If you have been a fan of the Liverpool Football team for decades; or SSC Napoli; or the Brisbane Lions; or India’s Kapil Devils there is something to share with fans of the Boston Red Sox American League baseball team. Halberstam was such a fan and his book is primarily directed at Boston Red Sox fans of a certain age. The Red Sox of the late 1930s to the early 1950s were anchored by four great ballplayers. The greatest was Ted Williams but there was greatness in his teammates: Bobby Doerr, Dom DiMaggio, and Johnny Peske. After their time with the Red Sox (and beyond playing baseball) they went in different directions but their camaraderie and friendship endured.
Halberstam gives us full (lifetime) biographies of these four. He has plenty of insights into the way they played together and kept together. And, he shows skill at both interviewing each of these men and in describing the iconic plays that defined them.
I should note that there is plenty for those whose interest is broader than just the Red Sox. Those who are interested in this era of baseball will find plenty to their teeth into. Then, he goes even wider into The Depression, WW II, post-was hopes, life-styles and cultural issues.
Here is a description of a day he spent with a much older Ted Williams:
"I have spent no small amount of time in retrospect trying to figure out why it was so glorious a day. Part of it was the match-up—here I was at 54 dealing with a great figure of my childhood, in a scenario that allowed, indeed encouraged, us both to be young again, me to be 12, and him to be 28; part of it was a sense that he was special as a man and that he was, like it or not, a genuine part of American history (something I suspect that he had come to believe in some visceral way himself, but did not know exactly how to articulate); part of it was that he had lived his life in an uncommonly independent way, to his own norms and beliefs, and not those of others; part of it was the fact that at 70 he was still one of the best-looking men in America; but most of it, I decided later, was that he gave so much. It was the unique quality of the energy level—I have rarely seen it matched. He gave more than he took. In the age of cool, he was the least cool of heroes. Rather he was a big kid who had never aged and had no intention of aging; I was alternately dazzled, and then almost exhausted by his energy and his gift for life… "He always, if you think about it, bet on himself. He did not go around doing things that would make him popular; instead, even when there were things about him that were appealing, he tended to keep them to himself. He was always his own man. I think in that sense the .406 is special and defining, not that he was the last man to accomplish it, but much more important was the way he did it. On the last day of the season, Boston faced the Philadelphia Athletics in a doubleheader and Ted’s average rounded out to .400 and Joe Cronin had offered him the day off. But Ted Williams did not round things out, and he had played, gotten six hits, and taken the average up to .406. Somehow that stands in contrast to so much in today’s world where there is so much hype, and where too many athletes who are more than a little artificial have too many publicity representatives and agents, all of whom, it strikes me, would have told their client to sit it out, rather than risk losing millions in endorsements (and in all too many cases the client would have listened). Instead, he had just gone out and done it, long before the Nike people figured that slogan out…"
One of the insights into relationships:
"Back then Bobby Doerr was not just his closest friend—he was a kind of ambassador from Ted to the rest of the world, explaining him, pointing out that he meant no harm and that, yes, he really was likable, there was no meanness there, the noise was bluster more than anything else. That’s what best friends were for, after all, and Doerr was perfectly cast for the role of young Ted Williams’ best friend." Here is Bobby retelling a situation that occurred long after they had retired: "I was in San Diego doing some scouting, and Neil Mahoney [the head Red Sox scout] came through, and he had asked Ted to come there, and we were having lunch in downtown San Diego. And when lunch was over Ted turned to us and said he wanted to take us and show us his dad’s photographic shop. And so we went across the street from the hotel, and there was a building there, all the offices empty now, nothing there but an empty building. Then he began talking about his father, who had not been successful, was out of work a lot, and had been drinking a lot. And as he talked you could just see it roll out, this little kid in this terrible world, all the unhappiness, all the things which had never gone away, and which had been stored up for so long. It was clear that his dad had never been there for him. And then when we came out he took us to this nearby corner, and he said, ‘This is where my mother made me march with the Salvation Army, and I would try and hide behind the bass drum.’ As he talked I could see it all, the little boy back then, the shame, and the pain and the broken home, and how much he had hated all of it. As we were walking around, and he was letting us into his childhood, I was thinking to myself, ‘This is where it all started.’ I’ll never forget that day when he took us around because all you could feel was the sadness of it. The sadness of that little boy, and the sense that it had weighed on him so heavily for so long.”"
Halberstam recounts how Dom DiMaggio made himself into a major league ballplayer: "But Dominic, clearly the superior geometrist-navigator, felt that if you could glide from the outer lane to the inner on curves, you would end up lessening the distance considerably. That seemed dubious to Flavin—at best on a trip of around 1,300 miles it might save a mile or two—but this was, Flavin realized, merely another sign that Dominic examined everything as scientifically as possible in order to figure out the right way to do things. It was, Flavin was sure, the sign of a man who had been forced to study everything carefully when he was young in order to maximize his chances and athletic abilities. During his entire life, Dominic had fought all sorts of prejudices about his size, his eyesight, and his ethnicity. In the early part of his athletic career he had struggled for his rightful place, beating out men who were bigger and seemingly stronger, and who conformed more readily to the image of what a baseball player was supposed to look like… Dominic had always succeeded by overcoming adversity. Nothing ever came easily for him. If Bobby Doerr had been the natural, playing with instinctive grace and fluidity, then Dom was the one of the four teammates who had struggled against the greatest odds. The scouts, the men who judged these things with their cold, analytical eyes, and who spent their daytime hours tracking high school and American Legion ball, spotting the talents of boys and trying to project them into the men they would one day become, loved a Bobby Doerr, and more often than not they barely saw a Dom DiMaggio in the beginning, or, perhaps more accurately, they stopped for a moment because of the name, saw the size, and then kept looking. He just did not look like a ballplayer."
And Halberstam can write equally well about the details of a game. "The first pitch to Dominic was a fastball, which came in just a little high—Brecheen wasting a pitch and trying to get Dom to swing out of the strike zone. But Cal Hubbard, the home-plate umpire, a man whom Dominic greatly admired, called it a strike. “Cal,” Dom protested, “it was high—it wasn’t a strike.” “Stop griping and get in there and hit,” Hubbard replied. Good advice, Dom thought, just do your job. The next ball was a curve inside, ball one, the count now 1–1. Then Brecheen threw two screwballs in a row, both down and away. Dom bit on neither. That made the count 3–1. Dominic looked down at third, where Joe Cronin was coaching. Cronin flashed him the hit sign. Dom quickly went through Brecheen’s repertoire. He knew it wouldn’t be that sorry fastball, a lefty throwing a very hittable fastball to a right-handed hitter, who was a good fastball hitter. That wasn’t going to happen on 3–1. Maybe on 3–2, but not 3–1. It wasn’t going to be a curve, because Brecheen had been having too much trouble getting that over. So it was going to be another screwball. But it was not going to be a screwball on the inside, Dom figured, because Brecheen would be afraid that he might jump on it and pull it. It would be a screwball on the outside. He was absolutely sure that was what Brecheen would throw. If he tried to pull it as Brecheen intended him to, it would more than likely result in Dom driving it into the ground. So Dominic decided he would simply go with the pitch."
A very satisfying read.
4.5