Patricia Cornwell took a break for several years from her most popular character and bestselling series to write other books, but her eventual return to Chief Medical Examiner, Scarpetta, has not really worked very well. I have not been kind in my review of Patricia Cornwell’s last two Kay Scarpetta novels – 2021’s “Autopsy” and 2022’s “Livid”. I gave both 2-star ratings, which followed the same formula, lots of time spent on examining dead bodies, and less time on a mystery that suddenly gets resolved in the last 20 pages. I was hoping that “Unnatural Death” would not be strike three, and leave me wondering if it was time to give up on this series.
Then a funny thing happened… Cornwell’s 2023 outing - “Unnatural Death” – gave me a severe and surprise -filled schizophrenic reading experience. One with curveballs that I didn’t see coming.
Let me share that experience with you. And please be FOREWARNED, I am going to try my best to stay away from spoilers, but there will probably some light hints, so you will probably not be going to want to read further until you have finished the book for yourself. Your choice, but consider this my warning. In honor of the old Clint Eastwood classic spaghetti western, I am calling this my “Good, Bad, and the Ugly” review for reasons that will be apparent when you’re done reading it.
Last warning…. **Potential spoiler hints ahead** -
Just like her previous two novels outing, the structure of the novel was the same. Everything takes place over a period of less than 48 hours. It is all slammed together in a wham-bam-thank-you-reader storytelling experience. I kid you not. Day 1 covers the first 376 pages, and Day 2 covers pages 377 – 406 (with an 11-page epilogue taking place 8-days later).
Pages 1 – 70: Scarpetta is preparing to leave her state medical examiner’s office to investigate the discovery of two dead bodies found in Buckingham Run, part of the Northern Virigina mountains. The Secret Service has taken over and Kay’s niece and agent, Lucy, is picking her up by helicopter and escorting her to the victims because of the hard to get to location. We get 30 pages of introductions and exposition, followed by 40 pages of a helicopter ride and more exposition.
Pages 71 – 156: Scarpetta collects the two dead bodies, a husband and wife, one floating in a lake and one in a pit, and performs her initial inspection of them and the murder scene, along with her inspector Marino, Lucy and her agent partner, Tron. This includes Marino finding and taking a mold of a potential Bigfoot print (yes, seriously), and other a helicopter ride back to the ME’s office.
Pages 157 – 230: Scarpetta performs the autopsy on both of the murdered victims and secrets begin to be revealed. BIG SECRETS. REALLY BIG SECREST! SERIOUSLY BIG SECRETS.
Pages 231 - 314: Scarpetta finishes things up at the office, more exposition on several subplots and clues that don’t seem to make a lot of sense at the time.
Pages 315 – 337: Scarpetta travels home and more exposition.
Pages 338 – 376: Scarpetta arrives at home, visits with her seriously self-esteemed sister, Dorothy, and Marino before finally crashing to sleep.
As I already mentioned, the remaining 42 pages covers a quickly thrown together ending that deserved more time spent on it, and a pretty complete prologue, which was better than Cornwell usually provides.
The reason that I share this outline is because it has been a repeated pattern for the last three Kay Scarpetta novels. It’s predictable and over-used by Cornwell, and contributes to some problems for the reader.
- Way too much time spent on the scientific research and medical work, which overwhelms and almost drowns out the overall story and mystery.
- There is no character development, growth, or change whatsoever. As I’ve noted in previous reviews, there hasn’t been any for many books now and no hint of change. Every key character – Scarpetta, Benton, Marino, Lucy, and Dorothy – are so predictable that they have become a caricature of themselves at this point.
- More importantly, the primary action and major plot developments occur outside of the primary characters and offstage from the reader. The core people involved are constantly informed of the key activities propelling the plot forward. As readers, we just exposition. A lot of it all throughout the book, telling us what happened off stage. However, the primary characters don’t actually experience the events first hand. They come in after those events and then react to what has already happened.
This is the good and the ugly. Now for the good…
This book was following the same pattern as the previous two, and I was seeing another 2-star rating coming as I struggled to keep reading as my enthusiasm was waning again. Then on page 181 things took a turn. A BIG TURN for the good. A SHOCKING and SURPRISING turn. One with a twist that had me thinking no, this cannot be true. It doesn’t work. But then, as Cornwell laid out her story in a well thought out and structured foundation, the pieces fit together much better than I expected. The tension was increased immensely and the drama elevated. I was reminded of some of the best twists from the cable spy thriller series “Homeland” when it was hitting the high mark of quality.
Suddenly, the rest of the book had my interest and attention. What made it even better was that Cornwell did not ruin this excellent plot development, she built on it in a good way. All of the various clues and subplots included throughout the book came together beautifully. Although the ending was rushed (which has never been a Cornwell strength), all of the pieces actually connected well and brought everything together for a cohesive story and culminating conclusion. I was especially surprised that the Prologue made sense of everything and provided excellent closure (which is another Cornwell weakness). This was one of her best wrap up jobs in my opinion.
Overall, Cornwell did something that I didn’t expect. To use a sports analogy, she upped her game. Even with the bad and the ugly, when she is good, she can be very good. She provided a solid mystery that was layered and even stretched the characters in ways that I didn’t see coming. My hats off on that.
So, to wrap up this schizophrenic read, here’s my schizophrenic rating calculation:
First 180 pages – 2 stars.
The rest of the book – 4 stars.
The unexpected plot twist and strong mystery with a complete ending - + 1 star
Overall rating – 3.5 stars (averaged out and bumped up since Goodreads doesn’t round)
For the first time in a very long time, I will say this. I cannot wait for the next Scarpetta next year and the renewed conflict that lies ahead… Bring it on…