While Gary L. Blackwood's The Shakespeare Stealer certainly does provide a decently readable, historically realistic and accurate introduction to main protagonist and first person narrator Widge (who is a teenaged orphan in late Renaissance England and ends up joining the Lord Chamberlain's Men as an apprentice actor and under the tutelage of none other than William Shakespeare), I also have to say that the second book in the series, that Shakespeare's Scribe is in my opinion where Widge's story really matures and solidifies, really becomes totally and utterly delightful.
Because yes indeed, the frustrating and annoying writing style issues which Gary L. Blackwood's presented narrative at times does tend to show in The Shakespeare Stealer (mostly regarding one dimensional, rather stereotypical characters and indeed that the main villains are all and sundry cardboard thin, on the surface and lacking in any kind of emotional depth), in Shakespeare's Scribe, this has thankfully and appreciatively all but disappeared, leaving both the main character (Widge) and even most if not actually all secondary personages (and indeed also and equally not so positive, villainous individuals) rendered by Blackwood with textual depth and nuanced emotions, showing instances of both intense joy and deep pain, both pleasure and heartbreak (with for example, in Shakespeare's Scribe, Sander’s death from the bubonic plague of course being described as intensely sad and traumatic for his best friend Widge, but also presented as something that is a necessary part of Widge's maturation process from teenager to adult and from an apprentice to a full fledged actor and member of The Lord Chamberlain's Men).
And furthermore (and yes, much importantly, since in The Shakespeare Stealer this really has not at all been the case), I also do very much appreciate that in Shakespeare's Scribe William Shakespeare himself actually plays a much more important and omni-present role and is thankfully not like in The Shakespeare Stealer just some kind of a famous playwright placeholder, but is in fact a richly rendered both living and breathing character, who in Shakespeare's Scribe demonstrates to us readers just how much work writing or dictating an original dramatic work is (or can be) for a given author (and yes of course also for a scribe if an author is in fact dictating his words to the former).