The return to reading Doctor Who books!
I set my reading target this year to 35 as I had 35 of the BBC New Series adventures novels in my collection that needed reading. I began this year on a good streak of the 12th Doctor ones, but after hitting a rut of quite poor stories, my interest in the series was lost. After a few months of reading various other things, I have finally returned to reading this series. And what better place to start than with the first ever BBC New Series novel published.
This novel was written by Justin Richards who I am familiar with through his many Big Finish stories as well as the 12th Doctor novel 𝘚𝘪𝘭𝘩𝘰𝘶𝘦𝘵𝘵𝘦. In some ways, this bore similarities with 𝘚𝘪𝘭𝘩𝘰𝘶𝘦𝘵𝘵𝘦. The period setting, the high concept villains lurking in the shadows, the mad rush of panic in the final act. And, though I think 𝘚𝘪𝘭𝘩𝘰𝘶𝘦𝘵𝘵𝘦 is the stronger story, this was definitely enjoyable.
It seemed an odd choice for novel number 1 as it didn't really fit with the vibes of Series 1 and that early RTD era on TV. I'd have thought that the first novel would try and maintain that tone so that the books would appeal to those viewers. This, in some ways, feels more like a classic story by having multiple plot threads that would sustain a 4-part or 6-part runtime and by splitting the companion and Doctor up to explore their own stories. The book begins as the Doctor and Rose are wanting to visit a British empire exhibition, this felt very reminiscent of the 8th Doctor and Charley visiting a similar exhibition in audio story 𝘖𝘵𝘩𝘦𝘳 𝘓𝘪𝘷𝘦𝘴. This then becomes a Whodunnit as there are violent attacks spreading across the foggy 1920s London by a mysterious assailant, all the while the TARDIS has gone missing. This then changes as the Doctor and Rose discover a group of Russian exiles who wish to return to their country and reinstate themselves as nobility following the Russian Revolution of 1917. Then, it is revealed that there is a similarly exiled alien criminal who has been imprisoned on Earth and is being hunted by assassins seeking revenge. All of these are plots enough to sustain a book so it felt quite jarring that we hopped from one to another. They did all lead into each other, and I can understand their purpose for the wider threads to tie together and expand the story, but I'd have rather Richards chose one of them than all. Other than having heir to the throne child Freddie involved in much of the adventure, the Russian Revolution plot was entirely forgotten about and it seemed an unnecessary inclusion. Its only purpose seemed to be setting up that Freddie was haemophiliac, but this could have been stated on its own. The exhibition thing especially felt very unnecessary as, though the Doctor and Rose do visit the exhibition, it has no actual bearing on the story and is entirely irrelevant. The TARDIS should have simply been brought to London without explanation.
I liked that there was always an unravelling mystery throughout the book surrounding the Mr Pooter and Painted Lady characters. The explanation eventually given seemed somewhat basic and a well-trodden concept in 𝘋𝘰𝘤𝘵𝘰𝘳 𝘞𝘩𝘰, but I'll forgive it for being the first New Series novel. These books seem to benefit when they tell a story that the TV series would never be able to afford and an audio story would never be able to execute. The huge spectacle of climbing Big Ben and destroying its inner workings felt epic and grand (even if a tad ridiculous). That being said, I sort of wanted it to do a bit more as the first novel. To make a statement and introduce the series with a bang. It had grand spectacles and large action set pieces, but the story was rather basic. Maybe this is not to alienate younger readers, but I think there was just something more that could have been done. A concept more unique.
I often wonder how much the writers are given in regards to character traits and portrayals from the series when these books are released to coincide with the TV series. Like with the 12th Doctor novels that I have previously read, the characterisation of the incarnation becomes more accurate over time. With Eccleston only having one series of television 𝘋𝘰𝘤𝘵𝘰𝘳 𝘞𝘩𝘰, this process was impossible for his Doctor and all stories will have been based on whatever material the novel writers are given. I say this because Rose's characterisation was fairly accurate. I could mostly hear her voice through her lines and her behaviour was largely in-keeping with the TV character (even if her forgetting to tourniquet Freddie's leg and instead leaving him to bleed was very off and out of character). The Doctor on the other hand was very hit or miss. At times, I could really hear Eccleston and imagine him performing his lines and actions, at others they weirdly seemed more like Tennant's Doctor - even though he would not have been Doctor yet when these were released - and at others he was written as generic Doctor. I realise this characterisation must be hard to capture with so little to go off, but I always feel it would add to the tone of the book if there was just a little more accuracy in there. The closest the book came to a good characterisation of the Doctor was when the Painted Lady mistook the Doctor for the alien criminal and described the crimes that he had committed. It seemed as though she was describing exactly what we knew the Doctor to have done during the Time War, so it was nice to allude to this trauma. My favourite ties to the series though were the mentions of Gwyneth from 𝘛𝘩𝘦 𝘜𝘯𝘲𝘶𝘪𝘦𝘵 𝘋𝘦𝘢𝘥 and the name drop of Bad Wolf. I always love when extended universe material that slots somewhere within a series' continuity makes an effort to reference the ongoing story arc of its time.
Overall, this novel didn't blow me away as some previous 𝘋𝘰𝘤𝘵𝘰𝘳 𝘞𝘩𝘰 books have, but it didn't disappoint me as some have either. It was a fun and simple introductory story that was never boring. I would have wished for a little more depth and a story a little less rudimentary as opposed to robots in disguise who are secretly alien criminals, but the spectacle of the adventure made it worth its time.
P.S. the clockwork robots were eerily foreboding of the Clockwork Droids that would be introduced in Series 2 of the TV show. Was this a coincidence, or did Steven Moffat take some inspiration from this book?