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Pluto [プルートウ] #2
PLUTO: Urasawa x Tezuka, Vol. 2
In a distant future where sentient humanoid robots pass for human, someone or some thing is out to destroy the seven great robots of the world. Europol’s top detective Gesicht is assigned to investigate these mysterious robot serial murders—the only catch is that he himself is one of the seven targets.
Atom, a boy robot whose sophisticated AI programming seamlessly blurs the distinction between man and machine, starts his own investigation into the serial murders of the great robots of the world. When he discovers that the killer’s motives may be connected with the geopolitical events of the recent past, he realizes that the case is far larger than anyone could have ever imagined.
Contains Chapters 8 to 15.
Atom, a boy robot whose sophisticated AI programming seamlessly blurs the distinction between man and machine, starts his own investigation into the serial murders of the great robots of the world. When he discovers that the killer’s motives may be connected with the geopolitical events of the recent past, he realizes that the case is far larger than anyone could have ever imagined.
Contains Chapters 8 to 15.
208 pages, Paperback
First published April 26, 2005
About the author
Naoki Urasawa
369 books3,014 followersUrasawa Naoki (浦沢直樹) is a Japanese mangaka. He is perhaps best known for Monster (which drew praise from Junot Díaz, the 2008 Pulitzer Prize winner) and 20th Century Boys.
Urasawa's work often concentrates on intricate plotting, interweaving narratives, a deep focus on character development and psychological complexity. Urasawa has won the Shogakukan Manga Award, the Japan Media Arts Festival excellence award, the Kodansha Manga Award and the Tezuka Osamu Cultural Prize. In 2008 Urasawa accepted a guest teaching post at Nagoya Zokei University.
Series list (not including short stories collections):
- Pineapple ARMY (パイナップルARMY) 1985-1988, written by Kazuya Kudo;
- YAWARA! 1986-1993;
- Master Keaton (MASTERキートン) 1988-1994, written by Hokusei Katsushika;
- Happy! 1993-1999
- MONSTER 1994-2001
- 20th Century Boys (20世紀少年) 1999-2006
- 21st Century Boys (21世紀少年) 2007
- PLUTO 2003-2009, based on Tezuka Osamu's Tetsuwan Atom
- BILLY BAT 2008-2016
- Master Keaton Remaster (MASTERキートン Reマスター) 2012-2014
- Mujirushi (夢印-MUJIRUSHI-) 2017-2018, collaboration with Musée du Louvre
- Asadora! (連続漫画小説 あさドラ!) 2018-ongoing
Urasawa's work often concentrates on intricate plotting, interweaving narratives, a deep focus on character development and psychological complexity. Urasawa has won the Shogakukan Manga Award, the Japan Media Arts Festival excellence award, the Kodansha Manga Award and the Tezuka Osamu Cultural Prize. In 2008 Urasawa accepted a guest teaching post at Nagoya Zokei University.
Series list (not including short stories collections):
- Pineapple ARMY (パイナップルARMY) 1985-1988, written by Kazuya Kudo;
- YAWARA! 1986-1993;
- Master Keaton (MASTERキートン) 1988-1994, written by Hokusei Katsushika;
- Happy! 1993-1999
- MONSTER 1994-2001
- 20th Century Boys (20世紀少年) 1999-2006
- 21st Century Boys (21世紀少年) 2007
- PLUTO 2003-2009, based on Tezuka Osamu's Tetsuwan Atom
- BILLY BAT 2008-2016
- Master Keaton Remaster (MASTERキートン Reマスター) 2012-2014
- Mujirushi (夢印-MUJIRUSHI-) 2017-2018, collaboration with Musée du Louvre
- Asadora! (連続漫画小説 あさドラ!) 2018-ongoing
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February 19, 2024
کم پیش میاد یه مانگا برای من توی جلد دوم به پنج ستاره برسه. با این حال جلد دوم مانگای پلوتو به راحتی لایق پنج ستاره هست.
داستان خیلی خیلی خوب داره میره جلو و اطلاعاتدهی اوراساوا عالیه و همون چیزیه که یه اثر معمایی باید داشته باشه. اینطوریه که یه سری اطلاعات کامل میده برای اینکه مخاطب حس کنه داستان داره جلو میره و خسته نشه، یه سرنخ کوچیک برای حل معما ایجاد میکنه تا مخاطب بیشتر توی جزئیات دقیق بشه و بعد از اون چندین سوال مختلف ایجاد میکنه تا مخاطبت ترغیب بشه و ادامه بده. یه تعادل خیلی خوبی داره که توی کمتر اثری میتونید نمونهش رو پیدا کنید.
دو سه تا تیکه احساسی خیلی خوب هم داشت و مثل همیشه لذت بردم.
و چقدر آرت مانگا پخته و قویه. فضاسازی و پنلبندیها جدا محشره.
داستان خیلی خیلی خوب داره میره جلو و اطلاعاتدهی اوراساوا عالیه و همون چیزیه که یه اثر معمایی باید داشته باشه. اینطوریه که یه سری اطلاعات کامل میده برای اینکه مخاطب حس کنه داستان داره جلو میره و خسته نشه، یه سرنخ کوچیک برای حل معما ایجاد میکنه تا مخاطب بیشتر توی جزئیات دقیق بشه و بعد از اون چندین سوال مختلف ایجاد میکنه تا مخاطبت ترغیب بشه و ادامه بده. یه تعادل خیلی خوبی داره که توی کمتر اثری میتونید نمونهش رو پیدا کنید.
دو سه تا تیکه احساسی خیلی خوب هم داشت و مثل همیشه لذت بردم.
و چقدر آرت مانگا پخته و قویه. فضاسازی و پنلبندیها جدا محشره.
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