Although most readers automatically associate Louis L'Amour with the Western genre –fiction set in the American West from roughly 1840-1900, and involving action adventure associated with outlaws, Indian warfare (or other wars of the period) or the physical challenges of cowboy/cattle-ranch life-- he also wrote a goodly amount of action-oriented fiction, much of it historical, set in other milieus. This novel, which opens in southeastern England in 1599, is a prime example. First published in 1974, it's generally characterized as the first book (in terms of internal chronology, though not the first to be written) of his “Sackett series.” As he explains in his brief Preface here, he'd had the idea of writing a multi-generational corpus of over 40 novels about three fictional families of pioneers (the Sacketts, the Talons, and the Chantrys, whose paths cross at times), through whose experiences he could depict the true-to-life epic saga of the westward movement, from sea to sea, of the settlers of what is today the U.S. But this body of fiction is not exactly a unified, single series. Generations in each family may be widely separated in time; the books themselves were written over a long period, and not necessarily as part of a predetermined plan, and those that I've read can mostly be read as stand-alones. In this particular book, the author commences the tale of Barnabas Sackett, the first member of his family to come to America.
It's well to say at the outset that the Goodreads description for this edition summarizes a lot of the plot that's better left for readers to discover on their own. And while it's much shorter at three sentences, the over-sensationalized cover copy manages to incorporate no less than three significant inaccuracies. My advice is to skip both. Suffice it to say that our hero is a young man (as I recall, his exact age isn't ever specified; I'd say it's perhaps 21-22) who hails from the fen country of Cambridgeshire (just west of Norfolk and Suffolk). His now-dead father was a mercenary soldier who earned a small freehold by his military service; he left it to his son, and also taught the boy both how to read and how to handle a sword. Like the fen folk in general, Barnabas is also good with a bow, and savvy about the outdoors; he's smart, intellectually curious, sober and steady, determined, and gifted with a strong sense of honor and loyalty. Alone in the world, he supplements his subsistence farming and fishing by working as an occasional day laborer; but he has an ambition to better himself, imbibing something of the spirit of an age, on the cusp of the 17th century, when the iron bands of the rigid English class system are starting to weaken, allowing some social mobility, and there's increasing talk of a vast new land across the sea. (England has no colonies there yet, but already a handful of sea captains venture there to trade with the natives for furs, and/or to bring back potash.) With an unusual but believable chance discovery of some ancient Roman coins, he acquires the wherewithal to invest in a trading voyage of his own; but on the same day, through no fault of his own, he also acquires a malevolent enemy from the gentry class. From that beginning, L'Amour spins a tale of dangerous adventure on land and sea, intrigue, physical and moral challenges, a plot twist that's almost Dickensian, and a clean romance. “I always said,” Barnabas observes at one point, “that I wanted a woman to walk beside me, not behind me.” (And there's a young lady here who can do it.... :-) )
Though the individuals here are fictional, there really was a Sackett family in this era, living in the fen country around Ely. L'Amour incorporates this and other period detail very well into the narrative; his research was solid. Barnabas' narrative voice, and the dialogue in general, has a slightly archaic flavor for verisimilitude (just not as archaic as actual Elizabethan speech would have been). Pacing is steady, and the prose style brisk, in good Realist style, with enough description to allow vivid visualization, but not enough to slow the narrative. (At 185 pages, this is a quick read.) Characterizations are strong, the author handles action scenes well, and there are very few anachronisms or editorial issues. Bad language is minimal, and there's no sexual content. (Native Americans are depicted realistically, but fairly.) If you like action-oriented historical fiction, I can give this tale a high recommendation!