The setting is Atlanta, Georgia — a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt.
Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system.
And back in Atlanta, when star Georgia Tech running back Fareek “the Canon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high.
Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates — Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker’s deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel America has seen in ages — Tom Wolfe’s most outstanding achievement to date.
Wolfe was educated at Washington and Lee Universities and also at Yale, where he received a PhD in American studies.
Tom Wolfe spent his early days as a Washington Post beat reporter, where his free-association, onomatopoetic style would later become the trademark of New Journalism. In books such as The Electric Koolaid Acid Test, The Right Stuff, and The Bonfire of the Vanities, Wolfe delves into the inner workings of the mind, writing about the unconscious decisions people make in their lives. His attention to eccentricities of human behavior and language and to questions of social status are considered unparalleled in the American literary canon.
He is one of the founders of the New Journalism movement of the 1960s and 1970s.