The Story Of Marek Cain
Alan Elsner's first novel, "The Nazi Hunter" (2007), is a quickly-paced suspense novel that tells the story of an attorney in the Office of Special Investigations, DOJ, and his efforts to bring to Justice a notorious Nazi living in the United States who has received world-wide acclaim as a singer of German lieder. The protagonist, Marek (Mark) Cain, 35, is the Deputy Director of his office who, while devoted to his work, is leading a lonely, single life after a breakup with his most recent girlfriend. Cain tells most of the story in the first person. There is also a separate narrative voice: an American neo-Nazi who becomes intertwined with Cain's story and who is part of a plot to blow up government buildings in Washington, D.C.
In November, 1994, Cain receives a strange visit from a disheveled middle-aged German woman who claims to have important documents regarding a Nazi in the States who had participated at the infamous concentration camp of Belzec in Poland. The woman meets a mysterious death before she can convey her information to Cain. The woman describes herself to Cain as "a lover of German songs". As the story unfolds, Cain begins to identify the possible Nazi past of Roberto Delatrucha, who had emigrated from Argentina many years earlier and as about to receive artistic recognition from the President. In the course of the story, Elsner offers a chilling portrayal of the Belzec camp and of many former Nazis. The story builds as Cain gradually discovers Delatrucha's past from what initially appear to be dubious, highly speculative clues.
This is a multi-layered book with much more than the attempt to uncover a former Nazi. The novel shows a great deal of love for lieder, especially the songs of Franz Schubert. Cain rediscovers classical music upon hearing Delatrucha's recording of Schubert's Winterreise, a great song cycle of a man's unrequited love. Schubert's other large song cycle, The Miller's Lovely Daughter also is carefully worked into the story, with the love song "Mein!" that occurs midway in Schubert's score. Other Schubert songs described include the Trout ("delatrucha" in spanish) and the Erl-King, about the killing of a young boy by a demon. In many places, Elsner contrasts the beauty of Schubert and German song with the barbarity of the Nazis. His book could well encourage listeners to explore this music.
Perhaps a larger theme of the book involves Cain himself. Cain's mother died at an early age and he was raised largely by his father, who is also a central character in the novel. Although the family was secular, Cain becomes an Orthodox Jew after college. In his sexual and emotional loneliness, Cain begins a relationship with a colleague, a young, pretty, flirtatious lawyer, Lynn who is a secular Jew with little attraction to religion or Orthodoxy.
Elsner shows a great deal of sympathy for Orthodox Judaism and stresses throughout Cain's efforts to integrate his Orthodoxy with modern American life. Cain is shown often saying his morning prayers, wearing his phylacteries, watching his diet, avoiding work on the Shabbos, and observing the requirements of Jewish religious law. During the romance between Cain and Lynn, the couple discuss their different attitudes towards religion. The discussion turns inevitably to sexuality, as Cain explains to his love that premarital sex is not proscribed in Orthodox Judaism. Implicit in this discussion is a recognition of how difficult the connection between religion and sexuality remains to many people, of whatever religious practice.
With its treatment of important difficult themes, Elsner's novel reads lightly and well. I was absorbed by the story. The book seems to me to share a fault with many first novels in spreading itself too thin. I thought the emphasis on Cain's religiosity overdone. Throughout the book, especially in the long series of climaxes near the end, I thought that too much was being asked of its protagonist, in terms of physical prowess and accomplishment, for an individual who is, as he describes himself, a quiet, nonathletic bookish man. The succession of Cain's triumphs towards the end is not entirely convincing. The book was somewhat more partisanly political in tone than it needed to be. And I can't shake some doubt, in spite of the way the book develops, of the decision to pursue Delatrucha on the basis of initial evidence which appears flimsy or nonexistent. In the story, several colleagues of Cain's express their reservations clearly in the investigation's early stages.
These criticisms notwithstanding, I greatly enjoyed reading this book. I learned something about the Holocaust. And it is always a joy to think about the music of Schubert.
Robin Friedman