The picaresque novel is a Spanish invention, yet the British do it better than anyone. Kyril Bonfigliol wrote three novels and a fragment about the lovable rogue Charles Mortdecai, the most morally flexible art-dealer in England. In ALL THE TEA IN CHINA, Bonfiglioli gives us the morally reprehensible forebear of Mortdecai. Carolus Mortdecai Van Cleef, on the run from some sexual misadventures in his native Holland, establishes a China shop in England. Learning of the fortunes to be made in the opium and tea trades, Van Cleef joins a ship's crew and sets out to Asia to make his fortune. Along the way, Bonfiglioli pokes fun at The Empire, The East India Company, nautical adventure stories, and the nature of heroism. A man of great appetites, gustatory and amatory, Van Cleef, fits nicely into the tradition of Tom Jones and Sir Harry Paget Flashman. If this historical burlesque has any flaws, they are the result of too much research into the operations of a ship and the result of his love for his main character; the world Van Cleef finds himself in, although ethically challenged, is sort of welcoming. Bonfiglioli, called "a cross between P. G. Wodehouse and Ian Fleming" died far too young. This, his only historical novel, shows a flair that was nipped in its bitter bud.