Rounded up to 4.5 stars because it was really good but amazing may be a little much.
I see that as Nixon went longer into her writing career, the stories get better. Experience of writing really does help but also it is set in its present time period without an underlying issue to sort of influence my opinion.
Just a good old ghost story set in 1997 Louisiana with connections to a home built in the 1830s and able to withstand The Civil War (or The War Between The States as Nixon writes it).
It has been handed down to family of the Blevins and their ancestors born from Charlotte Blevins, who survived her parents and grandparents to keep their plantation home Graymoss from being burned down.
Still standing but no one has lived in the house for it is haunted by an evil spirit. Nothing during the day but at night, frightening faces in the walls and ceiling with forked, wagging tongues.
Charlotte made a promise to her dying grandfather Placide as he was shot by the very Union soldiers who wanted to burn her home to the ground that she would not let Graymoss be torn down since he built it with his own two hands.
Charlotte kept her promise and passed it down so now it has fallen to the new generation. Lia Starling is Charlotte's great-great-great-granddaughter with the house being left to her mother Anne by her grandmother, Sarah Langley. Lia's grandmother, Augusta, thought she would be left the house so she could finally tear it down so what a shock huh?
The Starlings plan to turn the house into a place where they can home children seen as "unadoptable" because siblings don't want to be seperated or the children have physical or mental disabilities too burdensome. Lia isn't exactly thrilled to move away from her best friend Jolie and then share a house with a bunch of screaming kids but that seems small in comparison to a house so terrifying no one will stay in it.
Well except for Lia's parents who don't believe in ghosts and try to use rational psychology to chalk it up to just mass hysteria through the power of suggestion brought on by a young girl suffering unspeakable tragedy. Lia is more open-minded thanks to being a reader of fiction but she has also read Charlotte's diary that came with the house.
Her mother passes it off as gobbledygook but Lia learns there was something Placide Blevins didn't have enough time to tell his granddaughter before he succumbed to the bullet, blood bubbling from his throat. All he could do was shove a copy of Favorite Tales of Edgar Allan Poe in her hand, the book he read to Charlotte so often, as a clue.
Lia's parents go off to see Graymoss and take her along, ready to start making plans on what all they will do to pass inspections. Almost everyone in the small town knows Graymoss' history and no one would be in their right mind to stay after dark but there seem to be other reasons anyone would want the house.
One man wants to but the land and tear it down for new homes, another wants all of the antique furniture inside, the caretaker of the grounds and his wife have a garden on the property, an older woman has taken a home in the old overseer cabin on the property and likes her privacy and another woman wants the house to be a historical sight and charge people for tours.
Despite every effort on the townspeople and Lia herself, it doesn't seem to stop her parents from wanting to go on with their own plans. Lia is soon adult enough to know she wouldn't want her poor mother frightened away screaming so she is left with no other choice...she has to find the way to drive the evil from the house.
Told from Lia's P.O.V. it doesn't bother me as much as the style usually does because it reflects how she changes from the beginning to end of the book. A selfish, fifteen year old girl at first...I can relate.
She loves her parents and Lia soon learns that what they want to do with the plantation may seem they are being just as selfish not asking her to move away from her home isn't really selfish at all.
It probably doesn't help that all of the women in Lia's family going back to Charlotte have shown themselves to be extraordinary women in helping others and standing tall against anything that can be thrown at them: wars, politics and devastations of Mother Nature. At first, Lia just sees herself as a bookworm but she proves even more capable than she seems.
All of the other characters who want the house for some reason besides the caretaker and the old woman have really petty reasons actually. Privacy? I get it. Taking pride in a garden you planted yourself when you do so much already? Deserved.
The society lady brings along her handsome grandson to have him relate an incident he had in the house but that does nothing to budge Lia's mom. He soon turns out not to be a nice guy after all and I'm not surprised really. Even though I may be a romantic I like that Nixon has her female characters only think shortly about hooking up with cute guys...they are strong, young women with higher stakes.
The realtor wants the money for the land and the antique man wants to sell the furnishings so it's just all greed all around except for what Lia's mom and dad want. Even her grandmother just wanted the house because she felt "entitled" to it just to tear it down because she didn't like it. It's stated in Sarah's will that if her granddaughter didn't want it, it would be held in trust for Lia when she turned twenty-five.
I'm thinking Sarah Langley just had this feeling that her own daughter wouldn't keep the house like all the others: taking care of Graymoss even if they didn't live there. Too bad we didn't get to have her stay around longer.
Tying in the use of Edgar Allan Poe was a very nice touch but it also is one reason I couldn't exactly give five straight stars to The Haunting. Mostly because if you know Poe's stories, it isn't very hard to figure out which one in the book helps to unravel the mystery. If you are a stranger to Poe's work, you might be a little more surprised.
As the list of titles Lia read became smaller, most of them being "new" to her with potential clues, I felt myself getting a smug smile on my face. If you watch movies with me or see me reading a book and making "that face"...it's not really good. I mean I won't spoil it for you and I won't be a punk but it did make the reveal less...thrilling.
After that, it just kind of ends but you already know despite the little zinger that everything is going to work out the way it should for Lia and her family. As for everyone else besides again the caretaker, his wife and the older woman living in the cabin on the land with the late Sarah Langley's permission and that of her granddaughter...they get what they deserve karmically speaking.
Well I guess Lia's grandmother starts being a little less prickly so she's not so bad...
Of the Joan Lowery Nixon books I have read so far, The Haunting is probably my favorite. If any part of my review has you wanting to read some of her work, I recommend giving The Haunting a go first.
As I find more books my opinion might change but that is then and this is now...