find out about his father and ends up in a big mess, only partly of his making.
March 24, 2012
Devilishly Good
I have few complaint, but overall they are minor. I love music, but clearly not with the depth and passion the author does (I learned more about various types of Guitars than I will retain). It is also a bit introspective for my taste, almost a psychological journal of self. These, combined with the stories tenancy to meander a bit (but when you are telling a tale like this meandering a bit is appropriate) makes it seem to drag and loose focus at times.
I did really like the Devil – very much a drag you down by your own petards kind of fiend; subtle and dangerous. The supernatural elements are played down, being ambiguous to the very end (which is appropriate to the kind of folk magic the author is depicting).
Overall it's very enjoyable.
I have few complaint, but overall they are minor. I love music, but clearly not with the depth and passion the author does (I learned more about various types of Guitars than I will retain). It is also a bit introspective for my taste, almost a psychological journal of self. These, combined with the stories tenancy to meander a bit (but when you are telling a tale like this meandering a bit is appropriate) makes it seem to drag and loose focus at times.
I did really like the Devil – very much a drag you down by your own petards kind of fiend; subtle and dangerous. The supernatural elements are played down, being ambiguous to the very end (which is appropriate to the kind of folk magic the author is depicting).
Overall it's very enjoyable.
June 18, 2014
Wow...this book took me down some introspective paths that I choose not to travel, as they lead to unpleasant places. As a musician, I could relate to much of the story, and it brought to light some of the devils I've dealt with over the years. The good thing, however, for both Preston and myself, is that it all somehow works out in the end. As the path came close to the conclusion, things looked dire for Preston, and I actually put down the book and wrote a new song of my own...perhaps to ward off the devils? Hard to say...but, once that was out of my system, I took a deep breath, and made my way to the finish line. I'll need to look now, as in the notes at the end, I learned that this was the start of a trilogy, and I'd like to enjoy the others.
July 26, 2011
This is an author I discovered through Goodreads, one of many who've taken the ebook plunge. Thanks to my Kindle, I'm able to take a chance on authors I've never heard of, but who sound interesting, something I urge everyone with an ebook reader to do.
Rock musician Preston Black is in search of the father he never knew, and believes he's found a clue in a song called "The Devil and Preston Black." The search leads him on a musical journey through the mountains of West Virginia, where he discovers the traditional music of his home state. Along the way he must struggle with crumbling relationships with his foster family and his own inner demons.
Especially recommended for music fans.
Rock musician Preston Black is in search of the father he never knew, and believes he's found a clue in a song called "The Devil and Preston Black." The search leads him on a musical journey through the mountains of West Virginia, where he discovers the traditional music of his home state. Along the way he must struggle with crumbling relationships with his foster family and his own inner demons.
Especially recommended for music fans.
November 7, 2011
I really enjoyed getting to know Preston Black. He's a guy at a crossroads in his life making one bad decision after another, but you love him anyway because you've either been there or know someone who has. The novel has a strong sense of place and I liked learning a bit about Appalachia and the musical tradition there. This story's got a little bit of everything, there's a bit of mystery and some creepy elements, it's got romance and strong characters, funny moments and poignant ones. This is a must-read for anyone into rock or who's ever been in a garage band but you don't have to play music or listen to a certain type to appreciate the book.
May 7, 2012
It's pretty clear Jason Jack Miller knows his music - the book was just jumping with it and the way he weaved it into everyday things...masterful. Mr. Miller writes this Appalachian dark fiction with a melancholic note, and you can't help but feel the pain and angst his character, Preston Black is feeling. At times, I wanted to just smack Preston silly and tell him to wake up and get a grip. Other times, his pain was depressing enough, I simply wanted him to just jump off that bridge. You don't have to love music (and making music) to appreciate this tale. Well-written, detailed, and steeped in Appalachian lore it just makes you want to start listening to old timey music.
December 28, 2011
Preston Black is a struggling musician,in a cover band,searching for the father he never new and the family he longs to have. Finding a mysterious record with the song "The Sad Ballad of Preston Black" Preston thinks was written by his unknown father. The arrival of the record and the seductress Dani turns Preston life upside down. Will Preston be able to stay on the right track in life and not be tempted by the devil?
Jason Jack Miller combines his love of music and Appalachian folklore in this well crafted tale with wonderful characters that are superbly written.
Jason Jack Miller combines his love of music and Appalachian folklore in this well crafted tale with wonderful characters that are superbly written.
October 1, 2012
A surprisingly good read.
Preston Black, a young man facing the musician's 27 Curse, is on a quest to find his blood relitives. He metamorphosizes from playing guitar in a rock cover band, to the roots of Folk Music. Friends appear in the strangest of places, as he learns more and more about himself and the music he loves.
On the way he encounters an enticing young woman, new friends, and a special guitar. Is Preston dancing with the devil?
Preston Black, a young man facing the musician's 27 Curse, is on a quest to find his blood relitives. He metamorphosizes from playing guitar in a rock cover band, to the roots of Folk Music. Friends appear in the strangest of places, as he learns more and more about himself and the music he loves.
On the way he encounters an enticing young woman, new friends, and a special guitar. Is Preston dancing with the devil?
This entire review has been hidden because of spoilers.
June 13, 2013
I always like distinctive settings for books, and this one has that in spades with its West Virginia musical backdrop. Preston's personal woes, ability as a musician, and eclectic musical tastes make him a compelling character. The supporting cast is also really good. I enjoyed this story thoroughly. It's got guts and spirit.
October 26, 2013
The devil apparently goes down to Georgia by way of West Virginia. While I liked the action of Hellbenders better, this was a good modern take on the devil meeting the musician at the crossroads story. I like the way the author put old folk tales/medicine in the new age, made the whole thing seem real. Preston was a mess, but he's a mess that I liked reading about, someone to root for.
April 27, 2015
I read this book after it was re-released through Raw Dog Screaming Press. Much of the story takes place in Morgantown, WV, which connects me strongly with the geography of the book. Readers are taken along Preston's journey of self-discovery and self-healing with turns both soulful and mystical. Preston Black thinks he knows his home. He's about to find out how well his home knows him.
January 14, 2012
I would LOVE to have a soundtrack to this novel.
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