After the happy buzz I had following Indiana Jones and the Philosopher’s Stone, I was hoping the feeling would continue here in Indiana Jones and the Dinosaur Eggs and, with no intention of burying the lede, let me say upfront that I found it just as enjoyable, although it has a different vibe to its predecessor.
First up, the novel is bookended with a Rene Belloq adventure that has nothing to do with the rest of the story. Is it a little fan service-y? Yeah, to be fair, it is. And to emphasise how it has nothing to do with the rest of the plot, when I got to the segment at the end of the novel, mentioning a particular German submarine, and naming characters, I was thinking, “Wait, who was that, again?” because over the month I picked my way through the novel, I’d completely forgotten details of the “pre-credits sequence”.
The main plot, meanwhile, can be summarised as, Indy gets roped into an adventure when a missionary asks for his help finding her missing father, Professor Angus Starbuck, in Mongolia. Starbuck had been searching for fossils in the Gobi Desert when he made a shocking discovery—a dinosaur bone that isn’t millions of years old. This sees Indy cross from China into Outer Mongolia on an expedition with a motley crew of individuals for an adventure which, now I think back on it, is possibly the most brutal experience of the novel range so far. There are some scenes in this novel that are pretty horrific.
The Asian setting for the adventure works really well as it feels like a locale that isn’t tapped on the shoulder all that often to be the backdrop to an Indy adventure. The pre-credits sequence to Indiana Jones and the Temple of Doom is one everyone will know and, of course, the video game, Indiana Jones and the Emperor’s Tomb is primarily set in Asia but otherwise its appearances in novels and comics only amount to a few scenes here and there when I cast my mind back. And while the Peking, March 1910 segment of Journey of Radiance felt quite fresh as a location, the story set there didn’t really take advantage of the location, so Indiana Jones in Asia is something I still want to see more of in general.
Author Max McCoy took storyline inspiration from the real-life exploits of Roy Chapman Andrews, whose Gobi Desert expeditions unearthed some of the first-known dinosaur eggs. These were fossilised, of course, unlike the ones Indy finds in the story! Andrews himself was one of the figures that influenced the creation of the Indiana Jones character, so it feels like we’re going back to the well for something Indy’s progenitor basically did in real life which I think is a very clever thing to do.
McCoy was also intrigued by psychedelic mushrooms and weaves in a scene where Indy is under the influence—not by choice!—which feels in-sync with experiences he’s had with mind-altering substances earlier in the novel range and even in a film like Temple of Doom. Another clever move in my book.
It’s not perfect, however, and there are a few hiccups along the way. For example, the story takes a huge leap between chapters 4 and 5. One chapter ends with the expedition halfway to Urga and then the next chapter opens and they’re all in Urga, under arrest by the local authorities. It’s like a movie that fades out then fades in at a later time and you’re just meant to imagine what happened in between. It’s discombobulating when you get to that part. I actually paged back to make sure I hadn’t missed something or a that printing error had perhaps dropped an entire chapter out, it was that jarring.
Another area of the story gave me pause—Indy’s relationship with the missionary, Joan Starbuck. After Alecia—the love interest of the previous novel—walks in the pre-credits teaser, Indy’s free to get to know, and flirt, with Joan for the entire book. This goes along pretty well until a plot twist sees Indy go completely over the top about how he could never trust her and he’s actually pretty terrible towards her. Yet all she’s done to earn his ire are things that Indy has done plenty of times before, himself. Or would do, put in the same circumstances. I’m trying to be non-spoiler-y here, but people who have read the novel should know what I’m talking about. What makes it even more strange is later scenes in the story see Indy pretty much into Joan again. So while an argument could be made that perhaps Indy was just shocked by learning Joan’s truth, and went overboard for a little while, it just didn’t come across as realistic in the story. The Indiana Jones in my head would have learned Joan’s truth and been like, “You did all of that? For this? More power to you, sister…” and actually been pretty damn impressed by her.
But these are honestly small criticisms of a book that, by and large, didn’t pull any punches in its storytelling and felt quite ‘Indiana Jones’—albeit something falling more to realism in some parts. As I was reading I asked myself, several times, “Is this better than Indiana Jones and the Philosopher’s Stone?” and while it felt that way during some segments, I’m going to settle on them being equally as good in my mind. This, however, is with the caveat that they are quite different novels. The previous one is breaking into temples, punching fascists and so on. This one is a grand expedition, in Asia, meeting local warlords—both good and bad. It’s a completely different vibe.