To say that Gregory McDonald's The Brave is one of the most nauseating books I've ever read is not to say that there isn't plenty to recommend it to a certain type of reader. The narrative is so inevitable, once I began reading--after, say, the first 30 pages--I felt like I was standing at the bottom of a steep hill watching a boulder gathering speed as it sped down toward me, a sort of Sisyphus in reverse. But it isn't Sisyphus that McDonald had in mind, apparently, when writing The Brave: it was Jesus Christ. If you like your Christian allegories tinged with enough sadism to make your skin crawl (again, all by page 30), then The Brave is for you. The Christ parallels are not heavy-handed, but as inevitable as the plot movement. There is an interrogation by a round-faced smiling Pilate. There is a last supper. There is a crucifixion, of sorts (that doesn't happen until after the novel ends, but believe me, you will know in sickening detail what is to happen to your protagonist, Rafael).
Not to give away any plot points, suffice it to say that Rafael is dirt poor, living with others including his wife and three children in Morgantown, an unincorporated, unrecognized dust bowl that exists alongside a dump which, through picking, serves as the only means of income for Rafael and his poor brethren. In a visit to the city, Rafael follows up on a lead that promises to pay enough money to guarantee deliverance--or salvation, if you will--for all of Rafael's family and friends. The only catch: it will cost Rafael his life.
An indictment of have/have not America, of the prevalence of alcoholism among the very poor, of racism, of classism, The Brave is difficult to resist even as one feels he must put it down or else. I found myself reminded several times of Jack Ketcham's The Girl Next Door--except that McDonald's novel has substance and subtext that makes the creepy-crawlies much more well deserved.
Oh, and the final piece of the Christ allegory: the resurrection? I will leave that up to readers to decide, as they interpret the ramifications of the "contract" Rafael carries with him to the very end.