I've followed Dorian for years now, I think, both on YouTube and Instagram, and I'll admit, I've kind of fallen away from watching their videos over the last few years. Partly due to my complete lack of an attention span when it comes to watching anything, even if it's interesting to me. I'd been meaning to watch their videos on the Nostalgia Project for a while, but just never got around to it for how long they were, and I think the better versions are on Patreon? Which I don't have. So when I saw that Dorian was releasing this book, collecting all those topics into one book (so far) with a GORGEOUS purple cover on top of it all, I knew that I had to have it. So I bought the book as soon as it came out. And then it sat on my floor, where a bunch of other books I wanted to read soon, were sitting, with this one on top. And then all of those books collected dust for a time, so I stuck them in my closet with all my other unread books and told myself I'd get to it as soon as my reading slump was over. And that took a while. But then, finally, I don't know what exactly compelled me, but I was going through my stacks of unread books and this was sitting relatively on top, and I decided, alright, let's read this. And Dorian had me captivated from the first page.
I was just a child during the early 2000s, so those years hold a certain nostalgia for me that slightly differs from the same kind of nostalgia that Dorian is talking about in these books. But the way they talked about the early 2000s goth scene had me entranced. I do wish I could have experienced that for myself, as the goth scene where I live is practically non-existent, and goth nights anywhere here are very difficult to come by. But hey, I could live vicariously through Dorian for a little bit, and it was fascinating. Especially since those years are often doused in a rather hefty dose of glamorization. This felt a bit more real, and I could appreciate Dorian's brutal honesty. They don't shy away from the good, the bad, and the ugly.
I will admit that at times the timeline felt a little jumbled, sometimes there seemed to be a lot of build-up towards something that ultimately didn't appear to be nearly as big as I'd made it out to be in my head (I guess that's why we shouldn't play guessing games), and the fourth wall breaks weren't my favorite. I didn't like being addressed as baby bat or little fetus much, largely because I am neither, but hey, I see what they were going for and it's meant to immerse the reader, which, from a writer's perspective myself, I can appreciate. And truly, Dorian's life is fascinating. It's raw. And while I'm sure a lot of people might be interested for the early 2000s and late 90s goth nostalgia alone, I appreciated the insight into their mental health and substance abuse. That's about as real as it gets, and we need more people to be open about this stuff. As Dorian makes a point to mention throughout the novel several times, we live in a day and age where we can access this kind of connectivity on a daily basis. Back then, in the 90s and early 2000s, these topics were pretty much taboo. It's crazy how much has changed since then, between the tolerance the alternative/goth scene has gained and the way mental health issues have slowly started improving (even though there is so much farther to go with it all). So it's cool to see someone being so open about this stuff, especially when for the longest time, there weren't as many ways to do so, especially when it might have been the most beneficial.
Dorian definitely has a way with words, and given I'd been in a reading slump for quite some time, I'm pretty impressed by how riveted I was by this book. I got through it quickly. Much quicker than I expected. Which was cool. Not that it matters. But I think that just goes to show how interesting Dorian managed to make it. I don't know if that's a good thing, when I think about it; reading about other people's suffering, even former suffering, can be intense. But I've always been interested in other people's minds, and my own. So I guess from one neurodivergent to another, this book was excellent to read and relate to, even with our vastly differing experiences. Now I'm eagerly awaiting volume 2 of the nostalgia project. And any other books Dorian hinted at wanting to write within this one.
My only major complaint is purely cosmetic, albeit slightly functional: I have the physical copy, and I would have liked to see some page numbers. But hey, that didn't mar my enjoyment. Just something I noticed.