"When I had been a small boy someone told me that the blood in your veins was blue, the way it looked through the skin, and that it only turned red when you exposed it to air. What I felt was one thing when I kept it in. It changed color entirely when I exposed it."
Spenser is having a dark night of the soul. This is the first time I've read through the books in order, and I've found this period surprisingly moving. Spenser's relationship with Susan has drifted into treacherous waters. It seems he's been taking her for granted. She's moved to Washington for work, and he's blue because she's not around to make him feel better about himself, although when he was in LA banging Candy Sloan in A Savage Place, he didn't seem to give Susan much thought at all. Those events seem to have led to this point, and it makes for a more sombre affair than we're used to getting with Spenser.
The case he's working on is almost an afterthought. Politician Meade Alexander is being blackmailed. Someone has a video of his wife, Ronni, in a compromising situation, and Meade wants it dealt with in a way that means she isn't embarrassed in public. Spenser, seeing a nobility in Alexander's blind loyalty to his wayward wife, goes about it with his usual 'dog with a bone' bluster. But this is really all about love, and how it defines us and constrains us. All the big players are involved here; Susan, Paul, Hawk. One of my favourite Spenser characters, the mob hitman Vinnie Morris, also makes his debut here.
Waters get choppier still for Spenser next time round, in Valediction.